The Jim James Epiphone ES-335 features a Seventies Walnut-finish with a 5-ply laminated maple body, a Jim James Custom SlimTaper C profile, and an Indian laurel fretboard with dot inlays.
“I am beyond honored and so very grateful to have been able to collaborate with the fine folks at Epiphone on this beautiful instrument” says Jim James. “This is definitely a ‘pinch myself’ moment to be part of having a signature series guitar!"
The Alnico Classic PRO pickups are paired with CTS potentiometers and Orange Drop capacitors. Personal touches on the Epiphone Jim James ES-335 include vintage-style Kluson Waffleback tuners with metal buttons, a circle/arrow emblem on the truss rod cover, and an owl symbol on the back of the headstock; a hardshell case with an owl logo is also included.
Jim James has spent the better part of almost two decades as the lead singer, songwriter, and multi-instrumentalist of My Morning Jacket. Through seven studio albums, My Morning Jacket has grown into one of the most acclaimed rock and roll bands in the world. In 2013, James released his debut solo record, Regions of Light and Sound of God, and 2016 saw the release of his politically charged second record, Eternally Even. James released two solo albums in 2018 — Uniform Distortion and Uniform Clarity – and both were received with immediate acclaim.
Although splitting his time between Los Angeles and Kentucky, James has little plan to remain in one place. James has continued expanding on his zealous lists of credits, lending his voice to albums by the likes of the Roots, David Lynch, Brandi Carlile and John Fogerty and partnering with other artists on numerous side projects such as New Multitudes, Monsters of Folk, and T-Bone Burnett’s The New Basement Tapes. Known for his live performances, James has found himself in the touring company of those like Neil Young, Pearl Jam, and Bob Dylan – even appearing in the Dylan-inspired film, I’m Not There – and My Morning Jacket supported Roger Waters as his surprise-backing band during famed Newport Folk Festival in 2015. He has embedded himself in the world of film and television, be it through the use of his music in various projects or his long-running relationships with those in the field. James has also established himself as a producer in his own right, producing records by Preservation Hall Jazz Band, Dean Wareham, Basia Bulat, Amo Amo, and Ray Lamontagne’s Ouroboros (2016), the same year in which he collaborated with NASA for the launch of their Juno Mission, and with the Sundance Film Festival and their “Freedom of Expression” event.
Epiphone Jim James ES-335 Signature Semi-hollowbody Electric Guitar - Seventies Walnut
For more information, please visit epiphone.com.
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Keith Urban has spent decades traveling the world and topping global country-music charts, and on this episode of Wong Notes, the country-guitar hero tells host Cory Wong how he conquered the world—and what keeps him chasing new sounds on his 6-string via a new record, High, which releases on September 20.
Urban came up as guitarist and singer at the same time, and he details how his playing and singing have always worked as a duet in service of the song: “When I stop singing, [my guitar] wants to say something, and he says it in a different way.” Those traits served him well when he made his move into the American music industry, a story that begins in part with a fateful meeting with a 6-string banjo in a Nashville music store in 1995.
It’s a different world for working musicians now, and Urban weighs in on the state of radio, social media, and podcasts for modern guitarists, but he still believes in word-of-mouth over the algorithm when it comes to discovering exciting new players.
And in case you didn’t know, Keith Urban is a total gearhead. He shares his essential budget stomps and admits he’s a pedal hound, chasing new sounds week in and week out, but what role does new gear play in his routine? Urban puts it simply: “I’m not chasing tone, I’m pursuing inspiration.”
Wong Notes is presented by DistroKid.
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