This signature Stratocaster guitar is not only an homage to a player whose guitar-playing style is as technically proficient as it is emotionally evocative, but a celebration of Lacy’s indelible impact on culture at large.
Fender Musical Instruments Corporation(FMIC) today announces the launch of the Steve Lacy “People Pleaser” Stratocaster, a collaboration with California-born-and-raised Grammy-winning artist, guitarist, songwriter, and producer Steve Lacy. This Signature Stratocaster guitar is not only an homage to a player whose guitar-playing style is as technically proficient as it is emotionally evocative, but a celebration of Lacy’s indelible impact on culture at large. Named for his trailblazing reputation, crowd-pleasing sounds, and stage looks, the “People Pleaser” Stratocaster showcases Lacy’s evolution from a hungry musician into a chart-topping artist and guitarist.
Rising to fame in 2015 as part of the alternative R&B and soul band THE INTERNET, the singer/songwriter, guitarist, and producer has established himself as one of the music industry’s foremost innovators–blurring genre lines while keeping a keen focus on expressive musicianship. Since his earliest days, Lacy has collaborated with notable artists such as Kendrick Lamar, J. Cole, Solange, and Vampire Weekend, and has made a name for himself in the couture world when he walked the runway for high-end fashion houses including Louis Vuitton and Gucci. Lacy’s first chart-topping solo hit, “Bad Habit,” was released in 2022 as the lead single from his Grammy-winning second studio album Gemini Rights. Now, marking the next milestone of his career, Lacy’s signature Fender Stratocaster combines his stylish swagger and undeniable musicality, celebrating a career built on subverting expectations and inspiring a new generation to challenge conformity and establish a sonic palette entirely their own.
“This guitar means so much to me. It’s a full-circle moment. My first guitar was a Squier Strat. It was the box set that came with an amp, case, quarter inch-the whole 9. Now I have my very own FenderStratocaster guitar,” said Steve Lacy. “The People Pleaser Strat, in a nutshell, is my dream guitar as a kid when I first started playing and my dream guitar as the guitarist I am today. An ode to the old classic design that Fender is known for with all the new specs that make a guitar feel like home. I hope everyone gets to experience the feeling of this guitar. I’m excited to see what people make with it.“
The “People Pleaser” Stratocaster is designed with a keen focus on innovation and disruption. Lacy’s playing is rooted in robust melody and razor-sharp technicality, but his chord changes and lead playing never conform to any tropes or norms. Thanks to the People Pleaser’s broad tonal range and clear, crisp sound, guitarists everywhere can tap into that same boundless creative space that has made Lacy the eminent artist he is today. The soul of the instrument is its magical combination of Player Plus Noiseless pickups and onboard custom-voiced Fuzz circuit, which can create classic dirty tones ranging from overdrive to all-out fuzz. Raw and gritty with heavy distortion and rich harmonics, the custom-voiced Steve Lacy Chaos Fuzz circuit is both aggressive and expressive with sparking crystal-clear high ends, throaty mids, and taut deep lows. Whether you are seeking to emulate Lacy’s warm, oaky timbres and smooth chords or conjure your own personal chaos with the expressive Fuzz circuit, The Steve Lacy “People Pleaser” Stratocaster keeps your guitar at the forefront of the music-making process.
Finished in a brand-new “Chaos Burst” finish that Steve dreamed up, the unique colorway is an embodiment of the guitarist’s extraordinary tones. Modeled after Steve’s favorite vintage Fender®guitars, the “People Pleaser” Stratocaster®features hallmark Fender design elements from its alder body and synchronized-tremolo to capture the ineffable magic of a well-worn instrument, though it’s also loaded with modernized features players seek to create their own singular sound. Giving the instrument a distinctly personal feel, the custom neck plate is stamped with Steve’s original artwork and the backplate has a unique blue and green checkered pattern, which ties the vibrant model together. Finally, a custom dice inlay provides a subtle, visual motif to denote Steve’s signature touch. Ahead of its official debut, eagle-eyed fans even caught a glimpse of the signature guitar during his recent SNL and Grammys performances, as well as on stage at his latest tour.
In true tradition, Fender’s Artist Signature Series honors iconic musicians through product progression and storytelling, creating instruments inspired by the unique specifications of the world’s greatest guitarists and bassists. “We aimed to design a guitar that not only represents Fender's unwavering dedication to quality but also mirrors Steve's distinctive character and individuality," said Justin Norvell, EVP of Product at FMIC. “Steve is a longtime collaborator and fan of the brand, and Fender is proud to introduce one of our most innovative designs to date, which includes a brand-new chaos burst finish, that matches his eclectic personality, and a powerful integrated custom-voiced fuzz circuit, that delivers aggressive distorted tones for howling chords and solos.”
To celebrate the launch of the Steve Lacy “People Pleaser” Stratocaster®, Fender created a multi-faceted campaign including out-of-home elements that exemplify Steve’s impact on culture, a first for the brand. Residents and music fans in Los Angeles, New York, and London can expect to catch wild postings advertising the signature model at some of the busiest intersections in their cities for the next three weeks. Those attending concerts put on by Live Nation in Los Angeles and New York will have the opportunity to catch ads showcasing the “People Pleaser” across 33 shows. New Yorkers can see ads on 85 LinkNYC boards around music venues and stores throughout Manhattan and Brooklyn, while in Los Angeles, Steve will grace one of the city’s largest digital billboards, located blocks from the Crypto.com arena.
Additionally, the campaign will kick off with a stylized visual, starring Steve and his signature model guitar. Filmed by videographer Tino Shaedler, and photographed by previous Steve Lacy collaborator, Mason Rose, ‘THE PEOPLE PLEASER’ film commemorates Steve’s knack for being a crowd pleaser with his bona fide stylistic choices in sound and dress. The film also underlines Fender’s withstanding ability to delight the next generation of guitar players in unexpected ways and create models that champion style, without sacrificing the brand’s quintessential quality or sound.
“Steve’s unique sound and style have distinguished him as one of the leading artists of the new generation, who keep the guitar’s role in music and culture exciting and relevant,” stated Evan Jones, the Chief Marketing Officer at FMIC. “Inspired by Steve, the 'People Pleaser' Stratocaster is designed to captivate audiences and appeal to guitarists seeking a unique instrument that stands out in their collection."
MSRP: $1,399.99 USD
For more information, please visit fender.com.
Exploring the Steve Lacy "People Pleaser" Stratocaster | Artist Signature Series | Fender
Fender Steve Lacy People Pleaser Stratocaster Electric Guitar - Chaos Burst
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This convenient, easy-to-use controller can open up an entire world of sonic shape-shifting. Here are some tips to either inspire you to try one or expand how you’re currently using this flexible, creative device.
If you’re not yet using expression pedals, you should consider them. They have the power to expand and control your sonic universe. For the uninitiated, expression pedals are controllers that typically look like volume or wah pedals. Of course, traditional volume and wah pedals are expression pedals, too, but they are dedicated to controlling only those two effects.
Modern expression pedals allow you to assign and control parameters of your stomps or modelers by moving the expression pedal as you would a volume or wah. Dunlop, Boss, Ernie Ball, Yamaha, Behringer, Mission Engineering, and other manufacturers make these handy devices.
Many, but not all, of today’s stompboxes and modelers have expression pedal inputs that allow for manipulation of one or more parameters of those devices. In the past, this required bending over and turning a knob, or trying to turn a small knob with your foot—both of which can hamper your playing. The freedom of an expression pedal is the control you have over more aspects of your sound, especially in a live setting.
Although some of the uses for expression pedals below can also be accomplished by creating multiple presets, that will not allow real-time control over the parameters like an expression pedal will. Here are some notes about expression pedal use that might get you thinking about how one could help you.
Delay Repeats: Controlling the timing of a delay with tap tempo is very common, but how about controlling the number of repeats? With an expression pedal, by setting the expression control on your delay to control the number of repeats, you can easily go from a few for your rhythm sound to more for your lead sound, and then back off again.
Reverb and Delay Mix: The mix control on reverb and delay pedals allows you to balance the amount of wet to dry signal that you hear. There is often a delicate line to having just the right amount of wet signal with these two effects. If you have too much, your sound can be washed out and undefined. Too little and it can be dry and lack space. The part you are playing, and the venue you are in, can also change the amount of mix you need for these effects. By using an expression pedal for the mix control on reverb or delay, you can alter the sound on the fly to compensate for the part and the room, including turning down the mix for busy parts and up for parts with fewer notes.“Some uses for expression pedals can also be accomplished by creating multiple presets, but that will not allow real-time control over the parameters like an expression pedal will.”
Modulation Depth: The depth of a modulation effect, like a phaser, can drastically alter your guitar sound. A light amount can create a feeling of subtle movement, while a heavy amount can give a thick, underwater-type sound. An expression pedal can help you create a constant feeling of change throughout a song, allowing you to build up and break down the depth for different sections as you see fit.
Tremolo Speed: While the speed of tremolo can often be controlled by tap tempo, using an expression pedal for the same parameter offers other creative uses of the effect. With an expression pedal, you can easily speed the tremolo up to make subtle increases to the energy of a part or slow it down to decrease the energy. You can also create drastic changes in the speed that sound like a fan accelerating or slowing down. Or you can abruptly turn the tremolo off. This last option can be an exciting way to end a song or part.
EQ Change: Every guitar player uses EQ to sculpt their sound—whether via the tone controls on your instrument or amp (modelers included), or a dedicated equalizer used as part of your rig. Subtle tweaks can help you do things like balance out different guitars, cut through the mix more, or compensate for a boomy stage. Real-time control of EQ with an expression pedal is more common in the modeler world than the amp and pedal world, but it does exist in both. For example, increasing the midrange can give you more clarity and cut for solos. Decreasing it can create a flatter sound that can help you stay in the mix with the rest of the band. An expression pedal allows you to have one setting and alter it for multiple situations or guitars as opposed to having separate presets.
While this is a very short list of options for expression-pedal use, it should give you a good place to start. The most important thing is to always be creative, have fun, and find your own voice. An expression pedal can help you do all three.
Voltage Cable Company's new Voltage Vintage Coil 30-foot guitar cable is now protected with ISO-COAT technology to provide unsurpassed reliability.
The new coiled cables are available in four eye-grabbing retro colors – Surf Green, Electric Blue, Orange and Caramel – as well as three standard colors: Black, White and Red. There is also a CME exclusive “Chicago Cream” color on the way.
Guitarists can choose between three different connector configurations: straight/straight plugs, right angle/straight and right angle/right angle options.
The Voltage Vintage Coil offers superior sound quality and durability thanks to ISO-COAT treatment, a patent-pending hermetic seal applied to solder terminations. This first-of-its-kind airtight seal prevents corrosion and oxidization, a known factor in cable failure and degradation. ISO-COAT protected cables are for guitarists who value genuine lifetime durability and consistent tone throughout their career on stage and in the studio.
Voltage cables are hand made by qualified technical engineers using the finest components available and come with a lifetime warranty.
Voltage Vintage Coil features include:
- Lifetime guarantee, 1000+ gig durability
- ISO-COAT treatment - corrosion & oxidization resistant cable internals
- Strengthened structural integrity of solder terminations
Voltage Vintage Coils carry $89.00 USD pricing each and are available online at voltagecableco.com, as well as in select guitar stores in North America, Australia, Thailand, UK, Belgium and China.
About Voltage Cable: Established in 2021, Voltage Cable Co. is a family owned and operated guitar cable company based in Sydney, Australia. All their cables are designed to be played, and built for a lifetime. The company’s ISO-COAT is a patent pending hermetic seal applied to solder terminations.
Featuring dual-engine processing, dynamic room modeling, and classic mic/speaker pairings, this pedal delivers complete album-ready tones for rock and metal players.
Built on powerful dual‑engine processing and world‑class UAD modeling, ANTI 1992 High Gain Amp gives guitarists the unmistakable sound of an original "block letter" Peavey 5150 amplifier* – the notorious 120‑watt tube amp monster that fueled more than three decades of modern metal music, from Thrash and Death Metal, to Grunge, Black Metal, and more.
"With UAFX Dream, Ruby, Woodrow, and Lion amp emulators, we recreated four of the most famous guitar amps ever made," says UA Sr. Product Manager Tore Mogensen. "Now with ANTI, we're giving rock and metal players an authentic emulation of this punishing high gain amp – with the exact mic/speaker pairings and boost/noise gate effects that were responsible for some of the most groundbreaking modern metal tones ever captured."
Key Features:
- A complete emulation of the early '90s 120‑watt tone monster that defined new genres of modern metal
- Powerful UAFX dual-engine delivers the most authentic emulation of the amp ever placed in a stompbox
- Complete album‑ready sounds with built‑in noise gate, TS‑style overdrive, and TC‑style preamp boost
- Groundbreaking Dynamic Room Modeling derived from UA's award-winning OX Amp Top Box
- Six classic mic/speaker pairings used on decades of iconic metal and hard rock records
- Professional presets designed by the guitarists of Tetrarch, Jeff Loomis, and The Black Dahlia Murder
- UAFX mobile app lets you access hidden amp tweaks and mods, choose overdrive/boost, tweak noise gate, recall and archive your presets, download artist presets, and more
- Timeless UA design and craftsmanship, built to last decades
For more information, please visit uaudio.com.
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The Memphis-born avant-funk bassist keeps it simple on the road with a signature 5-string, a tried-and-true stack, and just four stomps.
MonoNeon, aka Dywane Thomas Jr., came up learning the bass from his father in Memphis, Tennessee, but for some reason, he decided to flip his dad’s 4-string bass around and play it with the string order inverted—E string closest to the ground and the G on top. That’s how MonoNeon still plays today, coming up through a rich, inspiring gauntlet of family and community traditions. “I guess my whole style came from just being around my grandma at an early age,” says Thomas.His path has led him to collaborate with dozens of artists, including Nas, Ne-Yo, Mac Miller, and even Prince, and MonoNeon’s solo output is dizzying—trying to count up his solo releases isn’t an easy feat. Premier Guitar’s Chris Kies caught up with the bassist before his show at Nashville’s Exit/In, where he got the scoop on his signature 5-string, Ampeg rig, and simple stomp layout, as well as some choice stories about influences, his brain-melting playing style, and how Prince changed his rig.
Brought to you by D’Addario.
Orange You Glad to See Me?
This Fender MonoNeon Jazz Bass V was created after a rep messaged Thomas on Instagram to set up the signature model, over which Thomas had complete creative control. Naturally, the bass is finished in neon yellow urethane with a neon orange headstock and pickguard, and the roasted maple neck has a 10"–14" compound radius. It’s loaded with custom-wound Fireball 5-string Bass humbuckers and an active, 18V preamp complete with 3-band EQ controls. Thomas’ own has been spruced up with some custom tape jobs, too. All of MonoNeon's connections are handled by Sorry Cables.
Fade to Black
MonoNeon’s Ampeg SVT stack isn’t a choice of passion. “That’s what they had for me, so I just plugged in,” he says. “That’s what I have on my rider. As long as it has good headroom and the cones don’t break up, I’m cool.”
Box Art
MonoNeon’s bass isn’t the only piece of kit treated to custom color jobs. Almost all of his stomps have been zhuzhed up with his eye-popping palette.
Thomas had used a pitch-shifting DigiTech Whammy for a while, but after working with Paisley Park royalty, the pedal became a bigger part of his playing. “When I started playing with Prince, he put the Whammy on my pedalboard,” Thomas explains. “After he passed, I realized how special that moment was.”
Alongside the Whammy, MonoNeon runs a Fairfield Circuitry Randy’s Revenge (for any time he wants to “feel weird”), a literal Fart Pedal (in case the ring mod isn’t weird enough, we guess), and a JAM Pedals Red Muck covers fuzz and dirt needs. A CIOKS SOL powers the whole affair.
Shop MonoNeon's Rig
Fender MonoNeon Jazz Bass V
Ampeg SVT
DigiTech Whammy
CIOKS SOL