Gretsch celebrates its 140th anniversary with an all-new Double Platinum Collection, designed to honor Gretsch’s historic past while providing essential features for the modern player.
Since 1883, Gretsch guitars have been the instrument of choice for musical revolutionaries thanks to their rich, full sound, smooth playability, and their bold classic visual style. Gretsch has won endorsements from some of the music industry’s most respected artists at the same time, including Chet Atkins, Eddie Cochran, Billy Duffy, George Harrison, Orville Peck, and Brandi Carlile.
- G6136T-140 LTD 140th Double Platinum Falcon Hollow Body with String-Thru Bigsby
- Featuring a Solid Adirondack Red Spruce top, maple back and sides, ML bracing, all-new FT-67 Filter’Tron humbucking pickups, and a stunning two-tone nitrocellulose lacquer finish.
- G6134T-140 LTD 140th Double Platinum Penguin with String-Thru Bigsby
- Equipped with FT-67 Filter’Tron™ humbucking pickups that provide unmistakable Gretsch tone, and featuring a Solid Adirondack Red Spruce top paired with a chambered mahogany body and a two-tone nitrocellulose lacquer finish
- G6118T-140 LTD 140th Double Platinum Anniversary with String-Thru Bigsby
- Featuring a Solid Adirondack Red Spruce top with maple back and sides, ML bracing, 12” radius ebony fingerboard with 22 medium jumbo frets, rolled edges, and pearloid Neo-Classic thumbnail inlays, FT-67 Filter’Tron humbucking pickups, an Adjusto-Matic bridge with pinned ebony base, and a String-Thru Bigsby B6CP tailpiece
- G5420T-140 Electromatic 140th Double Platinum Hollow Body with Bigsby
- Featuring all-new FT-5E Filter’Tron pickups, a laminated maple body with vintage-inspired perimeters and refined arches, and trestle block bracing.
- G5622T-140 Electromatic 140th Double Platinum Center Block with Bigsby
- Featuring a double-cutaway maple body with a chambered spruce center block, a 12”-radius laurel fingerboard with 22 medium jumbo frets, and black Top Broad’Tron humbucking pickups
- G5230T-140 Electromatic 140th Double Platinum Jet with Bigsby
- Featuring a chambered mahogany body with maple top for a strong sonic profile and exceptional acoustic balance, and the all-new FT-5E Filter’Tron humbucking pickups
Presenting the Gretsch 140th Double Platinum Anniversary Collection | Gretsch Guitars
- Gretsch Releases the Streamliner Series ›
- 1958 Gretsch 6136 White Falcon ›
- Gretsch Opens New Museum in Savannah, Georgia ›
The giveaways keep going! Enter Stompboxtober Day 25 for your chance to win today’s pedal from SoloDallas!
The Schaffer Replica® - BASS-X
After introducing the Schaffer Replica Storm low end legends like Rudy Sarzo, Billy Sheehan, and Pino Paladino discovered it to be equally amazing on bass. Based upon their input we made a few minor changes to this beloved circuit to make it more conducive to higher amplitude and lower frequencies. To our loyal bassists who have waited so patiently, we proudly introduce The Schaffer Replica - BASS-X.
Vintage-style reverb, tremolo, and vibrato sounds abound in a 3-in-1 stomp that might be the only box you need.
The Keeley ZOMA combines two of iconic amp effects—tremolo and reverb—into one pedal.
Key Features of the ZOMA
● Intuitive Control Layout: Three large knobs give you full control over Reverb Level, Tremolo Rate,and Depth
● Easy Access to Alternate Controls: Adjust Reverb Decay, Reverb Tone, and Tremolo Volume withsimple alt-controls.
● Instant Effect Order Switching: Customize your signal path. Position tremolos after reverb for avintage, black-panel tone or place harmonic tremolo before reverb for a dirty, swampy sound.
● True Bypass or Buffered Trails: Choose the setting that best suits your rig.
Three Reverb and Tremolo Modes:
● SS – Spring Reverb & Sine Tremolo: Classic spring reverb paired with a sine wave tremolo for that timelessblack-panel amp tone.
● PH – Plate Reverb & Harmonic Tremolo: Smooth, bright plate reverb combined with swampy harmonictremolo.
● PV – Plate Reverb & Pitch Vibrato: Achieve a vocal-like vibrato with ethereal plate reverb.
Reverb: Sounds & Controls
● Spring Reverb: Authentic tube amp spring reverb that captures every detail of vintage sound.
● Plate Reverb: Bright and smooth, recreating the lush tones of vibrating metal plates.
● Reverb Decay: Adjust the decay time using the REVERB/ALT SWITCH while turning the Level knob.
● Reverb Tone: Modify the tone of your reverb using the REVERB/ALT SWITCH while turning the Rate knob.
Tremolo: Sounds & Controls
● Sine Wave/Volume Tremolo: Adjusts the volume of the signal up and down with smooth sine wavemodulation.
● Harmonic Tremolo: Replicates classic tube-amp harmonic tremolo, creating a phaser-like effect withphase-split filtering.
● Pitch Vibrato: Delivers pitch bending effects that let you control how far and how fast notes shift.
● Alt-Control Tremolo Boost Volume: Adjust the boost volume by holding the REVERB/ALT footswitch whileturning the Depth knob.
The ZOMA is built with artfully designed circuitry and housed in a proprietary angled aluminum enclosure, ensuring both simplicity and durability. Like all Keeley pedals, it’s proudly designed and manufactured in the USA.
ZOMA Stereo Reverb and Tremolo
The first sound effects built into amplifiers were tremolo and reverb. Keeley’s legendary reverbs are paired with their sultry, vocal-like tremolos to give you an unreal sonic experience.
Your 100 Guitarists hosts are too young to have experienced SRV live. We’ve spent decades with the records, live bootlegs, and videos, but we’ll never know quite how it felt to be in the room with SRV’s guitar sound.
Stevie Ray Vaughan was a force of nature. With his “Number One” Strat, he drove a veritable trove of amps—including vintage Fenders, a rotating Vibratone cab, and a Dumble—to create one of the most compelling tones of all, capable of buttery warmth, percussive pick articulation, and cathartic, screaming excess. As he drew upon an endless well of deeply informed blues guitar vocabulary, his creativity on the instrument seemingly knew no bounds.
Your 100 Guitarists hosts are too young to have experienced SRV live. We’ve spent decades with the records, live bootlegs, and videos, but we’ll never know quite how it felt to be in the room with SRV’s guitar sound. So, we’d like to spend some time imagining: How did it feel when it hit you? How did he command his band, Double Trouble? The audience?
SRV was mythical. His heavy-gauge strings tore up his fingers and made a generation of blues guitarists work a lot harder. And his wall of amps seems finely curated to push as much air in all directions as possible. How far did he take it? Was he fine-tuning his amps to extreme degrees? Or could he get his sound out of anything he plugged into?