Featuring P-90 PRO pickups, CTS potentiometers, and a Custom ’59 Rounded C neck profile.
Epiphone’s Joe Bonamassa 1955 Les Paul Standard features the same Copper Iridescent color, a pair of Epiphone P-90 PRO pickups wired to CTS potentiometers and Mallory capacitors, a Custom ’59 Rounded C neck profile, a long neck tenon, and a “Nerdville” graphic hardshell case. This Epiphone 1955 Les Paul Standard is a passionate testament to Bonamassa’s unwavering commitment to the blues and its profound influence on his music.
The Epiphone Joe Bonamassa 1955 Les Paul Standard release is a nod to a pivotal period in the evolution of the Gibson Les Paul, in a finish guaranteed to turn heads. Whether you’re a Joe Bonamassa fan, a Les Paul enthusiast, or a musician seeking an instrument that stands out in both tone and appearance, the Joe Bonamassa 1955 Les Paul Standard is the perfect addition to your collection.
This partnership with Epiphone celebrates the timeless synergy between the brand and Joe’s musical trajectory. Joe’s latest release Live At The Hollywood Bowl immortalizes Joe's first-ever performance at the iconic Hollywood Bowl in August 2023. Accompanied by an impressive ensemble of 40 orchestra members, Bonamassa delivered an unforgettable performance. Live At The Hollywood Bowl With Orchestra showcases Bonamassa’s virtuosic blend of blues and rock, but also elevates fan-favorite tracks with grandiose orchestral arrangements by some of Hollywood's finest – David Campbell, Trevor Rabin, and Jeff Bova. “Very few gigs represent my journey in music more than the Hollywood Bowl. I moved to Los Angeles in 2003 in search of opportunity and cheaper rent than New York City. My first gig at The Mint was attended by 5 of my friends. We have played The Greek Theatre many times since, but the Bowl has always been a dream. The orchestra and the sheer scale of the event and venue are something I will never forget. I am so grateful that we filmed this special event in my life,” reminisces Bonamassa.
For more information, please visit epiphone.com.
Joe Bonamassa Introduces the Epiphone 1955 Les Paul Standard - YouTube
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.Epiphone Joe Bonamassa 1955 Les Paul Standard Electric Guitar - Copper Iridescent
JB 1955 LP Std, Cop Irid- Epiphone Limited Edition Riviera Custom P93 ›
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Stompboxtober Day 29 is live! Enter today to win a pedal from StewMac—more chances to win tomorrow!
StewMac International House of Overdrive Pedal Kit, With Bare Enclosure
The IHOO is based on the Crowther Hot Cake, an overdrive that became available around 1976. It was one of the earliest hand-made boutique effects pedals available. The circuit was designed to be what is now referred to as a “transparent” overdrive. An effect that enhances the player's sound while keeping the original tone intact.
This circuit has undergone many changes since its inception, and we have further expanded on the design by returning to an earlier version most revered by players and removing the buffer, which resulted in a reworked circuit that is true bypass but still retains the charm of the design.
We also include the original LM741 IC chip found in the originals, as well as the TL071 that is found in later versions so you can experiment with which IC best suits your playing style.
PG contributor Tom Butwin details RAB Audio GSRS – a studio racking system purpose-built for guitarists looking to declutter, customize, and elevate their creative space. Whether you’re a pedal enthusiast or amp collector, RAB Audio has a solution for your recording setup.
RAB Audio ProRak SRS1 Guitar Studio Racking System
3 adj amp head decks, laminated plywood, Blk TrimHandcrafted in the USA, the JEL-50 features 50 watts of all-tube power, two channels, and a transparent effects loop. The JEL-212 Cab is loaded with Celestion Creamback speakers.
Jake E. Lee ranks high on the shortlist of influential gunslinger guitarists that emerged as the heroes of a new generation in the early ‘80s. Best known for the burning guitar work and innovative songwriting, Lee contributed to two of Ozzy Osbourne's most revered albums, 1983’s Bark at the Moon and 1986’s Ultimate Sin.
With Ozzy, his post-Ozzy band, Badlands and most recently, with his own group, Red Dragon Cartel, Lee’s playing embraced the athleticism of the ‘80s while remaining firmly rooted in the hard rock fundamentals of the ‘70s. Jake’s tonal choices provide the evolutionary glue between the sonics of those two great eras. Jake E Lee and Dave Friedman combined their legendary ears and talents to create the new Friedman JEL-50, a signature amplifier that offers Lee’s ultimate tones in a boutique hand-wired package.
In Lee’s own words, “this amp puts the two specific tones I use to create my sound in one head: The sweetness and warmth of a classic Plexi and the more aggressive slant of the master volume amps of the ‘80s -- all tweaked to my taste. Dave has an innate understanding of where I’m coming from as a player and we’re alike in the way we hear tones. Dave doesn’t hear things as a technician, he hears things like a musician, and that made him really easy to work with. I grew up in the ‘70s and those muscular, articulate rock tones were the tones I always sought, but I made a name for myself in the ‘80s when you needed a little more aggression and a little more scream. I’ve always tried to retain a little of that ‘70s heart and I still do, and that’s what this amp does -- though it’s got plenty more on tap if you need it!”
The JEL-50 was specifically designed to take pedals well especially boosts, ODs, phasers, flangers, tremolos, and wahs. The ultra-transparent buffered, series effects loop takes time-based effects pedals and rack units equally well. This is the exact same FX loop Friedman uses on all its amplifiers including the legendary BE-100. The head cabinet features beautiful red tolex, white piping and solid Baltic Birch construction.
SPECIFICATIONS
- 50-Watt all-tube head
- Two channels
- Handwired in the USA
- Custom USA made transformers
- 2 x EL34 power tubes
- 3 x 12AX7 preamp tubes
- JEL channel - Gain, Master, 3-way Bright switch
- JEL Channel Hi/Lo (Push pull gain switch)
- Plexi channel - Gain, Volume, 3 way Bright Switch
- EQ- Bass, Middle, Treble shared with Ch1 and CH2
- Ultra-transparent series effects loop
- Thump knob - ( Rear ) Varies lowered response of the amps power section
- Presence - ( Rear) Varies high end content of the amps power section
- Single button foot switch for channel selections
- 4, 8 and 16 ohm Impedance jacks
- Limited Lifetime Warranty
- Dimensions: 8.75″ (D) x 24″ (W) x 10″ (H)
- Weight: 33.5 lbs
2x12” Celestion Creamback Loaded Extension Cab
The Friedman JEL 2x12” is a rear ported closed-back extension cabinet which utilizes tongue and groove Baltic Birch construction to deliver the bass, mid response and great sound you would expect from a Friedman cab. The JEL 212 Cab features red tolex, white piping and black grille cloth, designed to cosmetically match the Friedman Signature Jake E Lee heads.
At the heart of the cab is a Celestion G12M-65 Creamback 16 Ohm speaker. The G12M Creamback is perhaps the definitive vintage Celestion ceramic magnet guitar speaker. Developed in the mid-sixties, it was quickly adopted by players like Hendrix, Beck and Page, who typified the louder and more aggressive blues-rock playing styles that came to characterize that era. The higher power handling G12M-65 Creamback used in the JEL 1x12 produces that familiar woody tone, making it ideally suited when both vintage and modern tones are desired. The increased power handling brings with-it low-end grunt complementing the warm and vocal mid-range, crunchy upper mids and sweet, refined highs.
As with all Friedman cabinets, oversized 12-gauge speaker wire is soldered between the speaker and terminal, assuring you capture every ounce of valuable tone. This compact monster not only excels in the studio, but the perfect compliment to your stage rig. The Friedman JEL-212 Cab is handcrafted with pride in the U.S.A. and designed to withstand the rigors of the road.
SPECIFICATIONS
- Hand crafted in USA
- Cosmetics to match the Jake E Lee Signature Heads
- 2 x Celestion G12M-65 12" Creamback Speakers
- Nominal impedance - 8 Ohms
- Closed back -rear ported cabinet design
- Limited lifetime warranty
- Dimensions: 12" (D) x 30" (W) x 20.75" (H)
- Weight: 58 lbs.
The Friedman JEL-50 Head carries a street price of $2999.99 and the JEL-212 Cabinet carries a street price of $999.99.
For more information, please visit friedmanamplification.com
Friedman Amplification - All new Jake E Lee 50-Watt Head featuring Jordan Ziff - YouTube
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.Friedman JEL-50 Jake E Lee Signature 50-watt Tube Head and 2x12" Cabinet
Jake E Lee 50W Tube Head 212 StkThe Boss GX-10 Multi-FX Processor offers 23 guitar amps, nine bass amps, and 170 effects for versatile sound creation.
Boss announces the GX-10, a powerful new amp and effects processor for guitar and bass. Equipped with the core sound engine and color touch display from the acclaimed GX-100 released in 2022, the GX-10 offers players the same inspiring experience in an even more portable footprint. Adding in multi-mode footswitches, an integrated expression pedal, and USB audio connectivity, the GX-10 seamlessly transitions from nightly stage performing to desktop recording, song creation, and daily practice sessions.
The GX-10 delivers a universe of ultra-responsive tones in a travel-ready size. There are 23 guitar amps and nine bass amps to choose from, including high-gain X-Ultra, X-Optima, and X-Titan types crafted with the latest BOSS modeling technologies. Players can color sounds with 170 different effects, including overdrives and distortions, mod effects, delays, and reverbs, plus dedicated bass effects and BOSS classics like Slow Gear, Octave, Slicer, and more.
The GX-10 enables fast sound creation with an inviting color touch display and four dynamic parameter knobs. Up to two amps and 15 effects are supported in each memory, and it’s easy to change effect order and create series or parallel routings by dragging blocks with a finger on the screen. Send/return jacks are available to integrate favorite pedals or an amp’s effects loop into the GX-10 signal flow.
The GX-10's clever control options provide versatile real-time sound adjustment possibilities while performing. Multiple control modes and user-assignable settings offer maximum flexibility with just three footswitches. By default, the expression pedal toggles between volume and wah and activates the tuner when the pedal is pulled back. But it can be customized to control nearly anything using the GX-10’s assign matrix.
Boss Tone Studio allows users to edit sounds and load their own speaker cab IRs from a Mac or Windows computer. The GX-10 also supports the optional Bluetooth® Audio MIDI Dual Adaptor, which unlocks on-the-gig wireless editing via the mobile version of the app.
Boss Tone Studio includes additional tools to organize GX-10 sounds for different gigs and playing situations. It also provides direct access to Boss Tone Exchange, an online platform for downloading professionally created sounds and sharing GX-10 Livesets with the global BOSS community. GX-100 Livesets are fully compatible with the GX-10 as well. In addition, there’s a built-in USB-C audio interface for capturing high-quality guitar tones in music production apps on computers and mobile devices.
The new Boss GX-10 Guitar Effects Processor will be available for purchase at authorized U.S. Boss retailers in October for $399.99.
For more information, please visit boss.info.