The Mighty Bass 50BT delivers 50 watts through a 6.5" speaker and features IR cab emulation.
NUX Mighty Bass 50BT is a versatile bass amp powerhouse for practice, rehearsing and recording. It is equipped with a premium 6.5" loudspeaker and driven by 50 watts classic D power amp. That makes the amp compact and portable. You can use it in the bedroom and even for a small club with DI out.
NUX's iconic TS/AC modeling technology brings you various nice-sounding amp models and all the essential effects with great playability & response, while Impulse Response technology offers you more cab sounds. It's really a Mighty Bass Amp!
NUX Mighty Bass 50BT Bass Combo
For the bass lovers, we know you need Drum & Bass practice! You can engage the drum function using a dedicated APP, and even record the phrase loop with the original NMP-2 footswitch.
Mighty Bass 50BT has 3 channels, you can store all the parameters as preset in each channel. For deep tone editing, simply use the Mighty Amp APP on mobile devices, or the Mighty Bass 50BT Edit Software on Mac/PC.
- Bass Amp Modeling with Cab IRs, expanding possibilities of tones.
- Support 3rd party IRs (1024 samples) loading with Mighty Bass edit software.
- White-box compressor effect offers you analog touch and response.
- Independent IR toggle switches for Amp and DI out.
- USB audio stream for recording interface with routing setup.
- Including NMP-2 footswitch to remote Drum & Loop (60 seconds).
The battery-powered acoustic amplifier delivers 80-watts and has a built-in looper that is controlled via footswitch and mobile app.
The Best of 2 Worlds ~ Analog Preamp with Acoustic IR & Post-EFX.
Stageman II is an 80-watt battery-powered acoustic amp, featuring pure analog preamp with NUX's iconic Core-Image post-effects. It has 2 channels; both are optimized for acoustic guitar and microphone inputs respectively. NUX designed specific EQ scenes for finger-style as well as strum-style, and you can further engage the built-in Acoustic IRs simulating legendary guitar sounds from Gibson, Martin and Taylor. Acoustic IR is the new trend to make your acoustic sound as natural as micing!
The Acoustic Guitar Amp with ENDLESS Features! • NUX Stageman II
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There's also a built-in Looper & Drum, both controlled via the included dual footswitch, and the Stageman II mobile APP.
With the APP, you can also switch channels, choose signal block routing options, adjust the 12 effects including Chorus, Delay, Tape Echo, Modulation, Reverb, etc., as well as the 8 Acoustic IRs. Moreover, you can connect your phone with Stageman II via Bluetooth Audio, and play along with your favorite music.
Stageman II is the perfect companion for an acoustic-electric guitar when you want to be able to perform anywhere and be heard loud and clear without having to haul around a bunch of gear. With a large capacity lithium battery, the Stageman II is ready for as long as 4 hours outdoor performing for any musician.
- 80 watts rich warm sound acoustic amp with 6.5" premium speaker and 1" tweeter
- Rechargeable battery for 4.5 hours outdoor performing
- Built-in Acoustic Impulse Response
- 2 independent channels with routing adjustable post-effects
- Mobile APP for editing and control
- Drum & Loop (60s phrase loop).
- Bluetooth Audio Stream
For more info:
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- Nu-X MG 30 Versatile Modeler Demo - PG Gear Spotlight - Premier ... ›
- NUX Mighty Plug Pro Demo - Premier Guitar ›
- Nu-x Launches the Mighty Plug Pro ›
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Sterling Vermin RAT
The Sterling Vermin was born from a desire for something different — something refined, with the soul of a traditional RAT pedal, but with a voice all its own.
Built in small batches and hand-soldered in ACT’s Jackson, Missouri headquarters, the Sterling Vermin is a work of pure beauty that honors the brand legacy while taking a bold step forward for creativity.
The Sterling Vermin features the LM741 Op-Amp and a pair of selectable clipping diodes. Players can toggle between the traditional RAT silicon diode configuration for a punchy, mid-range bite, or the BAT41 option for a smoother, more balanced response. The result is a pedal that’s equally at home delivering snarling distortion or articulate, low-gain overdrive, with a wide, usable tonal range throughout the entire gain spectrum.
The pedal also features CTS pots and oversized knobs for even, responsive control that affords a satisfying smoothness to the rotation, with just the right amount of tension. Additionally, the polished stainless-steel enclosure with laser-annealed graphics showcases the merging of the pedal’s vintage flavor and striking design.
From low-gain tones reminiscent of a Klon or Bluesbreaker, to high-gain settings that flirt with Big Muff territory — yet stay tight and controlled — the Sterling Vermin is a masterclass in dynamic distortion. With premium components, deliberate design and a focus on feel, the Sterling Vermin is more than a pedal, it’s a new chapter for RAT.
Last August, metalcore giants Poison the Well gave the world a gift: They announced they were working on their first studio album in 15 years. They unleashed the first taste, single “Trembling Level,” back in January, and set off on a spring North American tour during which they played their debut record, The Opposite of December… A Season of Separation, in full every night.
PG’s Perry Bean caught up with guitarists Ryan Primack and Vadim Taver, and bassist Noah Harmon, ahead of the band’s show at Nashville’s Brooklyn Bowl for this new Rig Rundown.
Brought to you by D’Addario.Not-So-Quiet As a Mouse
Primack started his playing career on Telecasters, then switched to Les Pauls, but when his prized LPs were stolen, he jumped back to Teles, and now owns nine of them.
His No. 1 is this white one (left). Seymour Duncan made him a JB Model pickup in a single-coil size for the bridge position, while the neck is a Seymour Duncan Quarter Pound Staggered. He ripped out all the electronics, added a Gibson-style toggle switch, flipped the control plate orientation thanks to an obsession with Danny Gatton, and included just one steel knob to control tone. Primack also installed string trees with foam to control extra noise.
This one has Ernie Ball Papa Het’s Hardwired strings, .011–.050.
Here, Kitty, Kitty
Primack runs both a PRS Archon and a Bad Cat Lynx at the same time, covering both 6L6 and EL34 territories. The Lynx goes into a Friedman 4x12 cab that’s been rebadged in honor of its nickname, “Donkey,” while the Archon, which is like a “refined 5150,” runs through an Orange 4x12.
Ryan Primack’s Pedalboard
Primack’s board sports a Saturnworks True Bypass Multi Looper, plus two Saturnworks boost pedals. The rest includes a Boss TU-3w, DOD Bifet Boost 410, Caroline Electronics Hawaiian Pizza, Fortin ZUUL +, MXR Phase 100, JHS Series 3 Tremolo, Boss DM-2w, DOD Rubberneck, MXR Carbon Copy Deluxe, Walrus Slo, and SolidGoldFX Surf Rider III.
Taver’s Teles
Vadim Taver’s go-to is this cherryburst Fender Telecaster, which he scored in the early 2000s and has been upgraded to Seymour Duncan pickups on Primack’s recommendation. His white Balaguer T-style has been treated to the same upgrade. The Balaguer is tuned to drop C, and the Fender stays in D standard. Both have D’Addario strings, with a slightly heavier gauge on the Balaguer.
Dual-Channel Chugger
Taver loves his 2-channel Orange Rockerverb 100s, one of which lives in a case made right in Nashville.
Vadim Taver’s Pedalboard
Taver’s board includes an MXR Joshua, MXR Carbon Copy Deluxe, Empress Tremolo, Walrus ARP-87, Old Blood Noise Endeavors Reflector, MXR Phase 90, Boss CE-2w, and Sonic Research Turbo Tuner ST-200, all powered by a Voodoo Lab Pedal Power 2 Plus.
Big Duff
Harmon’s favorite these days is this Fender Duff McKagan Deluxe Precision Bass, which he’s outfitted with a Leo Quan Badass bridge. His backup is a Mexico-made Fender Classic Series ’70s Jazz Bass. This one also sports Primack-picked pickups.
Rental Rockers
Harmon rented this Orange AD200B MK III head, which runs through a 1x15 cab on top and a 4x10 on the bottom.
Noah Harmon’s Pedalboard
Harmon’s board carries a Boss TU-2, Boss ODB-3, MXR Dyna Comp, Darkglass Electronics Vintage Ultra, and a Voodoo Lab Pedal Power 2 Plus. His signal from the Vintage Ultra runs right to the front-of-house, and Harmon estimates that that signal accounts for about half of what people hear on any given night.
