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Tubesteader Releases the Lightkeeper V2

Tubesteader Releases the Lightkeeper V2

Tubesteader introduces a new compact version of the Lightkeeper, an all-tube preamp based on the clean channel of the Dumble ODS "HighPlate" design.

Featuring a 12AX7 vacuum tube, this preamp is all about bright clarity and articulation. Its got a vintage Fender vibe but with tighter bass and more prominent mids, thanks to the Dumble-refined tone stack, which takes a classic Fender circuit to the next level. In addition to a familiar array of control knobs – Gain, Volume, Treble, Mid, and Bass – the Lightkeeper features a pair of three-way Deep and Boost toggle switches, offering a wide range of tone tweaking. When set in the middle position, they can also be controlled by the on-board or external footswitch.

The Lightkeeper requires 12VDC@350mA, which is boosted inside the pedal up to 280VDC for optimal performance of the 12AX7 vacuum tube.

The Lightkeeper V2 street price is $279. It is available at select retailers and can also be purchased directly from the Tubesteader online store.

For more information, please visit

Lightkeeper V2 - tube preamp/transparent overdrive pedal

On her new record with her trio, Molly Miller executes a live-feeling work of structural harmony that mirrors her busy life.

Photo by Anna Azarov

The accomplished guitarist and teacher’s new record, like her lifestyle, is taut and exciting—no more, and certainly no less, than is needed.

Molly Miller, a self-described “high-energy person,” is fully charged by the crack of dawn. When Ischeduled our interview, she opted for the very first slot available—8:30 a.m.—just before her 10 a.m. tennis match!

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John Mayall in the late ’80s, in a promo shot for his Island Records years. During his carreer, he also recorded for the Decca (with the early Bluesbreakers lineups), Polydor, ABC, DJM, Silvertone, Eagle, and Forty Below labels.

He was dubbed “the father of British blues,” but Mayall’s influence was worldwide, and he nurtured some of the finest guitarists in the genre, including Eric Clapton, Peter Green, Mick Taylor, Harvey Mandel, Coco Montoya, and Walter Trout. Mayall died at his California home on Monday, at age 90.

John Mayall’s career spanned nearly 70 years, but it only took his first four albums to cement his legendary status. With his initial releases with his band the Bluesbreakers—1966’s Blues Breakers with Eric Clapton; ’67’s A Hard Road, with Peter Green on guitar; plus the same year’s Crusade, which showcased Mick Taylor—and his solo debut The Blues Alone, also from 1967, Mayall introduced an international audience of young white fans to the decidedly Black and decidedly American genre called blues. In the subsequent decades, he maintained an active touring and recording schedule until March 26, 2022, when he played his last gig at age 87. It was reported that he died peacefully, on Monday, in his California home, at 90.

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Featuring enhanced amp models, a built-in creative looper, AI-powered tone exploration, and smart jam features.

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Donner andThird Man Hardware’s $99, three-in-one analog distortion, phaser, and delay honors Jack White’s budget gear roots.

Compact. Light. Fun. Dirt cheap. Many cool sounds that make this pedal a viable option for traveling pros.

Phaser level control not much use below 1 o’clock. Repeats are bright for an analog delay. Greater range of low-gain sounds would be nice.


Donner X Third Man Triple Threat


A huge part of the early White Stripes mystique, sound, ethos, and identity was tied to guitars and amps that, at the time, you could luck into for cheap at a garage sale. These days, it’s harder to score a Crestwood Astral II, or Silvertone Twin Twelve with a part-time job in the ice cream shop. Back in the late ’90s, though, they were a source of raw, nasty sounds for less than a new, more generic guitar or amp.

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