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From Song to Cinema: How Cary Brothers Writes With His Eyes and Ears

Before Your Very Ears: Cary Brothers

The accomplished songwriter demonstrates his visual approach to songwriting while creating a barroom ballad.


Ever wondered how songwriters capture scenery and stories so vivid that they seem to jump out of the song and into real life? Cary Brothers can offer some insight. In addition to releasing three full-length solo albums, the Los Angeles-based musicianā€™s songs have been featured in dozens of film and TV productions, including Greyā€™s Anatomy, ER, Scrubs, One Tree Hill, Smallville, 90210, Garden State, and more.

Brothers moved to Los Angeles to work in film, but eventually turned to focus on writing music. His experiences in Hollywood gave Brothers a keen visual sense in musicā€”and a deep appreciation for how sounds and visuals can augment one another. This time out on Before Your Very Ears, Brothers joins hosts Sean Watkins and Peter Harper to talk about how to balance the desires of both our eyes and ears while arranging tunes.

The end result is a deliciously striking last-call serenade. It starts with a Pogues-esque keys motif, then blossoms into a Waits-meets-Springsteen, back-of-the-bar heartbreaker. The details get filled in as the writing session goes onā€”the local watering hole with its broken jukebox and laissez-faire doormanā€”and before long, the cinematic, lonesome ballad takes shape.

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