StewMac Two Kings Boost Pedal Kit, With White Enclosure
Can't wait 5 YEARS for an Analogman King of Tone? Now you can build a pedal that captures the tone of the amazing original. Raved about by players like John Petrucci, Gary Clark Jr, Samantha Fish, and Warren Haynes, you no longer have to wait to add it to your rig.
Inspired by a heavily-modded Marshall Blues Breaker, this 2-in-1 pedal is something completely different. It's transparent but still warm and gritty, with a full range of frequencies available, all while keeping the core tone of your guitar and amp.
There’s no reason you can’t use the Auto Reverb in a very straightforward fashion. The plate, spring, and hall settings are all very nice digital representations of their analog inspirations—and I’d be perfectly happy playing an instrumental surf set with the spring mode, for instance. But because you can control the parameters like the reverb’s level, decay, tone, and the filter with changes in pitch and dynamics, the Auto Reverb can function in highly orchestral ways, transforming itself from subtle to outlandish as a musical piece shifts in intensity or rises from low to high keys toward a blurred, hyper-spacious climax. While these attributes make the Auto Reverb a great fit for prepared guitar and conceptual pieces—and invites many themes and compositional ideas within those forms—it can just as easily be configured to create an especially dynamic and dramatic pop song arrangement on stage or in the studio that might otherwise be relegated to automations within a DAW. It’s fun to use, if not always intuitive. But knowing its ways can expand your musical options significantly.
