
Cory sits down with his bandmate-brother, multi-instrumentalist Theo Katzman, to discuss the virtues of musical self-acceptance, the infectious charisma of Trey Anastasio, and how Theo has made a career out of being a jack of all trades.
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When Theo Met Trey Anastasio | Wong Notes Podcast
What Theo Learned from Meeting Trey Anastasio
Theo: Once the jam thing started to catch on, and people got me into Phish, and you know I love Phish. I mean, we love ... I mean, Trey. We've actually gotten to have dinner with Trey.
Cory: Dude, that was one of the dopest dinners ever.
Theo: One of the best nights of my life.
Cory: Uncle Trey.
Theo: Trey. Dude, the stories out of that cat! Uncle Trey, man. People have no idea what a big influence- Trey ... What is it like, when Bonnaroo started, they rented Trey's PA? There's no modern festivals without Phish. You know what I mean? They blazed such a trail and what a genuine, generous, beaming light of a human Trey Anastasio is.
Cory: That was so much fun.
Theo: I love Trey. I would do anything for Trey, man. The thing I want to tell quickly about Trey, this is how genuine Trey is. We meet Trey, the Trey Anastasio Band and Vulfpeck are out to dinner. Our friend Merlin threw a dinner for us. He's an amazing chef.
Merlin gets an Airbnb for Vulfpeck and the Trey Anastasio Band to have dinner the night before we play Red Rocks. So we fly in early, we have this incredible meal. We're all getting to know each other, saying, "What's up?" Some of us are friends already. We sit down the table and it didn't occur to me that Trey was going to join. And then all of a sudden, Trey walks in and I'm like, "Oh my God, it's Trey." And I'm like, "Okay, play it cool." Because it's like childhood hero stuff. Yeah, this is, I'm cool, right? Am I cool? We cool?
And he says hey to everyone. He's like, "Hey man, what's your name?" "Theo" he's like, "Oh, I'm Trey." I'm like, "Good to meet you, man." And I think I was the last in line of the intros here or something. So he's like, "So what have you guys been doing, man? Are you on tour? Is this a one-off?" And I go like, "Ah, yeah, playing a couple shows" And I just gave him an out, like quick answer, no big deal. Like here's the exit, Trey, you can just take the exit. Go for it. And he's like, "Oh yeah, where? What's up? What's up with the tour? What's going on?" And I'm like, "West coast." Another out. He's like, "Where?" I'm like, "Portland." He's like, "Where?"
Cory: Crystal Ballroom!
Theo: I'm like, "Ah, Crystal Ballroom." He's like, "Oh man, is that the room of the bouncy floor?"
Cory: Yes, dude! I remember this!
Theo: I'm like, "Yes." He's like, "I love that room." And he starts talking about the room and he is asking questions and it was like, wow, this guy is... I can't get him out of this conversation. And I'm trying because I'm assuming he wants to leave because he's a celebrity. But no, heās so interested. Do you know what I mean?
Cory: He wanted to know where we were in the journey. He wanted to know how we were getting through it.
Theo: Yes.
Cory: He was interested in the details of, what rooms are you at? Are they fun for you? Is it still like this? Because I remember it like this. Remember he was talking about putting all the gear in the back of Fishman's, like gremlin car or something like that? He was talking about how they went from cars to the van, to the bus, to the buses ā¦ Dude, you're absolutely right. He was so interested.
Theo: Yes, and I have to say, this is a little āwoo wooā perhaps, but the thing that people feel flying off Phish is that. And I haven't met the other guys, but I know they share that thing. And I also know Trey is a beacon of that and when you get on that stage, and when you put out that album, and even when you post on social media, and when you draw a graphic, and when you come up with a t-shirt and when you come up with your signature guitar with an emergency fourth position push-pot, okay?
You have an opportunity to send that genuine enthusiasm into the world via everything you do and call me crazy, but I started to realize of course this is who Trey is. Well, how do we get Phish? How do you explain Phish? This is a phenomenon. What is this about? It's bigger than the music. And then you talk to the guy and it's like, oh, he's interested in the story. He's interested in the journey. He's interested in the love. He's interested in the energy, the connection. You know what I mean? It's like no wonder this is the biggest independent band in the history of the world. I mean, Phish is a massive thing.
Cory: Dude. They're huge.
Theo: So I want people to know this because I think on your way up in the journey, you're like, how do I get to position X? And then you look at people who you're like, "Oh, I got to get a... I got to go to Hollywood and get into some real darkness with the labels" and it's like, well, maybe not. I'm looking, talking to the most successful independent musician in the history of the human race. And it seems like actually being an incredibly interested, genuine human is actually big part of it.
Roger Waters is set to release a Super Deluxe Boxset of The Dark Side Of The Moon Redux on March 14, 2025. The Boxset includes a live album from his sold-out London Palladium shows, gold vinyl, CD, Blu-ray, and a track-by-track video interview.
The Super Deluxe Boxset includes:
- The Dark Side Of The Moon Redux on gold vinyl (2LP), CD, Blu-ray: Dolby Atmos Mix, 96/24 Audio.
- The Dark Side Of The Moon Redux Live on gold vinyl, CD, Blu-Ray, 96/24 Audio
- Roger Waters Track by Track video interview on Blu-ray
- Four 4 x 10-inch Vinyl from the original Redux album cut at 45 RPM for: Money, Time, Speak To Me/Breathe and Us & Them, each with an artwork etched B-side.
- A 40 page Commemorative Book of Photographs from The Making of the Album, Rehearsals, and Roger Waters Redux Live at The London Palladium.
- Initial Boxset orders from the official store include a signed print by Roger Waters
Waters Quote:
āAll that is gone, all thatās to come? Looking back or looking forward, Dark Side of the Moon offers you choice. The choice is yours. Darkness or the Lightā.
Track listing:
The Dark Side Of The Moon Redux studio album and Roger Waters Live album:
āSpeak to Meā
āBreatheā
āOn the Runā
āTimeā
āGreat Gig in the Skyā
āMoneyā
āUs and Themā
āAny Colour You Likeā
āBrain Damageā
āEclipseā
The Dark Side Of The Moon Super Deluxe box set Redux credits include: Roger Waters: Vocals / Gus Seyffert: Bass, Synth, Backing Vocals / Joey Waronker: Drums, Percussion / Jonathan Wilson: Guitars, Synth / Johnny Shepherd: Organ, Vocals / Via Mardot: Theremin, Vocals / Azniv Korkejian: Vocals, Percussion / Jon Carin: Keyboards, Lap Steel, Synths, Organ, Vocals / Robert Walter: Piano, Harpsichord, Synths / Strings: Gabe Noel: String Arrangements: Gabe Noel
Recorded live at The London Palladium // Produced by Gus Seyffert and Roger Waters // Mixed by Sean Sullivan, Darrell Thorpe, Roger Waters and Gus Seyffert // Mastered by Dave Cooley, Elysian Masters // Art Direction and Design: Sean Evans // Photography: Kate Izor.
For more information, please visit rogerwaters.tmstor.es.
Roger Waters - THE DARK SIDE OF THE MOON REDUX SUPER DELUXE BOXSET - YouTube
āCrank That Sh*t Up!ā Greg Koch on Teaching, Mistakes, Modeling, and Modern Blues
The Milwaukee-based āguitaristās guitaristā doles out decades of midwest wisdom on this episode of Wong Notes.
You might not know Greg Koch, but weāll bet your favorite guitarist does. In 2012, Fender called the Wisconsin blues-guitar phenom one of the top 10 best unsung guitarists, and in 2020, Guitar World listed Koch among the 15 best guitar teachers. Heās been inducted into the Wisconsin Area Music Industry Hall of Fame. Koch is a bonafide midwest guitar god.
He joins Cory Wong on this round of Wong Notes for this meeting of the Middle-America minds, where the duo open with analysis of music culture in Wisconsin and MinnesotaāKoch taught at Saint Paulās now-shuttered McNally Smith College of Music, which Wong attended. Koch and Wong zero in on the blues roots of most modern music and talk through soloing theories: It can be as easy or as hard as you want it to be, but Koch shares that he likes to āpaint himself into a corner,ā then get out of it.
Koch and Wong swap notes on the pressures of studio performance versus the live realm, and how to move on from mistakes made onstage in front of audiences. Plus, Koch has created scores of guitar education materials, including for Hal Leonard. Tune in to find out what makes a good guitar course, how to write a guitar book, Kochās audio tips for crystalline live-stream sessions, and why he still prefers tube amps: āI like to crank that sh*t up!ā
John Petrucci, St. Vincent, James Valentine, Steve Lukather, Tosin Abasi, Cory Wong, Jason Richardson, Fluff, and more are donating instruments for contributors, and contributions are being accepted via this LINK.
The L.A. wildfires have been absolutely devastating, consuming more than 16,200 structures, and tens of thousands of peopleāincluding many members of the LA music communityāhave been displaced, as well as 29 persons killed. Historic gear company Ernie Ball has stepped up with a large-scale fundraiser, for MusicCares and the Los Angeles Fire Department Foundation, to assist those impacted by the fire and responders on the front line. The company kicked off the initiative with a $50,000 donation.
āWe are absolutely crushed by the devastation Los Angeles has endured over the past few weeks,ā CEO Brian Ball said in a statement. āAs a California-based company with origins as a small retailer in LA County, seeing the impact of these fires in our community is heartbreaking.
Message from Tim Henson
Tim Henson is donating one of his own Ibanez TOD10N guitars for the cause.
āThatās why weāre partnering with our family of artists to give back in a unique way. In addition to our donation, Ernie Ball artists are stepping up to donate personal guitars and gearātruly one-of-a-kind pieces that money canāt buy. Hereās how you can help: Donate any amount and we will randomly give these items away. Every dollar goes directly toward helping those affected by these devastating fires. If you canāt donate, sharing this message can still make a huge impact,ā Ball declared.
The fundraiser will continue until February 14.
Message from Steve Vai
Guest Picker - Ariel Posen
The past year was full of new sounds and discoveries. Ariel Posen and Jeremy Jacobs join the PGteam to highlight what popped out to them over the last 12 months.
Q: What was your biggest guitar discovery of 2024?
Guest Picker - Ariel Posen
A: Twenty-twenty-four was a year of discovery and re-discovery for me. I tend to come back to records and artists that I haven't listened to in a long time and get back into them with a new-found excitement. In regards to guitar discovery, at the end of 2023 I got into Paramore for the first time, specifically their last album, This is Why. I don't really listen to guitar music these days, but I'm always infatuated by the extreme detail of finely crafted guitar parts that help serve the song, and that album is full of that stuff. In terms of rediscovery, I spent a lot of time digging back into early George Harrison, Christopher Cross, and some specific Steely Dan records. Seems to be a theme there. I love all that stuff but haven't really given it time in a while; that changed this past year.
Obsession: Doechii. Watch her Tiny Desk video. She's incredible and the band is too. I get goosebumps every time I watch it, and I watch it once a day.
Reader of the Month - Jeremy Jacobs
A: I was turned on to Mk.Gee after seeing his performance on SNL and immediately fell in love with the vibe. Iām always trying to keep an ear to the ground for new, innovative guitar sounds, and his unique approach to creating guitar tones was really refreshing and inspiring. I love the blend of retro ā80s synth sounds and modern digital guitar production.
Obsession: Jim Lillās video series on YouTube experimenting with guitar tone. Heās like the Mythbusters of the guitar community and itās really shaking things up! Heās taking a very scientific deep dive into commonly held beliefs about what makes certain equipment āsound goodā and has returned some truly shocking results. Iām thinking about guitar gear in a totally different way thanks to his work.
Managing Editor - Jason Shadrick
A: Big delays and reverbs finally got to me in 2024. Typically, I would favor a modest spring or room setting, but a few gigs this year pushed me into more ambient territory. Itās incredible how the sound of space affects your touch on the instrument. My playing has become more melodic and intentionalābut Iām still not digging the shimmer vibe.
Obsession: Noel Johnstonās YouTube videos from his Creative Fundamentals class have been warping my brain. Fair warning: They do require a bit of theoretical knowledge to get the most out of them. However, his triad workouts are a great way to start to visualize different shapes all over the neckāno matter what key.
Assistant Editor - Luke Ottenhof
A: Last year, I discovered germanium. This isnāt strictly true; Iāve used germ pedals in the past, but I never connected with the transistors until I picked up the Death by Audio Germanium Filter. Now, all I want is sweet, gnarly, splatty germanium grossness on whatever I play. The problem is it doesnāt really fit with my bandās sound. I predict many arguments in 2025.
Obsession: Figuring out ways to make, share, and celebrate music outside of the too-powerful platforms that have monopolized our arts and culture. Thankfully, there are loads of people way smarter than me working with each other to build new networks and meanings for music, including some that would be musician-owned. The future is brightāif we want it!