From John Mayer’s “lost” song to Derek Trucks’ ode to the Super Reverb, we covered a lot of ground this year.
10. Bruce Hornsby: “Trying to Keep the Self-Loathing at Bay”
Cory WongHow does a legacy artist stay on top of his game? The pianist, hit singer-songwriter, producer, and composer talks about the importance of musical growth and positive affirmation; his love for angular melodicism; playing jazz, pop, classical, bluegrass, jam, and soundtrack music; and collaborating with his favorite guitarists, including Pat Metheny and Jerry Garcia.
9. Yngwie J. Malmsteen: "I Never Felt That Art Is a Sport”
Cory WongThe tennis-playing, art-enthusiast, Ferrari-collecting shredder talks about his passion, his practice, his love for the Strat, and who he thinks is the greatest guitar player who’s ever lived.
8. Mike Campbell Likes the “Real Stuff”
Cory WongThe Heartbreakers guitarist and Dirty Knobs frontman answers deep questions about songwriting, producing, and hitmaking.
7. Ariel Posen: “Dynamics Are the Most Important Thing.”
Cory WongThe roots-guitar innovator talks about controlling his sound, when to play large or small amps, using overdrive and compression, mastering slide, building community on social media, and the overall role gear plays in defining his distinctive tone.
6. Victor Wooten: "Music Needs Us."
Cory WongThe bass wiz and author shares deep wisdom about bass, music, and more.
5. What Scares Julian Lage?
Cory WongThe jazz phenom chats about flying with his guitar, how he approaches fluidity on his instrument, overcoming injury, and his take on pedals and tunings.
4. Derek Trucks: “There’s a Lot of Music Out There”
Cory WongThe slide master talks about amalgamating influences, keeping it fresh, how he approaches tone, and the best amp ever made.
3. Vai on Vai: “That’s Me—Obtuse and Quirky”
Cory WongThe legend talks gear, almost jamming with Prince, guitar heroes, melody, fear, swapping technique for passion, his hydra guitar, why he chose the players on his latest album, and his true superpower.
2. John Mayer Pt. 2—A Song Too Perfect to Record?
Cory WongCory and John Mayer sit down with their guitars to jam and discuss how they approach playing, songwriting, record-making, and the music business.
1. Mayer Is King
Cory WongCory and John Mayer sit down with their guitars to jam and discuss how they approach playing, songwriting, record-making, and the music business.
The final day is here! Enter Stompboxtober Day 31 for your last chance to win today’s pedal from Keeley and finish the month strong!
Keeley Octa Psi Transfigurating Fuzz Pedal with Polyphonic Pitch Shifting
Meet the OCTA PSI Transfigurating Fuzz – The Ultimate Combination of Pitch-Shifter, Octave Generator, and Tri-Voiced Analog Fuzz! Key features include: Instant Effect Order Switching, Flexible Output Configuration, Momentary or Latching Octave/Pitch, and more! Each pitch shift mode includes an up, down, and dual setting, resulting in 24 different modes.
Does the guitar’s design encourage sonic exploration more than sight reading?
A popular song between 1910 and 1920 would usually sell millions of copies of sheet music annually. The world population was roughly 25 percent of what it is today, so imagine those sales would be four or five times larger in an alternate-reality 2024. My father is 88, but even with his generation, friends and family would routinely gather around a piano and play and sing their way through a stack of songbooks. (This still happens at my dad’s house every time I’m there.)
Back in their day, recordings of music were a way to promote sheet music. Labels released recordings only after sheet-music sales slowed down on a particular song. That means that until recently, a large section of society not only knew how to read music well, but they did it often—not as often as we stare at our phones, but it was a primary part of home entertainment. By today’s standards, written music feels like a dead language. Music is probably the most common language on Earth, yet I bet it has the highest illiteracy rate.
Developed specifically for Tyler Bryant, the Black Magick Reverb TB is the high-power version of Supro's flagship 1x12 combo amplifier.
At the heart of this all-tube amp is a matched pair of military-grade Sovtek 5881 power tubes configured to deliver 35-Watts of pure Class A power. In addition to the upgraded power section, the Black Magick Reverb TB also features a “bright cap” modification on Channel 1, providing extra sparkle and added versatility when blended with the original Black Magick preamp on Channel 2.
The two complementary channels are summed in parallel and fed into a 2-band EQ followed by tube-driven spring reverb and tremolo effects plus a master volume to tame the output as needed. This unique, signature variant of the Black Magick Reverb is dressed in elegant Black Scandia tolex and comes loaded with a custom-built Supro BD12 speaker made by Celestion.
Price: $1,699.
Kevin Shields of My Bloody Valentine is one of the loudest guitarists around. And he puts his volume to work creating mythical tones that have captured so many of our imaginations, including our special shoegaze correspondent, guitarist and pedal-maestro Andy Pitcher, who is our guest today.
My Bloody Valentine has a short discography made up of just a few albums and EPs that span decades. Meticulous as he seems to be, Shields creates texture out of his layers of tracks and loops and fuzz throughout, creating a music that needs to be felt as much as it needs to be heard.
We go to the ultimate source as Billy Corgan leaves us a message about how it felt to hear those sounds in the pre-internet days, when rather than pull up a YouTube clip, your imagination would have to guide you toward a tone.
But not everyone is an MBV fan, so this conversation is part superfan hype and part debate. We can all agree Kevin Shields is a guitarists you should know, but we can’t all agree what to do with that information.