
The famous producer’s concepts on art and spirituality are a guiding force in our columnist’s creative process.
About two months ago, I watched a few video clips featuring legendary producer Rick Rubin. Since then, TikTok has sent me a steady stream of Rubinisms. At this point, I’ve watched or listened to pretty much every one of his interviews and episodes of his podcast, Broken Record, and I’ve even read his book, The Creative Act: A Way of Being. Never met the guy, but Rick Rubin has become my career counselor, shrink, spiritual advisor, and guiding spirit. If you don’t have the hours I’ve spent reading, listening, and watching, let me distill it all down to a few gems that I’ve gleaned from the R.R. deep dive.
“Everything we make, we are making as an offering for God.”
If we approach our creative endeavors with the intention of connecting to something beyond ourselves—pick your higher power—we tap into a limitless wellspring of inspiration. We transcend the limitations of our tiny brains, societal expectations, and external validation, and open ourselves up to new possibilities and allow ourselves to be vessels for something greater than ourselves.
“Some scientists and spiritual traditions propose that consciousness extends beyond the physical body.”
“We are all translators for messages the universe is broadcasting.”
“The best artists tend to be the ones with the most sensitive antennae to draw in the energy resonating at a particular moment.”
While science has made strides in understanding the workings of the brain, it is still unable to fully explain the intricacies of human consciousness. Some scientists and spiritual traditions propose that consciousness extends beyond the physical body, suggesting that our thoughts may originate from a higher source or collective consciousness. Rubin maintains that the best creators have tapped into universal intelligence or divine energy.
You know when you have a great idea—a song title, screenplay, app, business plan—and you don’t do anything about it, then that identical idea becomes a huge success for somebody else? It’s rarely plagiarism. This divine creative source sent that message out there, many people heard, few did anything about it. These ideas are out there for everybody, free for the picking.
“Creativity is not a rare ability.”
“Creativity is a fundamental aspect of being human.”
How does one access this creativity? Rubin explains: “Living life as an artist is a practice. You are either engaging in the practice or you’re not. It makes no sense to say you’re not good at it. It’s like saying, ‘I’m not good at being a monk.’ You are either living as a monk or you’re not. We tend to think of the artist’s work as the output. The real work of the artist is a way of being in the world…. A way of perceiving. A practice of paying attention. Refining our sensitivity to tune in to the more subtle notes. Looking for what draws us in and what pushes us away. Noticing what feeling tones arise and where they lead.”
Creating is “like gardening, not architecture.” Architecture is set in stone. With gardens, nature calls the shots. But if you nurture it, it will probably grow. Rubin looks at creativity as free play, where ideas can blossom and flourish without limitations. It is in this space of freedom that true innovation can take root. Rubin’s way is to allow ourselves to explore without fear of failure or judgment. The trick is to get out of your head and quit worrying about what others think.
“The audience doesn’t know what they want. The audience only knows what’s come before.”
Think about the times you’ve deeply connected with the music you were playing and felt like your soul was talking. That doesn’t happen if you’re worrying about the audience. I wish I could live by this rule. I gig a lot. Shamefully, most of my solos I play are just reaching into my bag of cliché riffs and stringing together some flashy ones because I think “that’s what these drunks in the crowd love to hear.” But you know what they love even more? Authenticity.
I only authentically connect to music when I turn off my ego and quit worrying about what other people think. It’s a very Zen paradox: The only way to give the people what they really want is to not let them influence the creative process.
The chief takeaway is in the title of Rubin’s book: The Creative Act: A Way of Being. This isn’t a collection of hacks to help you create; it’s a way of living to make life richer.
Quotes taken from The Creative Act: A Way of Being by Rick Rubin, In Shangri-La with music producer Rick Rubinfrom 60 Minutes, and theRick Rubin: How to Access Your Creativityepisode of the Huberman Lab Podcast.- Royal Blood Announce New Album and Single ›
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It’s almost over, but there’s still time to win! Enter Stompboxtober Day 30 for your shot at today’s pedal from SoloDallas!
The Schaffer Replica: Storm
The Schaffer Replica Storm is an all-analog combination of Optical Limiter+Harmonic Clipping Circuit+EQ Expansion+Boost+Line Buffer derived from a 70s wireless unit AC/DC and others used as an effect. Over 50 pros use this unique device to achieve percussive attack, copious harmonics and singing sustain.
Does the guitar’s design encourage sonic exploration more than sight reading?
A popular song between 1910 and 1920 would usually sell millions of copies of sheet music annually. The world population was roughly 25 percent of what it is today, so imagine those sales would be four or five times larger in an alternate-reality 2024. My father is 88, but even with his generation, friends and family would routinely gather around a piano and play and sing their way through a stack of songbooks. (This still happens at my dad’s house every time I’m there.)
Back in their day, recordings of music were a way to promote sheet music. Labels released recordings only after sheet-music sales slowed down on a particular song. That means that until recently, a large section of society not only knew how to read music well, but they did it often—not as often as we stare at our phones, but it was a primary part of home entertainment. By today’s standards, written music feels like a dead language. Music is probably the most common language on Earth, yet I bet it has the highest illiteracy rate.
Developed specifically for Tyler Bryant, the Black Magick Reverb TB is the high-power version of Supro's flagship 1x12 combo amplifier.
At the heart of this all-tube amp is a matched pair of military-grade Sovtek 5881 power tubes configured to deliver 35-Watts of pure Class A power. In addition to the upgraded power section, the Black Magick Reverb TB also features a “bright cap” modification on Channel 1, providing extra sparkle and added versatility when blended with the original Black Magick preamp on Channel 2.
The two complementary channels are summed in parallel and fed into a 2-band EQ followed by tube-driven spring reverb and tremolo effects plus a master volume to tame the output as needed. This unique, signature variant of the Black Magick Reverb is dressed in elegant Black Scandia tolex and comes loaded with a custom-built Supro BD12 speaker made by Celestion.
Price: $1,699.
Kevin Shields of My Bloody Valentine is one of the loudest guitarists around. And he puts his volume to work creating mythical tones that have captured so many of our imaginations, including our special shoegaze correspondent, guitarist and pedal-maestro Andy Pitcher, who is our guest today.
My Bloody Valentine has a short discography made up of just a few albums and EPs that span decades. Meticulous as he seems to be, Shields creates texture out of his layers of tracks and loops and fuzz throughout, creating a music that needs to be felt as much as it needs to be heard.
We go to the ultimate source as Billy Corgan leaves us a message about how it felt to hear those sounds in the pre-internet days, when rather than pull up a YouTube clip, your imagination would have to guide you toward a tone.
But not everyone is an MBV fan, so this conversation is part superfan hype and part debate. We can all agree Kevin Shields is a guitarists you should know, but we can’t all agree what to do with that information.