The R-101 brings the company''s renowned ribbon mic quality with Royer''s offset-ribbon design to a more affordable level.
A pioneering design with high SPL (sound pressure level) capabilities and extremely low residual noise, the R-101 is ideal for both studio and live sound reinforcement applications. It offers exemplary performance for a wide range of miking tasksāat a price point that makes this new microphone a most compelling choice.For more information:
The new R-101 offers numerous technological advancements pioneered by Royer Labs. Chief among them is the microphoneās multi-layered wind screening for superior protection from air blasts and plosives, providing excellent protection for the microphoneās ribbon element. This unique screening system also reduces proximity effect, facilitating closer miking with less bass buildup. The ribbon element's smooth frequency response and phase linearity, coupled with sensitivity levels surpassing those of āclassicā ribbon microphones, enable the new R-101 to provide an element of analog warmth so essential to todayās digital recording systems. The perfect choice for miking electric guitars, brass instruments, and drums, the R-101's figure-8 pattern also conveys superb ambience and depth when used for room miking applications.
The R-101 incorporates Royer's patented offset-ribbon technology and a low mass, 2.5-micron aluminum (99.9% pure) ribbon element. The ribbon transducerās flux-frame and rare earth Neodymium magnets create a powerful magnetic field which increases sensitivity while reducing stray magnetic radiation.
The offset-ribbon design of the new R-101 positions the ribbon element towards the front of the microphone body, allowing for higher SPL handling on the front (logo) side of the microphone and the option of a brighter response when recording lower SPL sound sources on the microphoneās back side. This innovative approach results in the R-101ās ability to withstand 135dB SPL @ 30 Hz. The R-101 is a perfect choice for close miking, capturing the attack transients of percussion instruments, recording loud instruments such as brass and horn sections, or miking electric guitar cabinets. Equally notable, the R-101 is a great choice for miking strings, acoustic guitar, and piano.
It should also be noted that, with the new R-101, there are no internal electronics to overload or produce distortion up to the microphoneās maximum SPL rating and the ribbon element is not affected by heat or humidity. Equally significant, the extremely high quality of both the R-101ās manufacturing and its components results in an absence of high frequency peaks, āringing,ā and phase shifts and enables this new microphone to have extremely low residual noise.
Rick Perrotta, President of Royer Labs, commented on the companyās new R-101 Ribbon Microphone. āThe R-101 has numerous benefits that make it a great choice for the audio professional,ā says Perrotta. āThis microphone employs some noteworthy manufacturing qualities, including the absence of nickel or black chrome plating. We decided to employ a high quality epoxy finish that is extremely durable and is environmentally friendly. We also incorporated an entirely new multi-layered wind screen design that provides better protection for the element, and weāve included a shockmount, which can be a rather pricey accessory. Further, we designed the R-101 to exhibit less proximity effectāenabling people who may not be accustomed to using ribbon mics to achieve excellent results. All of these factors contribute to a very capable microphone that addresses those customers who may not be in a position to spend more than a thousand dollars.ā
The Royer Labs R-101 Ribbon Microphone ships with a heavy-duty protective carrying case, a suspension-type shock mount, and a mic sock. The R-101 is expected to ship in early September, 2010 and carry an MSRP of $895.00.
Royer Labs
Source: Press Release
Mooer's Ocean Machine II is designed to bring superior delay and reverb algorithms, nine distinct delay types, nine hi-fidelity reverb types, tap tempo functionality, a new and improved looper, customizable effect chains, MIDI connectivity, expression pedal support, and durable construction.
Similarly to the original, the Ocean Machine II offers two independent delay modules, each with nine different delay types of up to two seconds, including household names such as digital, tape, and echo delays, as well as more abstract options, such as galaxy, crystal, and rainbow. A high-fidelity reverb module complements these delays with nine reverb types, as well as a shimmer effect. Each delay and reverb effect can also be āfrozen,ā creating static ambient drones, an effect that sounds particularly impressive considering the pedalās DSP upgrades.
While the original Ocean Machineās looping capabilities provided just 44 seconds of loop storage, the new addition features an impressive 120 seconds. To experiment with this feature, along with OceanMachine IIās other sonic capabilities, users can use an intuitive LCD screen along with 12 knobs (four for each delay and reverb module) to easily adjust parameters within the deviceās āPlay Mode.ā Three footswitches are also provided to facilitate independent effect toggling, tap tempo control, looper interfacing, and a preset selector.
Once the guitarist has crafted an interesting effect chain, they can save their work as a preset and enter āPatch Mode,ā in which they can toggle between saved settings with each of the three footswitches. In total, the Ocean Machine II provides eight preset storage banks, each of which supports up to threepresets, resulting in a total of 24 save slots.
The pedalās versatility is further enhanced by its programmable parallel and serial effect chain hybrid, a signature element of Devin Townsendās tone creation. This feature allows users to customize the order of effects, providing endless creative possibilities. Further programming options can be accessed through the LED screen, which impressively includes synchronizable MIDI connectivity, a feature that was absent in the original Ocean Machine.
In addition to MIDI, the pedal supports various external control systems, including expression pedal input through a TRS cable. Furthermore, the pedal is compatible with MOOER's F4 wireless footswitch, allowing for extended capabilities for mapping presets and other features. A USB-C port is also available for firmware updates, ensuring that the pedal remains up-to-date with the latest features and improvements.
Considering the experimental nature of Devin Townsendās performances, MOOER has also gone above and beyond to facilitate the seamless integration of Ocean Machine II into any audio setup. The device features full stereo inputs and outputs, as well as adjustable global EQ settings, letting users tailor their sound to suit different environments. Guitarists can also customize their effect chains to be used with true bypass or DSP (buffered) bypass, depending on their preferences and specific use cases.
Overall, Ocean Machine II brings higher-quality delay and reverb algorithms, augmented looping support, and various updated connections to Devin Townsendās original device. As per MOOERās typical standard, the pedal is engineered to withstand the rigors of touring and frequent use, allowing guitars to bring their special creations and atmospheric drones to the stage.
Key Features
- Improved DSP algorithms for superior delay and reverb quality
- Nine distinct delay types that support up to 2 seconds of delay time: digital, analog, tape, echo,liquid, rainbow, crystal, low-bit, and fuzzy delays
- Nine hi-fidelity reverb types: room, hall, plate, distorted reverb, flanger reverb, filter reverb,reverse, spring, and modulated reverb
- Freeze feedback feature, supported for both delay and reverb effects
- Tap tempo footswitch functionality
- New and improved looper supporting up to 120 seconds of recording time, along withoverdubbing capabilities, half-speed, and reverse effects.
- Customizable order of effects in parallel or series chains
- Flexible bypass options supporting both true bypass and DSP bypass
- Large LCD screen, controllable through twelve easy-to-use physical knobs for real-time parameter adjustments.
- Adjustable Global EQ Settings
- Full stereo inputs and outputs
- Synchronizable and mappable MIDI In and Thru support
- USB-C port for firmware updates
- External expression pedal support via TRS cable
- Support for the MOOER F4 wireless footswitch (sold separately)
- Designed for durability and reliability in both studio and live environments.
The Ocean Machine will be available from official MOOER dealers and distributors worldwide on September 10, 2024.
For more information, please visit mooeraudio.com.
MOOER Ocean Machine II Official Demo Video - YouTube
Some of us love drum machines and synths, and others donāt, but we all love Billy.
Billy Gibbons is an undisputable guitar force whose feel, tone, and all-around vibe make him the highest level of hero. But thatās not to say he hasnāt made some odd choices in his career, like when ZZ Top re-recorded parts of their classic albums for CD release. And fans will argue which era of the bandās career is best. Some of us love drum machines and synths and others donāt, but we all love Billy.
This episode is sponsored by Magnatone
An '80s-era cult favorite is back.
Originally released in the 1980s, the Victory has long been a cult favorite among guitarists for its distinctive double cutaway design and excellent upper-fret access. These new models feature flexible electronics, enhanced body contours, improved weight and balance, and an Explorer headstock shape.
A Cult Classic Made Modern
The new Victory features refined body contours, improved weight and balance, and an updated headstock shape based on the popular Gibson Explorer.
Effortless Playing
With a fast-playing SlimTaper neck profile and ebony fretboard with a compound radius, the Victory delivers low action without fret buzz everywhere on the fretboard.
Flexible Electronics
The two 80s Tribute humbucker pickups are wired to push/pull master volume and tone controls for coil splitting and inner/outer coil selection when the coils are split.
For more information, please visit gibson.com.
Gibson Victory Figured Top Electric Guitar - Iguana Burst
Victory Figured Top Iguana BurstThe SDE-3 fuses the vintage digital character of the legendary Roland SDE-3000 rackmount delay into a pedalboard-friendly stompbox with a host of modern features.
Released in 1983, the Roland SDE-3000 rackmount delay was a staple for pro players of the era and remains revered for its rich analog/digital hybrid sound and distinctive modulation. BOSS reimagined this retro classic in 2023 with the acclaimed SDE-3000D and SDE-3000EVH, two wide-format pedals with stereo sound, advanced features, and expanded connectivity. The SDE-3 brings the authentic SDE-3000 vibe to a streamlined BOSS compact, enhanced with innovative creative tools for every musical style. The SDE-3 delivers evocative delay sounds that drip with warmth and musicality. The efficient panel provides the primary controls of its vintage benchmarkāincluding delay time, feedback, and independent rate and depth knobs for the modulationāplus additional knobs for expanded sonic potential.
A wide range of tones are available, from basic mono delays and ā80s-style mod/delay combos to moody textures for ambient, chill, and lo-fi music. Along with reproducing the SDE-3000's original mono sound, the SDE-3 includes a powerful Offset knob to create interesting tones with two simultaneous delays. With one simple control, the user can instantly add a second delay to the primary delay. This provides a wealth of mono and stereo colors not available with other delay pedals, including unique doubled sounds and timed dual delays with tap tempo control. The versatile SDE-3 provides output configurations to suit any stage or studio scenario.
Two stereo modes include discrete left/right delays and a panning option for ultra-wide sounds that move across the stereo field. Dry and effect-only signals can be sent to two amps for wet/dry setups, and the direct sound can be muted for studio mixing and parallel effect rigs. The SDE-3 offers numerous control options to enhance live and studio performances. Tap tempo mode is available with a press and hold of the pedal switch, while the TRS MIDI input can be used to sync the delay time with clock signals from DAWs, pedals, and drum machines. Optional external footswitches provide on-demand access to tap tempo and a hold function for on-the-fly looping. Alternately, an expression pedal can be used to control the Level, Feedback, and Time knobs for delay mix adjustment, wild pitch effects, and dramatic self-oscillation.
The new BOSS SDE-3 Dual Delay Pedal will be available for purchase at authorized U.S. BOSS retailers in October for $219.99. To learn more, visit www.boss.info.