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Simple Amps Big Iron 34AV & 6AV Demos-Summer NAMM

PG's Chris Burgess is On Location in Nashville, TN for Summer NAMM '09 where he visits the Simple Amps booth. In this video segment, we get to hear from Simple Amps' Big Iron 34AV & 6LAV amps. The Big Iron 6VAV amp comes with 6V6 and the 34AV comes with EL34s, either 12AX7 or 12AU7 preamp tubes and runs hot at about 30 watts. The Big Iron 6VAV is built upon the same platform as its sister amp, the Big Iron 6VA, and the 34AV is very similar to the Big Iron 34A, the difference lies in the second "V," which stands for the added built-in Vibrato feature controlled by knobs on the front panel.



PG's Chris Burgess is On Location in Nashville, TN for Summer NAMM '09 where he visits the Simple Amps booth. In this video segment, we get to hear from Simple Amps' Big Iron 34AV & 6LAV amps. The Big Iron 6VAV amp comes with 6V6 and the 34AV comes with EL34s, either 12AX7 or 12AU7 preamp tubes and runs hot at about 30 watts. The Big Iron 6VAV is built upon the same platform as its sister amp, the Big Iron 6VA, and the 34AV is very similar to the Big Iron 34A, the difference lies in the second "V," which stands for the added built-in Vibrato feature controlled by knobs on the front panel.

With a team of experts on hand, we look at six workhorse vintage amps you can still find for around $1,000 or less.

If you survey the gear that shows up on stages and studios for long enough, you’ll spot some patterns in the kinds of guitar amplification players are using. There’s the rotating cast of backline badasses that do the bulk of the work cranking it out every day and night—we’re all looking at you, ’65 Deluxe Reverb reissue.

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Amazon Prime Day is here (July 16-17). Whether you're a veteran player or just picking up your first guitar, these are some bargains you don't want to miss. Check out more deals here! https://amzn.to/3LskPRV

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A technicolor swirl of distortion, drive, boost, and ferocious fuzz.

Summons a wealth of engaging, and often unique, boost, drive, distortion, and fuzz tones that deviate from common templates. Interactive controls.

Finding just-right tones, while rewarding, might demand patience from less assured and experienced drive-pedal users. Tone control could be more nuanced.

$199

Danelectro Nichols 1966
danelectro.com

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The Danelectro Nichols 1966, in spite of its simplicity, feels and sounds like a stompbox people will use in about a million different ways. Its creator, Steve Ridinger, who built the first version as an industrious Angeleno teen in 1966, modestly calls the China-made Nichols 1966 a cross between a fuzz and a distortion. And, at many settings, it is most certainly that.

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The author standing next to a Richardson gunstock lathe purchased from Gibson’s Kalamazoo factory. It was used to make six necks at a time at Gibson in the 1950s and 1960s.

Keep your head down and put in the work if you want to succeed in the gear-building business.

The accelerated commodification of musical instruments during the late 20th century conjures up visions of massive factories churning out violins, pianos, and, of course, fretted instruments. Even the venerable builders of the so-called “golden age” were not exactly the boutique luthier shops of our imagination.

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