5

Buffalo FX's new Ram's Head will satisfy the tastes of players who lust after Gilmour's tone on Animals and The Wall.

If you line up a several original “ram’s head” Big Muffs, each will speak with a slightly different accent. Electro-Harmonix allegedly used some 20 different schematics for this second version of the Muff, which the company introduced in 1973. One constant among originals, however, is their midrange scoop, which can make the Muff a shadowy presence in a live situation.

Precision Muffin Makin’ Steve Painter of Buffalo FX says that addressing this midrange drop was the first priority of his ram’s head clone, and indeed, his NOS BC239C transistor-driven unit has a perceptible midrange bump and increased top-end headroom. The components are period-accurate—everything inside this black box existed in the ’70s.

Read More Show less

For at least a decade, the classic Ampeg SVT was the dominant bass amp for power and tone.

Photo courtesy of ampeg.com

From the giant, hefty beasts of yore to their modern, ultra-portable equivalents, bass amps have come a long way. So, what's next?

Bassists are often quite well-informed about the details of their instruments, down to the finest technical specs. Many of us have had our share of intense discussions about the most minute differences between one instrument and another. (And sometimes those are interrupted by someone saying, "It's all in the fingers.") But right behind our backs, at the end of our output cables, there is a world of tone-shaping that we either simply ignore or just don't want to dive into too deeply. Turning a gear discussion from bass to amp is a perfect way to bring it to an abrupt end.

Read More Show less

Flexible filtering options and a vicious fuzz distinguish the Tool bass master’s signature fuzz-wah.

Great quality filters that sound good independently or combined. Retains low end through the filter spectrum. Ability to control wah and switch on fuzz simultaneously. Very solid construction.

Fairly heavy. A bit expensive.

$299

Dunlop JCT95 Justin Chancellor Cry Baby Wah
jimdunlop.com

4.5
4
4
4

Options for self-expression through pedals are almost endless these days. It’s almost hard to imagine a sonic void that can’t be filled by a single pedal or some combination of them. But when I told bass-playing colleagues about the new Dunlop Justin Chancellor Cry Baby—which combines wah and fuzz tuned specifically for bass—the reaction was universal curiosity and marvel. It seems Dunlop is scratching an itch bass players have been feeling for quite some time.

Read More Show less
x