"It's maybe the most important thing to me that the solos [I record] are things that I haven't done a million times," country guitarist and singer/songwriter Brad Paisley shares on this episode of Shred With Shifty. "That's getting harder and harder to do." But as Paisley walks host Chris Shiflett through his solo on "Mud on the Tires," the centerpiece of the interview, it's clear that Paisley can improvise melodies that don't necessarily need to clear that bar in order to hook and make a lasting impression on his listeners.
Brad was learning Chet Atkins-style thumbpicking in lessons from the age of 12, and while he later absorbed a rock vocabulary, Shifty comments that Brad always seems to play with a country feel. Throughout the episode, Brad frequently illustrates his points by playing riffs, in a way that shows that his connection with the instrument is a fluid one and a key part of how he expresses himself.
"Mud on the Tires" was originally recorded 20 years ago, in 2003. Brad's setup was either his '68 Paisley Tele or '52 Tele, recorded through a '63 Vox AC30 and a Dr. Z Z 28, the latter of which was run through a 15" JBL speaker. As he puts it, the AC30 fills the frequency gaps left by the Fender, making the combination a perfect sonic marriage. He says that live, he normally plays the solo on a guitar he's nicknamed "Splash," and they've had to replace the nut on it three times, due to how Paisley bends the 4th string on the space behind it at a certain point in the solo.
While rockin' his G bender, Brad has some trouble executing the solo's most elaborate middle riff during the solo breakdown, but his incredible chops pull through towards the end of the ep as he whips out the impressive lick. Shifty encourages followers to see if they can match it! That might be a tall order, but it is all part of the fun.
Credits
Producer: Jason Shadrick
Executive Producers: Brady Sadler and Jake Brennan for Double Elvis
Engineering Support by Matt Tahaney and Matt Beaudion
Video Editors: Dan Destefano and Addison Sauvan
Special thanks to Chris Peterson, Greg Nacron, and the entire Volume.com crew.
Did you ever wonder how the most epic guitar solos of our time were crafted? Let Chris Shiflett of the Foo Fighters be your tour guide and listen in as he breaks down legendary guitar solos with the artists themselves.
“I love guitar playing, and in particular, I love lead guitar playing (not to mention all things related to lead guitar playing: amps, pedals, stories about recording, and of course, guitars). My new show, SHRED WITH SHIFTY, was born out of the fact that I spend an awful lot of time watching people on the internet explain guitar parts almost right, so I thought, what if I could just go to the source and find out what my favorite players actually did on the solos I love? I’m about halfway through doing the interviews for this first season and the lineup is insane plus I’ve already got a big new bag of hot licks to learn. Working on launching this show has been a good reminder of why I picked up a guitar in the first place - because it’s really, really fun.” - Chris Shiflett
Each and every episode gets inside what it was like in the recording studio where some of the most iconic guitar solos were created and highlights aspects of each solo that only the artist knows. Alex Lifeson talks about how the “Limelight” solo was pieced together in the studio, while Rivers Cuomo discusses why his go-to “guitar store” lick is a classic from super shredder Yngwie Malmsteen. Wonder how Richie Sambora put together the “Wanted Dead or Alive” solo? We have you covered. Need a breakdown of the chords to Diana Ross’s “I’m Coming Out?” No one knows the nuances better than Nile Rodgers himself.
Shred With Shifty Guests Include:
- Nile Rodgers
- Brad Paisley
- Alex Lifeson (Rush)
- Mike McCready (Pearl Jam)
- Richie Sambora (Bon Jovi)
- Rivers Cuomo (Weezer)
- Charlie Starr (Blackberry Smoke)
- Lindsay Ell
- Blake Schwarzenbach, (Jawbreaker)
- John Osborne (Brothers Osborne)
- Brent Mason (Session Legend)
SHRED WITH SHIFTY is produced by Jason Shadrick, Chris Shiflett, leading music podcast company Double Elvis, and Volume.com along with Premier Guitar. Full video episodes will be available exclusively on Volume.com. Audio versions of every episode will be available on all major podcast platforms. Go to Volume.com/shifty and follow to get alerts as new video episodes are released.
Fans can smash play on Shiflett’s latest singles "Black Top White Lines" (written with alt-country heroes Jaren Johnston and John Osborne) and"Dead And Gone" right now, and stay tuned for a forthcoming full-length album announcement later this summer. Want to know what’s in Shiflett’s personal guitar vault? Check out his Rig Rundown via Premier Guitar.
"Double Elvis thrives on the power of music and storytelling. With 'SHRED WITH SHIFTY,' we're embodying these values by diving into the world of guitar legends, the solos that define them, and the untold stories behind those iconic moments. Chris Shiflett's passion for the craft, his curiosity, and his unique ability to connect with other musicians makes him the perfect person to lead this exploration. We couldn't be more excited to partner with him, and with Volume.com to bring this truly unique and entertaining new show to life.”
-Brady Sadler, Executive Producer & Co-Founder of Double Elvis
We are beyond thrilled to bring SHRED WITH SHIFTY to life with video on Volume.com. What we love about having this podcast on Volume is the visual nature of the content. The incredible material that Chris covers with these Legends is more compelling with the additional video component. We believe fans and guitarists being able to see the frets and fingerings up close and personal creates an enhanced viewer experience.
-Greg Nacron, COO, Volume.com
The ferocious guitarist—and singer-songwriter and bandleader—has a brand new rig for 2023. Check it out!
Two months ago, Lindsay Ell released her latest single, “Sweet Spot,” plus she’s on the way to issuing a new album, following up 2020’s Heart Theory. And for the tour leading into her next record, she’s also got a passel of updated gear since her 2018 Rig Rundown. No surprise, since there’s always something new happening with Ell—whether it’s touring under her own banner or with Shania Twain, scooping up Canadian Country Music Association awards, or serving as a judge on Canada’s Got Talent.
When it comes to guitars, Ell’s 6-string tastes run to the classics and custom-builds, and she’s got her signature OD aboard, so let’s take a look.
Brought to you by D’Addario XS Strings.
Play Mary Kaye
“I’m a Strat girl,” Lindsay Ell attests. And this one, a Fender Custom Shop ’56 Strat in aged shell pink, was a gift from Keith Urban. It’s got jumbo frets and has become a studio and road favorite.
Stitched-Up Heart
On her last Rig Rundown, Lindsay was touring with several Strats that she had handpainted. This tour, she’s continuing the tradition with this funky-beautiful Fender Standard Strat she calls “Just Another Girl.” Note the humbucker-and-two-single-coils combination, and, of course, the stitched-up heart.
Paint It, Blue
The backside of Ell's Fender Standard Strat that wears the title of popular track from her 2017 album, The Project.
High-Flying Strat
Ell was asked by John Mayer to play in the video that announced the release of his PRS SE Silver Sky, the lower-priced version of his signature Paul Reed Smith model. This is the guitar she played in that video.
Lil’ Red
This vintage, all-stock Gibson Melody Maker from the 1960s was also a gift from Keith Urban—a thank you for opening dates on his spring 2023 tour.
Ultra, Man
This Fender Ultra Strat, in an aged ash natural finish, is currently Lindsay’s main go-to onstage. This hot rod is outfitted with Fender’s noiseless single-coil pickups. Elle’s guitars are strung with a variety of sets, including green DR Strings (.010–.048s0, Stringjoys (.095–.048), and D’Addario .010–.052s and .011–.052s. Her picks are D’Addario heavies.
Mahogany Marvel
Ell’s main acoustic is a custom-built Rockbridge OOO made of mahogany by Brian Calhoun in Charlottesville, Virginia. It’s a major switch for this longtime Martin player.
Amp Duo
Ell plays through a pair of amps: a Vox AC30 head and a Ceriatone Overtone Special. That’s a Furman power conditioner beneath the pair of heads.
Cute Cabs
The AC30 hits a 2x12 with Celestion Greenbacks and the Ceriatone slams a 1x12 Dr. Z cab with a Celestion Gold speaker.
Lindsay Ell's Pedalboard
Lindsay’s pedalboard contains a PolyTune 3 Noir, a Wampler Ego Compressor, a Ceriatone Centura Professional Overdrive, a signature Siren Etana drive, Vertex Ultraphonix OD, an MU-FX Micro-Tron III filter, an Arion Stereo Chorus, a Providence Chrono Delay, a HardWire RV-7 Stereo Reverb, and a Strymon Zuma power supply.
Dabbling with Digital
In addition to her trad tube amp-and-pedalboard combo, Lindsay also has a Neural DSP Quad Cortex on tap that has modeled tones of her amps.