Warm, articulate, natural overdrive and distortion tones offer an alternative to the same old OD blues. The PG Cascade Hosstortion review.
RatingsPros:A characterful overdrive with great touch sensitivity, excellent clarity, and versatile EQ. An able recreation of a hard-to-find classic. Cons: No major negatives, but it's worth knowing whether a MOSFET overdrive is your cup of tea before spending the cash on this one. Street: $175 Cascade Pedals Hosstortion cascadepedals.com | Tones: Ease of Use: Build/Design: Value: |
Cascade, a creative pedal maker based in the western North Carolina town of Asheville, builds a lot of custom stomps. The Hosstortion, however, is a new entry into its growing production lineup. The circuit, as Cascade main-man Charlie Mostoller tells us, is a “modern reimagining" of the rare and sought-after Ibanez MT10 Mostortion pedal of the early '90s, a MOSFET-based distortion-overdrive beloved for its thick, warm mids, biting clarity, and walloping low end.
Although the CMOS op-amps used in the original Ibanez were discontinued 15 years ago, the creation of powerful new BiMOS chips enables Cascade to re-cast the Ibanez formula with more gain, while retaining the versatile EQ and basic voice of the MT10. Further nods to modern performance include a bipolar charge pump for added headroom and lower noise, and premium true-bypass switching.
Hossenpfeffer Stew
Cascade's custom enclosures can be pretty creative. The company's Scooby-Doo Fuzz, for example, is housed in a repurposed toy Mystery Machine. The Hosstortion, however, is built in a standard enclosure and finished in striking sour-apple-green metallic with graphics that echo the MT10's original design motif. (Sadly, Cascade didn't use the Pac-Man-style knobs that distinguished the MT10.) Controls include dirt (gain), level, high, mid, and low. The bypass switch is held tight by an anodized lug nut. Cascade warns that the Hosstortion should only be used with a 9V center-negative power supply, and there's no 9V battery option.
Giddy-Up, Hoss
It's worth noting that although the pedal has “distortion" in its name, it's not meant to be a screaming high-gain metal machine, but more of a medium-gain overdrive, or a vintage-style low-gain distortion. Starting at low gain settings reminds you that good MOSFET overdrives possess many distinct, individual characteristics. (Marshall famously used MOSFET overdrive to get as close to possible to tube-style distortion in their '80s solid-state amps, which have fans to this day.)
Even at conservative settings on the gain knob (around 9 to 10 o'clock), the Mosstortion is thick, rich, and juicy, and it's great for goosing a Tele-style bridge pickup into slightly gnarlier twang zones. And in this way, it's a fantastic pedal for switching on and forgetting—adding depth and personality to an amp when you can't crank it up into its sweet spot.
Throughout its gain and EQ ranges, the Hosstortion consistently delivers a very enjoyable blend of articulation, girth, and, at times, a raw edge that lends texture without getting harsh or blocky. Higher gain settings elicit smooth complex-but-saturated overdrive that tends more toward singing solos or chunky power chords, while retaining an edgy bark that is signature MOSFET. Even with the gain up to 3 o'clock, it's still extremely transparent. It's also very responsive to guitar volume attenuation, leaving you with a beefy but characterful near-clean tone when you turn down.
I don't have an original Ibanez MT10 on hand to A/B with the Hosstortion (and acquiring one on the vintage market would probably cost $400 to $600), but to the extent that memory serves me, the Hosstortion sounds and feels much like the Mostortion that I occasionally played in the late '90s, and it's an impressive encapsulation of the natural, warm-to-mildly-aggressive tones and response that made MOSFET overdrives appealing in the first place.
The Verdict
The Hosstortion isn't just a ruggedly built and cleverly conceived reimagining of the iconic Ibanez Mostortion of the early '90s. It's a characterful and dynamic overdrive by any measure. It maintains surprising transparency amid the thick, rich textured voicing, and it's an excellent alternative to the more ubiquitous TS-style template.
Watch the Video Demo:
Fantastic freaks that annihilate preconceptions about how pedals should look and sound.
The effects pedal industry is booming—or was, before the coronavirus. Still, we carry on and continue to create new music and new sounds. There are hundreds, if not thousands, of different stompboxes available. Musicians and producers are clamoring to have an arsenal of sounds at their feet. What was once only possible in a recording studio can now be fully realized in almost any environment, thanks to pedals.
So, people are experimenting with sounds more than ever, and weird sounds abound, but it seems that most stompboxes are relatively plain-looking: mostly rectangular metal enclosures, usually painted or printed with some very cool designs, but still…. What does one do when one wants a pedal that looks as unique as it sounds?
They go a-hunting for strange stomps! There are pedal makers popping up who are building wild, non-traditional pedals. Some are fairly large companies that you might already know, while others are smaller operations that deserve to be better known. This article aims to share some of these wild units and their makers with our readers. We think you’ll be amazed by these creations!
ScrewedCircuitz
Canadian company ScrewedCircuitz is Dan Roleau and Kassia Lebeau, and synthesis is their game—aimed at recording, live sampling, and the spontaneous creation of freaky, haunted-house type atmospherics. Dan builds the circuits and Kassia does the design of the enclosures. They have many strange creations, but the Ring Mod Skull pedal is one of the visually strangest. It offers a passive ring modulator with eight oscillators, lo-fi pre-amplification, and feedback loop options—all built inside a replica of a human skull!
There are controls for each of the eight different oscillators in the Ring Mod Skull. Each knob controls oscillator pitch independently. Each oscillator has its own switch that gives the user the option to flip between resistors and diodes, in order to create two different sounds within the matrix mixer. Courtesy of Dan Roleau and Kassia Labeau or ScrewedCircuitz
“We love matching the enclosure to our sound,” says Roleau. Hence, also, the Harsh Noise Coffin Synth, which is a tiny device shaped like a wooden coffin that sounds like a box full of snakes … until it starts to whoosh and whoop.
“We were inspired to create something dark, atmospheric, and harsh all-in-one,” Roleau says about the Ring Mod Skull. “The pedal is based on our very first Zombie-Head Synth, which was noisy as hell and freaked everyone out because of the realism of the enclosure. The Skull circuit is handmade from scratch using whatever components were laying around at the time. We added cool LEDs because … well, because why not? Who doesn’t like ’em? We aim to please ourselves before anyone else, so when someone appreciates our work it’s a bonus.”
Almost all ScrewedCircuitz effects and sound circuits are built inside of unique, one-of-a-kind enclosures. Plastic toy organs and locomotives, repurposed keyboards, and Walkman cassette players are all fair game, although builds like their Lo-Fi Sampler, Lo-Fi Looper, and some of their other sound twisters come in conventional enclosures.
Prepare for some uneasy listening, but hang in through the end to hear the full range of buzzing, grinding, hissing, warbling, and even vaguely threatening sounds that come from this little box of horrors.
An updated version of a short-lived classic.
Asheville, NC (March 25, 2020) -- Cascade Pedals is proud to release its first production model, the Hosstortion, an updated version of the legendary Ibanez MT-10 Mostortion.
Renowned as the secret weapon behind many Nashville guitarists’ primo tone, the short-lived Mostortion was only produced from 1990-1993. It has become a rare bird, and even banged-up vintage specimens now fetch high prices. The chip that gave the pedal its name, the CMOS CA3260, went obsolete in the mid 2000’s, making true-to-form clones hard to produce.
The original MT-10 pedal is a personal favorite of Cascade Pedals’ founder Charlie Mostoller, and as Cascade Pedals has grown from building one-of-a-kind custom pedals to creating production models, Mostoller knew his first release had to be an update of the Mostortion.
Using a modern BiMOS chip, Mostoller breadboarded the circuit until he was satisfied with his updates, adding more output and increased headroom, while maintaining the tonal characteristics and extremely versatile three-band EQ of the original. From low gain, warm clean tone and medium gain country-rock leads, to high gain, treble forward shreds or scooped-mid heavy-metal, the Hosstortion can do it all. It plays very well with compressors, stacks amazingly with other drive pedals, and loves to be paired with modulation. Other updates from the original include top-mounted jacks, premium quality parts, a sparkle green enclosure with 3D printed graphics in an homage to the original, and a Lifetime Warranty. Key features:
- True-bypass operation
- 9-volt DC operation via standard external jack - no battery
- Heavy-duty construction using premium quality components
The Hosstortion is available at cascadepedals.com and retails for $175.
Watch the company's video demo:
For more information:
Cascade Pedals