Caroline Jones’ current go-to electric is a cherry beauty named “Ruby”—a Collings I-35 Deluxe.

Photo by Tyler Lord

On Antipodes, Jones’ sophomore release, she pulls out all the stops, including a rack full of incredible guitars, a New Zealand-made Weissenborn-style lap steel, a lineup of special guests including Joe Bonamassa, and an impressive combination of fingerpicking and slide techniques.

Country singer-songwriter Caroline Jones names her guitars. Her current go-to, a Collings I-35 Deluxe, is “Ruby.” Her Taylor Custom GS 12-string is named “Big Mama.” There’s a 1963 Strat on loan from her coproducer, Ric Wake, that she calls “Heaven.” And you’ll also see her with a 1961 Fender Esquire—called, “Tenny”—that also belongs to Wake.

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Session guitarist/demo guy extraordinaire (and PG Tone Tips columnist) Pete Thorn joins us to discuss the latest gear from Ernie Ball, Alexander Pedals, Waterloo, Sound City, and more.

Posen’s Collings LT M is one of his favorites—especially for slide. He also plays a Collings SoCo Deluxe, several Strats including an Eric Johnson model, a Suhr Classic S Antique, a Josh Williams Mockingbird, and a Teisco Del Ray. Photo by Zoltan Katona

The highly respected sideman, slide man, and gear-demo star makes the transition to frontman and songwriter with his debut solo album.

Thus far in his career, 32-year-old Ariel Posen is best known to the world at large for his work as a sideman for the Bros. Landreth. But a quick YouTube search unveils just how immersed in guitar culture Posen has become, with results showing him playing all sorts of drool-worthy vintage and boutique gear in videos posted by stores such as Carter Vintage Instruments, Chicago Music Exchange, Norman's Rare Guitars, and Andertons, as well as companies like Collings, TC Electronic, and Lowden. Of course, this seeming ubiquity is the result of Posen’s reputation as a guitarist. But as much as word of Posen’s abilities may precede him, he insists that How Long, his debut release, is not a guitar album. It’s all about the big picture, he explains: “These days, I like listening to songs and the story and the total package.”

In fact, he relates that his style is the result of listening to all kinds of musicians—not merely guitarists. “If I didn’t do that, I wouldn’t have truly found out what it is that I want to be playing and how I want to be playing,” he explains.

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