Torpedo C.A.B. M+
Designed to be the missing link between a guitarist’s rig and the PA or audio interface, this pedal is loaded with 32 Two Notes cabinets, eight power amps, eight mics, and eight rooms to choose from.
Red Box 5
This handy DI and speaker simulator offers powerful control over your sound, including cabinet size and cab tightness, and a means to avoid miking up your rig onstage.
OmniCabSim Deluxe
Designed for guitarists who want to create their own cabinet response settings, rather than rely on presets, this pedal allows players to define their sound and get an accurate reproduction of it when gigging or recording.
Iridium
This pedal has mathematically modeled every aspect of three iconic tube amps, and includes nine of Iridium’s IR cabinets with 24-bit 96 kHz resolution for the entire 500 milliseconds of its impulse responses.
CabClone IR
Featuring two banks of eight Mesa cab presets for 16 proprietary IRs and the ability to upload third-party IRs, this pedal also functions as a tone-rich, silent practice tool with a set of headphones.
Element
With five cabinet simulations, a multi-channel USB-C audio interface, and Bluetooth tech to listen to backing tracks, this pedal was designed with practicality in mind, to empower modern musicians.
Radar
With 30 cab models to choose from and microphone and power-amp simulation ideal for recording or silent practice, this mini can help transform a pedalboard into a complete guitar rig.
Cabzeus
This two-channel cabinet/speaker/miking simulator uses advanced DSP processing techniques coupled with clean and robust circuit designs for minimal noise and optimal headroom.
CabDriVR
Featuring 14 guitar- and bass-cabinet impulse responses and dual inputs and outputs, this emulator also has separate level controls so players can balance each cab’s volume in the mix.
Omni IR
This compact pedal houses 40 legendary guitar and bass cabinet IRs, a 4-band EQ with 12 dB boost/cut, and a hi-res OLED screen for easy operation in any recording or live scenario.
Recorded direct with a Yamaha BBP34 using PreSonus FireStudio and PreSonus Studio One 3.
Clip 1: Master at 9 o’clock, blend at noon, dry gain at 2 o’clock, tone at 2 o’clock, drive voice in middle position (mid bump), and SUB LPF at 1 Khz
Clip 2: Master at 9 o’clock, blend at 100 percent wet, dry gain at 2 o’clock, tone at 9 o’clock, drive voice in left position (flat), and SUB LPF at 100 Hz
RatingsPros:Sharp, modern tone options. Cons: Sharp, modern tone options—if that’s not your thing. The knobs were a touch loose-feeling. Street: $159 DSM Noisemaker Sub Atomic X-Over CMOS Bass Drive dsmnoisemaker.com | Tones:  Ease of Use: Build/Design:  Value: |
