It didn’t take too long for Welsh guitarist Chris Buck to go from making YouTube videos to playing the legendary Royal Albert Hall. Earlier this year, he brought his band Cardinal Black to the U.S. for a short tour that included a stop at Nashville’s Basement East. That’s where PG’s John Bohlinger caught up with Buck before the gig for a look at what’s powering his blues-rock sound these days.
Buck’s trademark goldtop Yamaha Revstar is out for the rip, and he spared little space on his double-tiered pedalboard, but a special loaner Gibson and a modded Fender amp added some extra flair to the Nashville show.
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Built by Yamaha’s custom shop in Calabasas, California, this goldtop Revstar came to Buck during NAMM 2020. He likes that the newer style doesn’t have the “baggage” attached to it that a Strat or Les Paul does. This one was built mostly to typical RS502 specs, with two P-90 pickups, a 3-way selector switch, wraparound bridge, and a chambered body. Buck fits this one with Ernie Ball Mega Slinky strings (.0105-.048) and strikes it with Jim Dunlop Tortex 1.14mm picks—a choice he copped from his guitar hero Slash.
Black Bird
Buck was inspired by Rival Sons’ guitarist Scott Holiday to snag this Firebird-style Firehawk by French builder Springer, complete with a Vibrola system. It’s fitted with Sunbear Handwound pickups.
Loaner Les Paul
On his way into Nashville, Buck worried that he didn’t have a Revstar-style backup should his main axe go down, so he hit up Gibson’s Mark Agnesi for a suitable option. Agnesi came through with this 1958 Les Paul Junior Double Cut Reissue, a no-frills rock machine equipped with a single P-90 pickup.
Sweet Victory
Victory has helped Buck out on his American run by hooking him up with V40 Deluxe combos where they can. In Nashville, Buck ran the V40 in a dual-mono setup with a Fender Deluxe Reverb, which had been modded and loaned by Mythos Pedals’ Zach Broyles. The first channel emulates a Bassman sound, while channel two is classic Deluxe Reverb.
Two-Tier Tone Temple
Buck might’ve left his amps back home, but he made up for the absence with a shop’s worth of tone-sculpting tools. This stomp station houses two levels of pedals, with first in the chain being a classic Dunlop Cry Baby. Next is a ThorpyFX Electric Lightning, Buck’s signature drive pedal, then a 29 Pedals EUNA, Mythos Golden Fleece, Mythos Mjolnir, Mythos Air Lane Drive, Snouse BlackBox Overdrive 2, Great Eastern FX Co. Small SPeaker Overdrive, Analog Man King of Tone, Origin Effects Cali76, Universal Audio Golden Reverberator, and Keeley Katana.
Then comes Buck’s modulation section, starting with a Mooer Trelicopter and a Catalinbread Echorec. A Line 6 HX Stomp XL handles some more delay and reverb sounds, plus some chorus. A Universal Audio Starlight Echo Station and Boss RE-202 Space Echo finish off the chain. A GigRig G3 helps Buck switch things up without breaking a sweat. Bucks rests it all on a pair of Schmidt Array pedalboards.
Shop Chris Buck's Rig
Gibson 1958 Les Paul Junior Double Cut Reissue
Ernie Ball Mega Slinky Strings
Fender Deluxe Reverb
Dunlop Cry Baby
Origin Effects Cali76
Universal Audio Golden Reverberator
Keeley Katana
Catalinbread Echorec
Line 6 HX Stomp XL
Universal Audio Starlight Echo Station
Boss RE-202 Space Echo
Marcus King plays his Gibson Hummingbird at his Nashville Guitar Center in-store last week.
King plays his song “Hero,” on his 1961 Gibson Les Paul SG.
After performing his song “Hero” on his vintage SG, King told the SRO crowd that both his guitar playing and singing were born out of ways to overcome shyness and interact with the world. “I was too bashful to say anything. I didn't have much interest in speaking to others. I just like hanging out with my dog. I don't know if I'm too dissimilar from that now, but the guitar kind of spoke where I couldn't. So when I started singing, it was kind of the same emotion. I'd rather sing than speak. With the best abilities, you can just be a vessel allow something extraordinary to flow through you. Not saying anything I do is extraordinary per se, but I just have a real respect and reverence for music, for just being able to create and get your emotions out that way instead of harboring them.”
King’s primary instrument is his grandfather’s ES-345, named Big Red, which served as a model for the Gibson Marcus King Signature ES- 345 Custom, which was unveiled in early 2021.
Recalling his early years, King attested, “Gibson was always the go-to. It was the Cadillac of guitars in my household. My grandfather played Big Red, which was his ES-345 that I have now. And my dad played an SG. My uncle played a Les Paul Deluxe, and a Marauder.” Over the course of the session, King performed with an SG, a Les Paul Junior, a Hummingbird acoustic, and his cherished family heirloom, the “Big Red” ES-345, which was refurbished by the Gibson Custom Shop in Nashville.
King’s pedalboard for the in-store was a variation on his latest Rig Rundown setup, including a Dunlop Cry Baby wah, an MXR Booster, an Ibanez TS9 Tube Screamer, a Tru-Fi Two Face fuzz, MXR Micro Chorus, Dunlop Rotovibe chorus/vibrato, MXR Phase 100, Tru-Fi Ultra Tremolo, Dunlop Echoplex Delay, MXR reverb, and a Voodoo Lab Pedal Power 3 plus.
The Cry Baby Daredevil Fuzz Wah fuses the sweet and expressive voice of a modded Cry Baby with a gnarly custom fuzz circuit for a full palette of raw and aggressive tones. This pedal’s origin lies in Daredevil proprietor and builder Johnny Wator’s love for classic vintage circuits and the desire to create bold new sounds. Inspired by his personal wah-wielding guitar heroes, Johnny fine-tuned this circuit over several years, building them for friends and bandmates, before bringing it to Dunlop for consideration as a new addition to the lineup.
The Cry Baby Daredevil Fuzz Wah is the resulting collaboration, and in true Daredevil fashion, it’s straight-forward and downright dirty. The only external control is a heavy-duty baseball bat switch to toggle the fuzz on and off. Removing the bottom plate reveals two more controls: one to set the pedal’s output when the fuzz is engaged and another to dial in your preferred level of fuzz nastiness. For instant lead tone, boost both the output and gain—in one step, you’re ready to rip. This fuzz wah is packed with killer old school tones and enough power to blow the whole dang room to pieces.
It all comes in a special housing with a vintage crinkle finish base, a polished aluminum rocker top, and a custom design tread. Each one is hand built with thru-hole components and true bypass switching to round out this ode to to full-frontal rock ’n’ roll.
Notable Specs:
- A full palette of raw and aggressive tones from Daredevil Pedals’ builder Johnny Wator and the Cry Baby team
- Fuses the expressive voice of a modded Cry Baby with a gnarly custom fuzz circuit
- Heavy-duty baseball bat switch toggles fuzz on and off
- Internal pots control pedal output and fuzz intensity—perfect for instant lead tone
- Vintage crinkle finish base with polished aluminum rocker top and a custom tread
- Hand-built with thru hole components and true bypass switching
- An ode to full-frontal rock ’n’ roll
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