BLACKSTAR
Sonnet 60
Powerful and light at about 16 pounds, this Bluetooth-enabled 60-watt combo boasts such features as dual inputs, a pair of reverbs, USB and XLR DI outputs, and a tilt-back stand.
$399 street
FENDER
Acoustic 100
Dressed in a sharp wooden shell and perfectly apt for coffee-house gigs, this 2-channel 100-watt amp houses an 8" full-range whizzer cone speaker and an impressive menu of onboard effects.
$399 street
ORANGE
Acoustic Crush 30
Lightweight, portable, and battery powered when needed, this simple yet versatile amp with a feedback-fighting notch filter and angled cabinet was designed to handle busking, gigs, and practice with ease.
$399 street
FISHMAN
Loudbox Mini
Packing in 60 watts of clean, acoustic power and featuring the company's preamp and tone-control designs, this 2-channel combo is outfitted with digital reverb and chorus, and a balanced XLR DI out.
$349 street
YAMAHA
THR5A Mini
Complete with onboard effects as well as dynamic and classic tube-condenser mic models, this 2x3 combo can run for up to six hours on battery power.
$199 street
BOSS
Acoustic Singer Live
With 3-band EQs and independent reverb for both channels, this amp also boasts features such as a built-in looper, a harmony function for vocals, and dual XLR DI jacks.
$515 street
ROLAND
AC-33
Battery powered to provide the opportunity to play just about anywhere, this amp features both guitar and mic channels, custom effects including chorus and ambience, and a phrase looper.
$463 street
TC HELICON
Harmony V60
Outfitted with a single 8" Tannoy speaker and top-firing tweeter, this 2-channel combo brings a built-in looper, 60 watts of crystal-clear sound, and a host of tone-shaping tools.
$449 street
LANEY
A-Solo
Dedicated to delivering a clean, clear tone wherever you need it, this compact combo has independent chorus and reverb for each channel, as well as phantom power for condenser mics.
$369 street
RECORDING KING
Songwriter 60
Two 6 1/2" woofers and a soft-dome tweeter push this amp's sound—reported to offer studio-monitor clarity and detail, but in an easy-to-use, compact, and portable package.
$399 street
A surprising alternative Indonesian tonewood gives this fingerstyle-friendly baby jumbo a clear, powerful low-mid voice. The PG Faith Blue Moon Neptune review.
RatingsPros:Beautiful, unique, and surprisingly restrained design. Pronounced low end. Warm midrange. Suited for fingerpicking and open chords. Great electronics. Cons: Lacks a little high- and high-mid resonance. Street: $1,249 (with hard case) Faith Guitars Blue Moon Neptune faithguitars.com | Tones: Ease of Use: Build/Design: Value: |
The Faith Blue Moon Neptune makes a strong first impression. But when a manufacturer unveils an all-mango-bodied instrument, dyed indigo no less, it’s safe to assume it’s designed to pique curiosity. As flashy as it looks, though, there’s much substance to the Blue Moon Neptune. And its relatively unique baby jumbo proportions—and the way they interact with the unique all-solid tonewood recipe—give the guitar a distinctive low-mid-centric voice.
Blue Exotica
Faith’s workshops are located in Indonesia, where the mango wood that makes up the body is harvested, and they did not go halfway in putting this resource to work. The guitar’s top, back, and sides are all mango, and the effect of building the whole body from this bold-grained wood is striking. Some luthiers use mango as an alternative for Hawaiian koa, which is valued for its tonal balance and striking visual qualities, and often features prominent curl and spalting. Mango can be nearly as spectacular as koa, and, depending on its density, mango wood shares many of koa’s tonalities, too.
Clearly, pairing mango’s grain with the indigo stain yielded spectacular results. The gloss finish highlights the complex shading in the grain and spalting, evoking twilight in a forest. It’s complemented by the abalone rosette, which contrasts beautifully with the blue tones without being too extroverted. Figured Macassar ebony also pops up everywhere: the tuning keys, bridge, and bridge pins (with abalone dots) are all ebony and tastefully offset the natural blonde of the maple binding. Macassar ebony also makes up the fretboard that caps the mahogany neck, and the presence of the mahogany and ebony dark hues do much to balance the bold blues.
Happy Middle Ground
In terms of tone, the Blue Moon Neptune is strongest in the bass and midrange, and it’s satisfying to hear and feel the guitar’s excellent responsiveness in those ranges, too. The tone profile lends itself to full-bodied open chords, which really resonate in the low-mid spectrum. Though to my ears, it’s fingerpicking, with its emphasis on sustaining bass notes, and flatpicked melody lines that really play to the Blue Moon’s strengths. Barre chords and other full shapes played around the middle of the neck sound like they have a little less high-end resonance than instruments of similar dimensions. But many players will love the way jangly, lighter treble tones dance over the very pronounced bass in these situations.
In general, the Blue Moon feels great. The satin finish on the neck is smooth and fast, and makes the entire neck feel usable and inviting—which is nice, because the Venetian cutaway gives easy access to the highest frets on the treble side. The guitar I received for review had pretty low action, and I could hear a bit of buzzing on low strings around the 3rd and 5th frets. The buzz didn’t seem to be an issue of build quality—which is excellent overall—because the neck is perfectly straight. And after a day of getting acclimated to the climate in my Brooklyn apartment, I heard a lot less of it. I would guess that a little extra neck relief or an adjustment to the saddle would completely fix these minor issues.
The Fishman INK3 preamp and undersaddle pickup system is built around an intuitive, well-designed control panel with four circular inset pots for volume, bass, middle, and treble, and a fifth button that functions as an onboard tuner. The tuner is super cool: The display is situated in the button itself, which lights up when pressed. The endpin assembly doubles as the battery compartment.
In performance, the pickup works wonderfully. There’s lots of clean headroom right up to the highest volumes and the frequency pots are very responsive and full of range—providing the flexibility for dealing with real-world situations like cranky PAs and poorly configured performance spaces. Given the instrument’s bass and midrange emphasis, I achieved best results with the bass and mids set right in the middle and the treble at around 65 percent of full.
The Verdict
Faith has succeeded in producing a guitar with an unconventional, romantic aesthetic that’s classy in spite of being bold—a tricky line to walk when it comes to unnatural dyes and radical departures in color. I don’t typically gravitate toward these kinds of guitars, but the choices of wood and appointments add up to a beautiful instrument that’s surprisingly restrained.
Tonally speaking, the guitar generates a very inviting, warm low-end output. Some players might like a little more mass in notes from the higher half of the tone spectrum. But that doesn’t mean the top end doesn’t have bite or chime. And in many fingerstyle settings, the unique balance between the pretty high end and thumpier bass gives the guitar a unique voice with a capacity for sustain and detail. Outgoing as it is, the Blue Moon may estrange some traditionalists, but more open-minded players are likely to find a lot of inspiration in its equally unique voice.
Standard Series WY1T to be released at NAMM
The WY1T is an ultra-thin bodied acoustic/electric designed for recording and live performance environments (high SPL without feedback). This single-cutaway, folk-style guitar features a flamed maple body and “sound hole-free” solid Sitka spruce top with hand-scalloped braces. Of the three finishes – black, wine red and tobacco sunburst – only the black does not feature the flamed body. The naturally seasoned mahogany neck rests under an ebony fingerboard with abalone inlays at the 12th fret and headstock, which has nickel die-cast tuning pegs.
The WY1T benefits from a custom Fishman Aura IC system with four discrete "sound images" derived from vintage and contemporary studio microphones, allowing players access to studio-quality sounds when interfaced with modern live sound and recording equipment.
"Although guitarists will certainly be enamored with the absolutely stunning appearance of the WY1T, the tone is really what will ultimately knock their socks off," says Paul Meisenzahl, Alvarez director of product marketing. "Not only does this guitar sound very nice when unplugged -- as all Alvarez Yairi guitars do -- but the superb images offered by the Fishman Aura IC system are indeed truly breathtaking."
Standard Series WY1T
- Body: Flamed (except for black finish) maple and “sound hole-free” solid Sitka spruce top with hand-scalloped braces
- Top: Sitka spruce with hand-scalloped braces, herringbone trim and ebony bridge
- Neck: Naturally seasoned mahogany
- Fingerboard: Ebony with abalone inlays at 12th fret
- Headstock: Abalone inlays and nickel die-cast tuning pegs
- Pickup system: Fishman Aura IC
- Price: $2,699.99 list / $1,999.99 MAP
- Case: hardshell included
For more information:
Alvarez Yairi