Throughout 2024, Taylor Guitars is celebrating its 50th anniversary. This is not just a milestone birthday, but a tribute to the innovative spirit that has always driven the company forward.
American Dreamers
n 1974, Bob Taylor and Kurt Listug, two ambitious guitar enthusiasts from San Diego, embarked on a journey that would transform the world of acoustic guitars. They met at a guitar-making shop called the American Dream, and their passion led to the founding of Taylor Guitars.
The journey was challenging, and Bob and Kurt had a lot to learn. “Things were hard for a really long time,” Kurt recalls. “We had to learn everything. How to build guitars. How to sell guitars. How to build a business.”
Relentless Innnovation
Despite the steep learning curve, innovation was a core value from the beginning. In 1976, Bob Taylor introduced an early version of Taylor’s soon-to-be-famous slim-profile, bolt-on guitar necks. This design was a departure from the bulky neck profiles common at the time and made neck resets easier.
Musicians were impressed by the slender neck profile and low action, making Taylor’s guitars remarkably easy to play. Notable artists such as Neil Young, Prince, Dan Crary, and Leo Kottke have played Taylor guitars, contributing to their reputation.
Taylor was also the first acoustic guitar company to adopt computer-numerical-controlled (CNC) mills, introducing these machines in 1990 for precise cutting, pocketing, and shaping of complex guitar components.
The Birth of the Grand Auditorium
In 1994, Taylor introduced the Grand Auditorium, a body shape with refined dimensions between a Dreadnought and Taylor’s small-bodied Grand Concert. This versatile acoustic voice offered remarkable balance across the tonal spectrum, suitable for strumming, picking, and fingerstyle playing.
The Grand Auditorium’s medium-sized body redefined the acoustic guitar to better meet the needs of modern players. Its versatility made it a popular choice among session musicians and gigging players, becoming Taylor’s best-selling body shape.
To celebrate their 50th anniversary, Taylor is releasing a collection of limited-edition guitars that highlight the best from their line over the past five decades.
The all-purpose Grand Auditorium takes center stage in this commemorative collection.
Several models are now available at authorized Taylor dealers, including the 50th Anniversary Builder’s Edition 814ce LTD, 314ce LTD, and AD14ce-SB LTD.
Builder's Edition 814ce LTD
The 50th Anniversary Builder’s Edition 814ce LTD is an ultra-refined version of the popular Builder’s Edition 814ce (released in 2023). It retains comfort-enhancing elements from the original, such as a beveled armrest, beveled cutaway, chamfered edges, and a Curve Wing bridge. A solid sinker redwood top and solid Indian rosewood body offer a harmonious blend of rich lows, sparkling highs, bold projection, and dynamic range. Features include an abalone rosette, mother-of-pearl inlays, maple binding, maple purfling, and Gotoh 510 tuners.
Street Price: $4,999.
314ce LTD
One of the best-selling U.S.-made acoustic guitars, Taylor’s 314ce gets a premium upgrade with the 50th Anniversary 314ce LTD. Taylor’s special roasting process has been applied to the solid Sitka spruce top, offering aged-in depth and sweetness from day one, along with enhanced soundboard stability and responsiveness. Paired with solid sapele back and sides, this guitar delivers a rich and versatile sonic profile with Taylor’s signature warmth, clarity, and balance. Eye-catching aesthetic touches include a tobacco shaded edgeburst and a bold firestripe faux-tortoise pickguard.
Street Price: $2,799.
AD14ce-SB LTD
The 50th Anniversary AD14ce-SB LTD combines workhorse versatility with neo-vintage aesthetics. Featuring a Sitka spruce top and walnut body, it offers a pronounced midrange with a balanced blend of warm lows and clear highs, ideal for fingerpicking and strumming. This model harks back to Taylor’s early guitars, many of which were built in the shop where Bob and Kurt met.
Street Price: $1,999.
All three Grand Auditoriums feature V-Class bracing, a groundbreaking sonic “engine” developed by Andy Powers, Taylor’s Chief Guitar Designer (and President and CEO). Andy, who joined the team in 2011, ensures that innovation continues to be a central focus.
Each guitar in the collection includes celebratory appointments, such as a commemorative 50th Anniversary label, ebony bridge pins with gold acrylic dots, and gold tuning machines and buttons.
You can explore Taylor’s full 50th Anniversary Collection of guitars here. All models are available exclusively at authorized dealers.
Plus, check out Taylor’s 50th Anniversary Timeline to learn more about the history of innovation and some of the amazing artists who have played their guitars over the past five decades.
Dig into this demo of a throaty new bari with a pair of non-traditional soundholes.
B1E Baritone
27" Scale Grand Auditorium, 6-string Baritone-electric, Solid Sitka top, Rosewood back & sides, Rosewood bridge & fingerboard, Fishman Prefix Plus T electronics, hardshell case - Satin Natural.
With an offset soundhole and side-port the Walden B1E sounds sonically excellent while incorporating the more comfortable Grand Auditorium body shape. A graphite reinforced Mahogany neck contribute to stability and its 27″ scale length and 1-13/16″ nut width contribute to the B1E Baritone’s transparent playability.
BARITONE. Grand Auditorium body featuring a solid Sitka Spruce top with Low-Mass Double-X bracing, Rosewood back and sides, offset soundhole with side port, Abalone & Rosewood rosette, Rosewood binding, 1-13/16” nut width, 27” scale, 18:1 ratio gold die-cast tuners with black keys, graphite reinforced neck, two-way truss rod, pearl Walden logo, rosewood fingerboard & bridge, bone nut & saddle, D’Addario EXP23 baritone strings, with hard shell case.
A Czech builder with a tradition of resourcefulness and individual designs crafts a luxurious and balanced grand auditorium that handles strumming and fingerstyle with equal aplomb.
RatingsPros:Beautiful build quality, sound, and playability in a versatile modern acoustic-electric guitar. Cons: A little on the heavy side. Street: $2,867 Furch Yellow Master’s Choice Gc-CR furchguitars.com | Tones: Playability: Build/Design: Value: |
Given today’s abundance of great guitars at almost every possible price, it’s hard to imagine how challenging it must have been to get a good guitar in former Czechoslovakia in the 1970s. During that decade, Frantisek Furch, then a metalworker and hobbyist musician, found decent guitars so hard to come by that he fashioned an old drum into a banjo. But Furch’s musician buddies were impressed enough with the instruments he built in the wake of his banjo that they started asking Furch to build them guitars. And in spite of laws against entrepreneurship, he built enough through the 1980s that they came to be coveted by top Czech musicians.
These days, the company is headed by Frantisek’s son, Petr Furch, and builds around 8,000 instruments a year, maintaining a varied and sizable lineup. Among the newest is the Yellow Gc-CR grand auditorium with cutaway from the Master's Choice line. Until now, I had never played a Furch, but this guitar was a parade of pleasant surprises.
Boutique Goodness
The Gc-CR is quite modern and “boutique” in terms of features and feel. It’s built with a cedar top and rosewood back, and it’s pretty clear that the wood was selected with care. The AAA American red cedar used for the soundboard has a nice, tight grain structure and a lot of figuring that shifts and transforms at different viewing angles. The AA Indian rosewood of the back and sides is quarter-sawn, with a lovely reddish-brown coloring. Altogether, it’s just a very pretty and interesting guitar to look at.
It’s tastefully appointed, too, with a script F headstock inlay, a simple green abalone rosette, mother-of-pearl eclipse fretboard markers, a clear pickguard, and faux-tortoise tuner buttons, body binding, and bridge pins. As you would expect for the price, the Gc-CR is exceptionally well-built. Fretwork is immaculate. Furch’s proprietary high-gloss finish is flawless.
A Mighty Guitar
The first thing that I noticed about the Gc-CR, other than the beauty of its woods and construction, was that it felt slightly heavy, at around five pounds. But, to be fair, I have spent most of my time with a featherweight three-pound Waterloo WL-S. And once I started playing I didn’t noticed the Gc-CR’s mass at all.
It takes just a few strums to perceive the Gc-CR’s abundant power. The bass notes are rich, present, and a great match in terms of volume for the crisp, snappy treble tones. The instrument begs to be strummed, and it packs a wallop whether you play open-position cowboy chords or jazzy barre chords. That power makes flatpicked single-note lines pop as well. And whether you use that pop to drive bluegrass lines or punctuate bebop phrases, the instrument possesses a deep, three-dimensional sound that can assert itself easily in an ensemble.
Probably owing to the warmth of the cedar and the richness of the rosewood, the Gc-CR is also an excellent guitar for fingerpicking. Arpeggios in standard, open G, and DADGAD tunings all cascaded together lushly and without cloudiness. The guitar is super-responsive to picking-hand nuances, both in terms of pick dynamics and picking position relative to the fretboard or bridge. As a result, there are many shades, sounds, and variations on the balanced voice to explore. And when I routed the onboard L.R. Baggs StagePro Anthem electronics and Tru-Mic internal microphone through a Fender Acoustasonic amp, the Gc-CR sounded warm, realistic, and well-capable of communicating its essence in amplified situations.
The Gc-CR’s playability, by the way, is superb. It came from the factory with a perfect setup—its action low but free from buzz. With its slight V profile, the neck felt comfortable in all regions, and the satin finish gives it an extra-smooth fast feel. If I had one small complaint, it’s that the instrument has a bit of new-guitar stiffness. But it’s easy to see and feel how a guitar this nicely made could season and mellow over time.
The Verdict
Furch might not be a household name, but it’s worth your attention if you’re shopping at the more affordable end of the high-end, boutique flattop range. With a powerful, resplendent sound, top-quality woods and construction, and great playability, the Gc-CR has the potential to become a long-term partner and, quite possibly, an undercover classic.