Greg Edwards and Ken Andrews freshen up their space-rock sound on Wild Type Droid via studio improvs, low-end 6-strings, and revisiting their classic ’90s tones with modeling.
The ever-intrepid guitarist recorded in isolation and dug deep on his 18th studio album, The Elephants of Mars, achieving even greater levels of emotional expression and dimension-stretching 6-string sonics.
The veteran player’s perfectly tailored take on blues is built on big tones, sculpted picking, and the genre’s Austin tradition—all echoing through a new album named after her beloved paisley Tele.
With a gripping new album and a new direction in their music, the band continues to raise the stakes for what it means to be one of America’s most feverishly creative—and unreservedly beloved—heavy-rock guitar duos.
The legend says the world needs to be “far out,” and he’s cut a new album, Blessings and Miracles, to take it there. He talks about his fabled tone, advice from Miles Davis, his search for universal melodies, and stepping outside the cage.
