josh smith

Sometimes slow and steady doesn’t win the race.



• Develop a better sense of shred.

• Understand how to phrase in odd-numbered groups.

• Create blistering pentatonic lines in the style of Joe Bonamassa and Eric Johnson

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Since blues playing and improvisation is based around vocabulary, you can’t just throw in intervallic fusion lines or neoclassical sweep arpeggios and expect them to fit. Don’t get me wrong, I’m all for experimenting with sounds from different genres, but you’ll want to pick the right moments to work in these ideas. Having a strong foundation in the blues will ground the listener and make the experiments pop out more without alienating them. So, let’s look at a handful of shreddy blues licks that you can throw down at the next local blues jam without (hopefully) drawing the blues purist’s wrath upon you.
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