Sometimes a little microtonal content can make music interesting.

Who doesn't love Yoko Ono? As one of the champions of microtonal music, she was pushing the boundaries of vocal gymnastics long before Auto-Tune was invented and subsequently abused. But it has come to my attention that there are haters as well. What does this have to do with guitars? I understand the raised eyebrows, but allow me to get into the weeds a bit and eventually I'll get to that.

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Illustration by Meghan Molumby and Ben Kuriscak

The Aussie guitarists reveal their strategies for keeping things weird with oddball guitars, twisted meters, and eccentric recording methods.

King Gizzard and the Lizard Wizard, a seven-piece band from Melbourne, Australia, is nothing if not ambitious. They released eight full-length albums between 2012 and 2016, have toured the world multiple times, and, for 2017, announced five more albums. “Sometimes I regret that I said that,” guitarist and lead singer Stu Mackenzie says. “I hope we can do that.”

The first of the five, Flying Microtonal Banana, came out in February. As the title implies, the album explores microtonal music. To play microtones, most of the band members had their instruments modified. These mods include adding extra frets to guitars and basses, re-pitching vintage keyboards, and even altering a harmonica.

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