Tuning Up: Shatner, Cat Parasites, and the Quest for Mastery

How science nerdery makes you a better musician than guitar-god worship.

I don’t know if it’s boredom, demonic possession, or maybe one of those Toxoplasma gondii brain parasites that makes rats try to hang with cats instead of run away from them (they say 3 billion of us humans have it, too), but the more time goes on, the more I veer toward stuff that’s bad for me. Or stuff I used to think was bad for me. I’m not talking about juggling chainsaws or parasailing in tornados—I’m talking ideas.

I got pretty good grades as a kid, but I wasn’t super into biology, chemistry, or any other science-y subject. My strobe-light project in electronics class barely worked, and my stupid distortion pedal kit was D.O.A. And I loathed math. I pretty much only liked history and English. The rest of the time I pretty much prioritized daydreams about guitar crap, ladies, and skateboarding, not necessarily in that order.

But now I’m totally into that nerdy stuff: Tim Urban’s recent “The AI Revolution: The Road to Superintelligence” blog posts blew my mind. Scientific American’s article on that parasitic toxoplasmosis junk has me envisioning an animated miniature William Shatner jumping from my fat-ass cat Viktor to me and controlling my body from his office in my brain, just like he did to Bill Murray in Osmosis Jones. And another recent brainiac piece has me wondering whether a theorized disk of dark matter in the middle of the Milky Way is about to reach out and wreak havoc on Earth with another of its pesky 30-million-year bouts of fiery comets and rampant volcano madness.

“Every lesson is the first lesson. Every time we dance, we do it for the first time.” —Tai chi master Chungliang Al Huang

I’d rather read this stuff than some biography about Elvis, the Beatles, Zeppelin, or almost any other musician. I dig their tunes and respect them, but I don’t need the minutiae. Sure, there are rare exceptions. I once read a book about Radiohead (spoiler alert: they almost break up every time they go in the studio). And every day on the job at PG gives me a pretty good fill of cool music and guitar knowledge. But unless that little Shatner protozoan is yanking my chain, I think this nerd bent I’m on is just better exercise for my mind.

I’m still no good at the subjects themselves. Maybe I just like reading this stuff because it flushes out my brain. Or maybe it’s because there’s always unexpectedly cool angles that can relate back to my music obsession. Just one example: I found inspiration for my life outlook and my playing 10 pages into the Dancing Wu Li Masters, a book on quantum physics given to me by my pal Andy Ellis—a mentor and hero of mine since long before he was senior editor here at PG.

In it, author Gary Zukav describes a conversation with Chungliang Al Huang, the philosopher and tai chi master who inspired the Dancing Wu Li Masters name. Asked how he structured his tai chi classes, Huang said, “Every lesson is the first lesson. Every time we dance, we do it for the first time.”

Zukav balked. Certainly Huang had to build on the foundations of previous lessons.

“When I say that every lesson is the first lesson,” Huang replied, “it does not mean that we forget what we already know. It means that what we are doing is always new, because we are always doing it for the first time.”

Zukav pegged this holistic approach as a trait of a true master. To me, there’s something in that idea for all of us, no matter what we’re into. But the quest for mastery as Huang sees it is the reverse of conventional wisdom—it’s not about slavish repetition and physical mastery, it’s about the wonder of being in the moment, every moment. That’s something I can put my dancing shoes on for.

Equipped with noise reduction and noise gate modes, the Integrated Gate has a signal monitoring function that constantly monitors the input signal.

Read MoreShow less

Luthier Maegen Wells recalls the moment she fell in love with the archtop and how it changed her world.

The archtop guitar is one of the greatest loves of my life, and over time it’s become clear that our tale is perhaps an unlikely one. I showed up late to the archtop party, and it took a while to realize our pairing was atypical. I had no idea that I had fallen head-over-heels in love with everything about what’s commonly perceived as a “jazz guitar.” No clue whatsoever. And, to be honest, I kind of miss those days. But one can only hear the question, “Why do you want to build jazz guitars if you don’t play jazz?” so many times before starting to wonder what the hell everyone’s talking about.

Read MoreShow less

A modern take on Fullerton shapes and a blend of Fender and Gibson attributes strikes a sweet middle ground.

A stylish alternative to classic Fender profiles that delivers sonic versatility. Great playability.

Split-coil sounds are a little on the thin side. Be sure to place it on the stand carefully!

$1,149

Fender Player Plus Meteora HH
fender.com

4
4
4.5
4.5

After many decades of sticking with flagship body shapes, Fender spent the last several years getting more playful via their Parallel Universe collection. The Meteora, however, is one of the more significant departures from those vintage profiles. The offset, more-angular profile was created by Fender designer Josh Hurst and first saw light of day as part of the Parallel Universe Collection in 2018. Since then, it has headed in both upscale and affordable directions within the Fender lineup—reaching the heights of master-built Custom Shop quality in the hands of Ron Thorn, and now in this much more egalitarian guise as the Player Plus Meteora HH.

Read MoreShow less
x