Fresh off a substantial break and a live acoustic recording from Paris’ infamous catacombs, hard-rock titans Queens of the Stone Age stormed back to life this spring with an American tour, including back-to-back nights in Boston at Fenway’s MGM Music Hall.
PG’s Chris Kies snuck onstage before soundcheck to meet with guitarist Troy Van Leeuwen and get an in-depth look at the guitars, amps, and effects he’s using this summer.
Van Leeuwen started working with Echopark Guitars luthier Gabriel Currie around 12 years ago, and this custom De Leon model is the product. It’s nothing fancy, says Van Leeuwen, with a walnut bolt-on neck and single-coil bridge/humbucker neck configuration, but it’s just made well. This one is tuned to C standard and strung with a custom set of Dunlop strings (.012–.058).
TVL’s RIY (Relic It Yourself)
TVL’s RIY (Relic It Yourself)
This is the first-ever prototype of the signature oxblood Jazzmaster that Van Leeuwen received from Fender’s Custom Shop, and it also carries his first attempt at writing out his own signature. (It got better.) Van Leeuwen relic’d it himself with hard playing and natural wear and tear. It’s got a Mastery bridge.
Double the Jazz
Double the Jazz
This is number two of two double-neck Jazzmasters produced by Paul Waller at Fender’s Custom Shop. The bottom 6-string neck is essentially the Troy Van Leeuwen Jazzmaster, while the top splits the difference between an Electric 12 and a Telecaster, with a single-coil Tele pickup in the bridge and an offset pickup in the neck. A selector at the top toggles between top, bottom, or both signals, and basic controls for tone, volume, and pickup selection stay at the bottom.
Exploiter
This Echopark Explorer-style, nicknamed the “Exploiter,” came from a love of ’80s Ibanez and Hamer guitars. On its way back on a boat from Europe, it got exposed to seawater, which helped Van Leeuwen out with the relic’ing.
Van Leeuwen also packs a custom Echopark modeled after an old Teisco electric and a custom Fender 12-string Telecaster. Van Leeuwen hints that he’s been working with Squier to make an affordable version of the 12-string Tele.
A GMI PSA
Along with Currie and GMI’s Sean Romin, Van Leeuwen helped develop the GMI Public Address Systems 33F6. He describes it as having the power section of a Fender and the preamp section of a Marshall Jubilee. It’s a great pedal platform.
Van Leeuwen runs two 33F6s plus a Vox AC30. One 33F6 has his dry signal, and the AC30 carries the wet, while the second 33F6 carries wet lead signals. One cabinet is dedicated to the dry signal, while the other cab has one 12" speaker for the AC30 and two 12" speakers for the lead 33F6 signal. Three Austrian Audio condenser mics capture the signals.
Troy Van Leeuwen’s Board
All of Van Leeuwen’s pedals go through loops, with a RJM Mastermind PBC/6X and Mastermind GT/16 handling the switching, and most processing done through a Fractal FM3 and a pair of Eventide H9s. Van Leeuwen designed the boards, and his tech Cody helped build and program it.
Across the two boards, there’s a pair of both Electro-Harmonix Superegos and Way Huge Saffron Squeezes, plus Dunlop expression and volume pedals; EarthQuaker Devices Tentacle, Rainbow Machine, and Fuzz Master General; Way Huge Effect Pedal, Green Rhino, and Atreides; Echopark Echodriver; Ten Years Is A Decade; modified EHX Holiest Grail; and Dr. No Effects TVL Raven.
Fat envelope and wah sounds are made even wilder with the help of an expansive octave effect that can be used in tandem or independently from the filter.
For those that haven’t delved too deeply into the subject or the sounds, envelope filters can seem a little loaded, stylistically speaking. Used well, they add bounce, joy, or even menace to a guitar or bass. Used wrong, they sound horribly corny. Used unconventionally, though, they can radically reshape guitar tones in surprising ways. Leveraging how they reshape tone with picking dynamics, for instance, is a great way to bust out of a box. They also pair well with distortion, fuzz, delays, modulation, and more (though if you aren’t willing to dig for gold in these combinations the results can confound at first).
Tsakalis Phonkify X FINAL VIDEO
The Tsakalis Phonkify X, an evolution of the original Tsakalis Phonkify, is, in part, a great envelope filter for the way it smooths the path to the outer edges of the effect’s potential. It’s got great range, which is enhanced by effective mix, gain, frequency, and Q controls. Using those controls together in the right combinations also makes the Phonkify X sound fat where other envelope filters can sound narrow, thin, and not terribly nuanced. (An internal voltage doubler that increases headroom is another contributing factor.) And with an octave section that can span corpulent and piercing regions of the sound spectrum—and be used independently or with the filter—the Phonkify X is a trove of powerful, odd, and uncommon guitar sounds, and a true provocateur for those in a rut.
Clarity, Body, and Brawn
One of the Phonkify X’s great strengths is the extra mass and air in its range and how easy it is to find it. As far as envelope filters—which can be counterintuitive to many players the first time out—go, the Phonkify X is very forgiving and responsive. The same qualities make it a great pair for radical or merely fattened fuzz and drive tones. Sixties-type germanium fuzzes coax fiery Hendrix- and Ron Ashton-isms that you can also utilize in traditional sweeping wah fashion if you add an expression pedal to the mix. It also sounds amazing upstream from a dark smoky overdrive that can blunt the sharpest filter edges while adding ballast and attitude.The octave effect is great on its own, too, not least because you move between deep octave-down settings and reedy high tones.
The Verdict
The latter can be a bit cloying and full of digital artifacts in some applications, but when the low octave content is used to temper that tendency, or dial it out entirely, you can summon very organic, complex, and rich tones that can be made rumbling and earth shaking with distortion or drive, or reshape the pedal’s filtered tones if you add it back in the mix. (An additional switch also enables you to situate the octave before or after the filter.). Together, these two effects that blend so seamlessly are a formidable combo.
PG contributor Tom Butwin features the all-new Hotone Verbera. The dual-engine reverb pedal blends IR realism with algorithmic creativity and adds the ability to clone your favorite reverb effects.
Ever imagined your sound echoing through a sold-out stadium? Or reverberating off the metallic walls of a NASA spacecraft hangar? What if your guitar fell into a cosmic white hole… or drifted through the vaulted ceilings of a centuries-old cathedral?
Welcome to Verbera — where imagination meets reality. This is not your typical software convolution plugin. Verbera is a standalone, hardware-based convolution reverb pedal — with Instant IR loading, stunning tweakability, and boundless sonic range. Whether you’re recreating iconic spaces, vintage hardware, or crafting otherworldly reverbs never heard before, Verbera gives musicians and engineers a powerful new tool for both live and studio setups.
PG contributor Tom Butwin details four pedalboard options that can help your acoustic sound its best onstage or in the studio. From subtle enhancements to total tone control, these preamps and effects from Grace Design, LR Baggs, and Radial cover the needs of any serious acoustic player.
Grace Design’s Moxi is a powerful dual-channel preamp and blender that offers studio-level control in a surprisingly compact footprint. With independent EQ and high-pass filtering on both channels, it’s perfect for managing multiple instruments or pickups—especially in live scenarios where switching between guitars can be a headache. What sets it apart is the ability to blend two sources (like mic + pickup) or quickly toggle between instruments with different EQ profiles. Whether you’re solo or managing your own sound, the Moxy keeps your setup flexible without sacrificing tone.
The Session from LR Baggs is a smart, stage-ready pedal designed to give your acoustic guitar signal that final polish. Even if your pickup already sounds great, this pedal adds subtle compression and harmonic richness that really elevate your tone. With controls for volume, gain, saturation, and a simplified “comp EQ,” it's incredibly intuitive—especially for those of us who don't want to get lost in compressor settings. The goal here is to retain the natural sound of your acoustic while giving it a warm, studio-finished edge.
The Align Chorus by LR Baggs gives acoustic players a lush, musical modulation option without compromising their guitar’s natural tone. Instead of overwhelming your sound, the pedal preserves your guitar’s character while adding subtle to rich chorus textures. The tone knob only affects the chorus effect itself, not your dry signal, which is key if you love the core tone of your instrument. With intuitive controls for depth and size, it’s easy to dial in anything from a gentle shimmer to a more expansive chorus that still feels organic and usable.
Radial’s PZ Pre is a tone-shaping Swiss Army knife for acoustic players. With two inputs, full EQ, a notch filter, effects loop, and multiple output options (pre- and post-EQ), this pedal is all about adaptability. It excels in complex stage setups where you might need different EQ profiles for monitors and front of house, or if you’re switching between instruments. The A/B toggle makes instrument changes seamless, and the boost function is perfect for stepping out during a solo. Whether you play acoustic guitar, upright bass, or even switch between them, the PZ Pre handles it all with pro-level control.
Ever dreamed of building your own custom electric guitar from scratch? In this 8-part series, StewMac’s Brock Poling walks you through the entire process — no big workshop or expensive CNC machines required! You just need a little patience, imagination, and attention to detail to create a guitar you'll treasure for a lifetime.
T-Style Electric Guitar Kit If you're new to guitar building this kit's a great way to start: this is the classic electric guitar design that's fun to build, and you'll learn a lot.
Episode #2 - Gluing up the foundation of your guitar
Now the real fun begins! In Episode 2, we’re making all the big decisions that will define your custom electric guitar. What body shape will you choose? What types of wood will bring out the tone you want? What style hardware will complete your vision? Join Brock as he walks through his own design process of crafting a stunning rosewood tele, and sharing expert tips along the way.
Episode #3 - Cutting a tele build to its final shape
A great guitar starts with a rock-solid foundation! In Episode 3, Brock walks you through the crucial steps of prepping and gluing up your body blank. Learn how to avoid imperfections in the wood, line everything up perfectly, and clamp it all together for a super strong, stable body.
Episode #4 - Cutting a tele build to its final shape
In Episode 4, Brock walks you through the process of cutting and shaping your guitar body. You’ll learn how to accurately trace your body template, make a rough cut on the bandsaw, and then carefully route the blank to its final shape. By the end of this step, you’ll have a guitar body that looks and feels like the real deal—and you’ll be one step closer to playing your own custom build!
Episode #5 - Picking hardware and routing the neck pocket
Now it’s time to gear up! In Episode 5, we’re going shopping for all the essential hardware that will bring your custom guitar to life—pickups, bridges, ferrules, knobs, jack plates, and more! Once the parts are picked, it’s back to the build. Brock shows you how to customize and use a neck pocket template to anticipate an oil finish, then carefully route the neck pocket for a perfect fit. To wrap things up, we true up the body sides using a variety of sanding cauls for a clean, pro-level result.
Episode #6 - How to get PERFECT bridge placement on your guitar
In Episode 6, we’re focusing on one of the most critical steps in your guitar build—precisely locating and mounting the bridge. A well-placed bridge is essential for great playability, intonation, and tuning stability, so getting this right is a must! Brock walks you through his method of using a surrogate guitar neck to dial in the exact bridge position. Then, we temporarily mount the bridge to the body to determine the perfect placement for the string ferrules—a step that can be tricky, but Brock shares a game-changing tip to get it right every time.
Episode #7 - Creative routing for pickup and control cavities
In Episode 7, Brock guides you through routing the pickup and control cavities using customized templates. He covers what to consider when positioning your pickups and explains why making your own jigs is an essential skill for any guitar builder. And if you make a mistake? No problem—Brock shows how to recover from a routing slip using rosewood dust and superglue.
Episode #8 - Drilling for electronics and prep sanding for finish!
We’ve made it to the final step! In Episode 8, Brock Poling walks you through the last crucial details—drilling holes for the electronic wires, locating and drilling the jack hole, and rounding over the edges for a smooth, comfortable feel. To wrap it all up, Brock carefully sands the entire body, getting it prepped and ready for an oil finish. After this step, your guitar will be fully shaped and ready for a neck!
Echopark Shark
TVL’s RIY (Relic It Yourself)
Double the Jazz
