UR24C
This compact interface features class-A D-PRE preamps, latency free monitoring with DSP effects, MIDI input/output, and a loopback function for live-performance streaming.
Model 12
This all-in-one recording/workflow station features a multi-track recorder, USB audio/MIDI interfaces, DAW control functions, and podcasting capabilities including smartphone inputs.
ioStation 24c
Featuring a pair of XMAX class-A analog preamps and high-definition 24-bit, 192 kHz analog-digital converters, this ergonomically designed interface provides loads of control in a compact package.
M4
This 4-in/4-out USB-C interface provides 120 dB of dynamic range, an ESS-driven headphone out, and the same converter technology found in interfaces costing thousands.
AudioFuse Rev2
Designed for project studios to professional productions, this interface features stout construction, DiscretePRO mic preamps, ultra-low latency, and a host of connectivity options.
Go Twin
This pixie-sized interface still packs in two high-quality preamps, real-time signal- and peak-level indicators, 48V phantom power, and oversized gain dials for precise control.
Babyface Pro FS
Sleek and powerful, and boasting onboard metering with peak and RMS calculation, this 12-in/12-out low-profile interface allows deep control over levels, sub mixes, and gain structures.
AIR 192|14
Featuring low-noise Crystal preamps and specially designed gain and impedance stages, this 8-in/4-out interface covers everything one needs to craft 24-bit/192 kHz studio-quality tunes.
Symphony Desktop
This most affordable Symphony series interface still boasts the company’s cutting-edge components and circuit design, plus features like Apogee’s Alloy mic-preamp emulation.
Apollo Twin X
With high-end A/D and D/A conversion technology from UA’s Apollo X rackmount interfaces, this desktop unit features Unison mic preamps for impressive models of classic preamps and guitar amps.
The day before they played the coveted Blue Room at Third Man Records in Nashville, the Washington, D.C.-based garage-punk duo Teen Mortgage released their debut record, Devil Ultrasonic Dream. Not a bad couple of days for a young band.
PG’s Chris Kies caught up with guitarist and vocalist James Guile at the Blue Room to find out how he builds the band’s bombastic guitar attack.
Brought to you by D’Addario.
Devilish Dunable
Guile has been known to use Telecasters and Gretsches in the past, but this time out he’s sticking with this Dunable Cyclops DE, courtesy of Gwarsenio Hall—aka Jordan Olds of metal-themed comedy talk show Two Minutes to Late Night. Guile digs the Dunable’s lightness on his shoulders, and its balance of high and low frequencies.
Storm Warning
What does Guile like about this Squier Cyclone? Simple: its color. This one is also nice and easy on the back, and Guile picked it up from Atomic Music in Beltsville, Maryland.
Crushing It
Guile also scooped this Music Man 410-HD from Atomic, which he got just for this tour for a pretty sweet deal. It runs alongside an Orange Crush Bass 100 to rumble out the low end.
James Guile’s Pedalboard
The Electro-Harmonix Micro POG and Hiwatt Filter Fuzz MkII run to the Orange, while everything else—a DigiTech Whammy, Pro Co Lil’ RAT, and Death by Audio Echo Dream 2—runs to the Music Man. A TC Helicon Mic Mechanic is on board for vocal assistance, and a TC Electronic PolyTune 3, Morley ABY, and Voodoo Labs Pedal Power 3 Plus keep the ship afloat.
