|Download Example 1
Fuzz at 3:00, Volume at 1:00, Tone at noon
All clips recorded with Tele Deluxe with SD Fat Cat humbuckers and Volume and Tone knobs on full. Recorded with a modified Epiphone Valve Junior Stack (Volume set at 5) featuring an Eminence Red Coat 12”, through a Shure SM57 and into a ProSonus Audiobox interface. Guitar by Randall Davis.
My adventure with the entire Cool Cat series actually began with the Fuzz and a recommendation. In the midst of a brief but deep vintage fuzz phase, I found myself jonsing for the buzz saw intensity of a Foxx Tone Machine, albeit at a little more reasonable price. PG’s own Dirk Wacker recommended the Cool Cat Fuzz, and my search ended almost as soon as it began. As soon as I plugged in the Cool Cat Fuzz and cranked everything to 11 (including the Volume, Tone and Fuzz controls crossing the front face of the unit), I heard that same psychedelic grind, that electric wire, hive of bees sound that I heard in vintage and reissue units, all for a fraction of the price. Now, I should clarify before I receive a mailbox full of angry letters from boutique purists that the Cool Cat Fuzz is not the same as a Foxx, even if they do both conjure animals in their names. The Cool Cat isn’t powered by germanium, nor does it feature any sort of Octave/Sustain switch, like its ancestor the French Toast did. But the Cool Cat Fuzz does have a lot of power hidden underneath its unassuming orange metal housing. There’s more than enough gain on tap for psychedelic fuzzheads and the Tone knob is versatile enough to move from dark, woolly sounds to cool transistor radio tones. Ratchet up the gain, turn the Tone back and you’ll even find yourself in Big Muff territory, even if it’s not an exact impression. Needless to say, at its craziest and loudest, there’s enough sustain to play a note and check back on it days later. Of course, as a relatively inexpensive, germanium-less fuzz, something’s gotta give, and that shows up in some of the softer moments. Turning the Volume on the Fuzz down resulted in sounds that were muddy, and some of the pedal’s great touch sensitivity gets lost, too. But considering that the pedal doesn’t add a lot of noise to the signal, and that it actually cleans up nicely with the help of your guitar’s Volume, you’re still getting a lot of bang for the buck – a big hats off to Danelectro for doing their homework. The Cool Cat Fuzz is literally a no-brainer if you have even a passing interest in fuzz.
you have $39 dollars
you’re only looking to use your fuzz at wimpy levels
MSRP $39 -Danelectro- danelectro.com
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