As home recording—and the space constraints most home recordists have to deal with—becomes more common, an amp that can do as much as possible is worth a lot.
In the weird world of overdrive pedals, the terms “classic” and “vintage” are used pretty loosely. What is classic overdrive, anyway—the sound of an ’80s Ibanez TS9 Tube Screamer?
Despite the fact that the sounds of the ’80s are everywhere again, the chorus pedal remains a rather unfairly maligned member of stompbox society. But that doesn’t mean chorus
Steve Vai The Story of Light Favored Nations Entertainment Steve Vai continues the convoluted narratives found on 2005’s Real Illusions: Reflection with his new concept album, The Story of Light—
Though not exactly a household name, Cort is one of the biggest guitar manufacturers in the world—building axes under its own name and working as an original equipment manufacturer
Phil Collen and Vivian Campbell talk about the unusual necks on their favorite axes, the brutal process of writing new Def Leppard material, and "Mirror Ball: Live & More"—the ’80s juggernaut’s first-ever live album.
This self-produced new release is the heaviest thing he’s ever done, and it’s full of jaw-dropping shred, soothing classical flourishes, skull-bludgeoning rhythms, and epic 8-string guitar action.
Blues-rocker Kenny Wayne Shepherd shares details on his rig, becoming a father, and how he’ll probably never get away from the comparisons to Stevie Ray Vaughan.
Master builder Mike Shannon talks about his path from building furniture to working on Randy Rhoads’ custom Concorde V. Plus, headbanging heroes Chris Broderick and David Ellefson of Megadeth discuss their Jackson signature models.
Joe Bonamassa Dust Bowl J&R Adventures Joe Bonamassa has appropriated a genre of music born from slavery and black blues musicians, and mutated it to big-screen proportions. Dust Bowl is
Paul McCartney sideman Brian Ray talks about the decade he’s spent backing a Beatle—including his one-song audition in front of 80,000 football fans—as well as the smorgasbord of vintage gear he used to track his latest solo album, This Way Up.
Oli Herbert and Mike Martin of All That Remains talk about their new album, "For We Are Many," how John Mayer and the blues figure into their band dynamic, and how they couldn’t care less what orthodox headbangers think of their melodic metal.
Peter Thorn, Lyle Workman, Eric Schermerhorn, Jon Button, Frank Simes, Brian Ray, and Steve Stevens gather in L.A. to discuss the art of being a great sideman
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