Whether you need watts to power a real-life cab or just real-amp sounds, these stomps are guaranteed to make your next load-in a whole lot easier.
Universal Audio Dream '65 Reverb Amp Pedal
Drop this at the end of your pedalboard and you’ll have classic silver-panel tones without lugging around a hefty combo. Not only can you control the different speaker types, but you also have three different amp modes, options for 4-cable method, and a UAFX Control app for deeper editing.
uaudio.com
Strymon Iridium Amp & IR Cab Pedal
Loaded with three notable amp models and nine cab IRs, this pedal sports a powerful 2-stage DSP processor, a fav switch that can emulate a 2-channel setup, and 300 programmable presets that are accessible via MIDI.
strymon.net
Walrus Audio Mako Series ACS1 Amp & Cab Simulator Pedal
This handy stereo setup covers both American and British tones. It comes loaded with six different speaker IRs (or load your own), customizable boost, and the ability to route different amps and cabs to separate outputs.
walrusaudio.com
DSM Humboldt Electronics Simplifier Zero Watt Stereo Amplifier
Here’s an entirely analog zero-watt(!) amp that can be run in true stereo with extremely tweakable cab simulation. You can also cycle through three different cab sizes, adjust mic position, and emulate three different types of power tubes.
www.simplifieramp.com
Boss IR-200 Amp and IR Cabinet Pedal
Based around the company’s 200 series, this self-contained amp rig offers 128 presets, a 96 kHz sampling rate, functions as a USB audio interface, and allows you to run two IRs at once. It comes loaded with eight different amp models and over 150 impulse responses.
boss.info/global
Two Notes ReVolt Guitar Preamp Pedal
Designed around an actual 12AX7 tube, this unit has an all-analog signal path with three different channels (clean, crunch, and lead), a switchable boost, and a headphone output. The ReVolt also has analog cabinet simulation inspired by a Marshall 4x12.
two-notes.com
Quilter Labs SuperBlock US 25-watt Guitar Amplifier Pedal
This collection of “greatest hits” from classic American designs offers up takes on tweed, blonde, and silver-panel tones along with a full array of EQ, reverb, and limiter controls. It includes an effects loop, headphone output, XLR output, and the ability to connect to a passive guitar cab.
quilterlabs.com
Hughes & Kettner StompMan Guitar 50-watt Amplifier Pedal
This single-channel amp cranks out 50 watts (at 8 ohms) and is centered around H&K’s analog Spirit Tone Generator circuit. An interesting feature is the sagging knob, which affects the power amp compression. Other features include a switchable FX loop, solo boost, and resonance control.
hughes-and-kettner.com
Orange Terror Stamp 20-watt Valve Hybrid Guitar Amp Pedal
Based upon the British amp giant’s Micro Dark, this all-analog hybrid design couples a 12AX7 preamp with a 20-watt class AB solid-state power amp. The controls are dead simple and allow you to run one or both channels at the same time along with shape (from mid-forward to classic scoop) and gain knobs.
orangeamps.com
Acorn Amplifiers Solid State
After a recent revelation about a somewhat unheralded amp—the Peavey Decade—being the “secret weapon” on classic albums, Acorn got to work and developed their take but added extra features. Modern upgrades include two switchable tone modes, dual outputs, 3-band EQ, and a pedalboard friendly enclosure.
acornamps.com
$299
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The 2018 CCL Deco Custom, in all its Pelham blue glory.
Anyway, we became friends and I started working on him pretty early—my 40th birthday was approaching, and that meant it was time for us to start designing his first solidbody build. If you stopped on this page, it’s because the photo of the finished product caught your eye. Beautiful, right? The 2018 CCL Deco Custom: Never shall there be another.
Old National Glenwood guitars were my design inspiration, but I wanted a slim waist like a PRS and the like. We used a solid block of korina to start, routed like MacGyver to get the knobs and switches where I wanted them. Dale builds all his own lathes and machines (usually out of lumber, y’all), as the task requires. This beast took some creativity—it’s tight wiring under that custom-steel pickguard. Many were the preliminary sketches. Four coats of Pelham blue, 11 coats of nitro. Honduran mahogany neck, Madagascar ebony fretboard with Dale’s signature not-quite-Super-400 inlays. He designed the logo; I just said, “Make it art deco.”
We sourced all the bits and bobs from StewMac and Allparts and Reverb and the like, mostly to get that chrome look I so adore. Graph Tech Ratio tuners, Duesenberg Radiator trem (had to order that one from Germany), TonePros TP6R-C roller bridge. The pickups were a genius suggestion from the builder, Guitarfetish plug ’n’ play 1/8" solderless swappable, which means I have about 10 pickups in the case to choose from: rockabilly to metal. And both slots are tapped, with the tone knobs serving as single- to double-coil switches. I put the selector on the lower horn to accommodate my tendency to accidentally flip the thing on Les Pauls—definite lifesaver.
Reader and guitar enthusiast, Cody Lindsey.
Dale offered to chamber this monster, but I said what doesn’t kill you makes you stronger. It weighs in at 11 pounds, if it’s an ounce. We carved the neck to match a ’60s SG, so it’s like the mini bat you get at the ballpark on little kids’ day. Easy peasy. 1 11/16" nut, 25" scale, jumbo frets, just 2 1/8" at the 12th fret.
Delivery in its lovely, hygrometer-equipped Cedar Creek case actually happened a month or two shy of my 41st, but hey, you can’t rush these things. We ended up with a studio Swiss Army knife; it does a bit of everything and does it effortlessly. A looker, too. Dale didn’t spend his career doing this kind of thing—he was in IT or some such—and I imagine he’s winding this “hobby” of his down these days, enjoying retirement with a bottle of Killian’s and a lawn chair at Duluth Blues Fest. But this guitar will live on as a marker of his skill and otherworldly patience. It sits at the head of the class in my practice room, welcoming any visitors and bringing a smile to my face every day. And Dale, my friend, I’ll be 50 before you know it....
Cody requested that Dale design an art deco logo for the guitar’s headstock.