The new models feature Seymour Duncan pickups, tigerstripe ebony fretboards, and come with a deluxe gig bag.
Markneukirchen, Germany (April 25, 2018) -- The electric guitars of the brand new Framus D-Series are manufactured in China with the same high quality requirements as the Warwick RockBass Series instruments. The Framus D-Series electric guitars also undergo extensive final inspection, first in China and then again in Markneukirchen, Germany.
Only high-quality woods, hardware, and other parts are used for these instruments, which are based on the guitars of the Framus Teambuilt German Pro Series and the Custom Shop models. The pickups of the Framus D-Series are manufactured by Seymour Duncan / USA, the fretboards are made of Tigerstripe Ebony, and left-handed versions are available without surcharge. Warwick Security Locks, Cleartone Strings, and a Deluxe RockBag are all included.
Six Framus D-Series models will be available from June 2018:
- Diablo Pro
- Diablo Progressive X
- Diablo Supreme
- Panthera Supreme
- Panthera Pro 7
- Phil XG Artist Line
Framus D-Series Diablo Pro
Features of the Framus D-Series Diablo Pro include: flat basswood body, bolt-on maple neck, and Wilkinson style vibrato system. The Framus D-Series Diablo Pro is optionally available in the following finishes: Nirvana Black Transparent High Polish, Burgundy Red Transparent High Polish, and Natural Transparent Satin.
Framus D-Series Diablo Progressive X
Features of the Framus D-Series Diablo Progressive X include: curved body (Poplar Burl Veneer Top / mahogany back), bolt-on maple neck, and original Floyd Rose vibrato system. The Framus D-Series Diablo Progressive X is optionally available in the following finishes: Nirvana Black Transparent High Polish, Antique Tobacco Transparent High Polish, and Burgundy Blackburst Transparent High Polish.
Framus D-Series Diablo Supreme
The features of the Framus D-Series Diablo Supreme include: curved body (AAAA Flamed Maple Veneer Top / mahogany back), set-in mahogany neck, Tuneāoāmatic bridge, and stop tailpiece. The Framus D-Series Diablo Supreme is optionally available in the following finishes: Nirvana Black Transparent High Polish, Burgundy Blackburst Transparent High Polish, and Bleached Ocean Blue Burst Transparent High Polish.
Framus D-Series Panthera Supreme
The features of the Framus D-Series Panthera Supreme include: curved body (AAAA Flamed Maple Veneer Top / mahogany back), set-in mahogany neck, Tuneāoāmatic bridge, and stop tailpiece. The Framus D-Series Panthera Supreme is optionally available in the following finishes: Nirvana Black Transparent High Polish, Burgundy Blackburst Transparent High Polish, and Bleached Ocean Blue Burst Transparent High Polish.
Framus D-Series Panthera Pro 7
The features of the Framus D-Series Panthera Pro 7 include: curved mahogany body, bolt-on maple neck, Tuneāoāmatic bridge, and stop tailpiece. The Framus D-Series Panthera Pro 7 is optionally available in the finishes: Nirvana Black Transparent High Polish, Burgundy Blackburst Transparent High Polish, and Solid Black Satin.
Framus D-Series Phil XG Artist Line
The Framus D-Series Phil XG Artist Line features: flat mahogany body, set-in mahogany neck (fat shape), Tuneāoāmatic bridge, and stop tailpiece. The Framus D-Series Phil XG Artist Line is optionally available in the following finishes: Solid Black High Polish, Solid Creme White High Polish, Solid Black Satin, and Vintage Sunburst Transparent High Polish.
For international pricing, please contact your local distributor or dealer.
For more information:
Warwick
$149
Marshall 1959 Super Lead
The very definition of classic, vintage Marshall sound in a highly affordable package.
Thereās only one relevant question about Marshallās new 1959 Super Lead overdrive/distortion pedal: Does it sound like an actual vintage Super Lead head? The answer is, simply and surprisingly, yes. The significant difference I heard within the voice of this stomp, which I ran through a Carr Vincent and a StewMac Value Factory 18 kit amp for contrast, is that itās a lot quieter than my 1972 Super Lead.
The Super Lead, which bore Marshallās 1959 model number, debuted in 1965 and was the amp that defined the plexi sound. That sound is here in spades, clubs, diamonds, and hearts. Like the Super Lead, the pedal is easy to use. The originalās 3-band EQ is replaced by a single, rangeful tone control. The normal dial and the volume, which together mimic the character created by jumping the first and second channels of a plexi head, offer smooth, rich, buttery op-amp driven gain and loudness. And the high-treble dial functions much like the presence control on the original amp.
The pedal is sturdy and handsome too. A heavy-duty metal enclosure evokes the classic black-with-gold-plate plexi look and a vintage-grille-cloth motif. Switches and knobs (the latter with rubber sides for slip-free turning) are ultra solid, andārefreshinglyāthereās a 9V battery option in addition to a barrel-pin connection. Whether with single-coils or humbuckers, getting beefy, sustained, historic tones took moments. I especially delighted in approximating my favorite Super Lead head setting by flooring the high treble, normal, and tone dials, and turning back the tone pots on my Flying V, evoking Disraeli Gears-era Clapton tone. That alone, to me, makes the 1959 Super Lead stomp a bargain at $149.Two guitars, two amps, and two people is all it takes to bring the noise.
The day before they played the coveted Blue Room at Third Man Records in Nashville, the Washington, D.C.-based garage-punk duo Teen Mortgage released their debut record, Devil Ultrasonic Dream. Not a bad couple of days for a young band.
PGās Chris Kies caught up with guitarist and vocalist James Guile at the Blue Room to find out how he builds the bandās bombastic guitar attack.
Brought to you by DāAddario.
Devilish Dunable
Guile has been known to use Telecasters and Gretsches in the past, but this time out heās sticking with this Dunable Cyclops DE, courtesy of Gwarsenio Hallāaka Jordan Olds of metal-themed comedy talk show Two Minutes to Late Night. Guile digs the Dunableās lightness on his shoulders, and its balance of high and low frequencies.
Storm Warning
What does Guile like about this Squier Cyclone? Simple: its color. This one is also nice and easy on the back, and Guile picked it up from Atomic Music in Beltsville, Maryland.
Crushing It
Guile also scooped this Music Man 410-HD from Atomic, which he got just for this tour for a pretty sweet deal. It runs alongside an Orange Crush Bass 100 to rumble out the low end.
James Guileās Pedalboard
The Electro-Harmonix Micro POG and Hiwatt Filter Fuzz MkII run to the Orange, while everything elseāa DigiTech Whammy, Pro Co Lilā RAT, and Death by Audio Echo Dream 2āruns to the Music Man. A TC Helicon Mic Mechanic is on board for vocal assistance, and a TC Electronic PolyTune 3, Morley ABY, and Voodoo Labs Pedal Power 3 Plus keep the ship afloat.
Ernie Ball, the worldās leading manufacturer of premium guitar and bass strings, is proud to announce the release of the Pino Palladino Signature Smoothie Flats, the newest innovation in flatwound bass strings.
Developed in collaboration with legendary bassist Pino Palladino, these signature sets are engineered to deliver an ultra-smooth feel and a rich, warm tone thatās as versatile as it is expressive. Available in two gaugesāExtra Light (38ā98) and Medium (43ā108)ā Smoothie Flats are crafted with a precision-polished cobalt alloy ribbon for low tension, flexible playability, and deep vintage-inspired sound.
Ernie Ball: Pino Palladino Signature Smoothie Flats Bass Strings
Product Features:
- Precision polished for an ultra-smooth feel
- Cobalt alloy ribbon winding for a rich, deep sound
- Flexible, low-tension design for superior playability
- Trusted by Pino Palladino for studio and live performance
Pino Palladino Signature Smoothie Flats bass strings are available at Ernie Ball dealers worldwide.
Cool compression profile that yields blooming and nasty fuzz with fangs. Simple. Excellent value!
Not a ton of variation in the fuzzās simple controls.
One big, bad, and very boss no-frills fuzz.
On the surface, fuzz is an almost barbarian conceptāa nasty sound thatās easy to grasp in our imaginations. But contrast David Gilmourās ultra-creamy Big Muff sounds with James Gurleyās free and visceral fuzz passages from Big Brother and the Holding Companyās Cheap Thrillsand you remember that two different fuzzes, in the hands of two different players, can speak very different languages. The latter artist concerns us here because Gurley did his work with a Jordan Boss Tone, which is the inspiration for the Ananashead Spirit Fuzz.
Ananasheadās Pedro Garcia has a knack for weirder 1960s fuzzes. HisMeteorite silicon Fuzzrite clone, for instance, is a knockout. This take on the two-transistor Boss Tone is equally thrilling, and genuinely idiosyncratic when it runs at full tilt. It exhibits tasty inherent compression, and transient notes ring out as pronounced and concise before blooming into full viciousnessāa quality that shines when paired with neck-position humbuckers (and which probably made the original circuit appealing to Spiritās Randy California, another 1960s Boss Tone devotee). That tone profile gives the Spirit Fuzz meatiness that stands out among ā60s-style two-transistor circuits, and the sense of mass, combined with the pedalās intrinsic focus, makes it superb for tracking. The Spirit loves humbuckers, which coax real sweetness from the circuit. But it was just as happy to take a ride with a Jaguar bridge pickup and an old Fender Vibrolux with the reverb at 10. Sounds painful, right? On the contrary, it was one of the most haunting fuzz sounds I can remember playing.