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GALLERY: Show Us Your Gear - Acoustic Guitars

The guitars PG readers play when they unplug.

"Zak Kramer says of his Collings, ""From the moment I strummed my first chord, I knew this guitar was special. Every time I pick it up, no matter what I want out of it, it always delivers. Last summer, I was fool enough to busk with it at the local farmer's marketяpreviously, I'd used a National M2 woodbodied reso. Dan Erlewine, who lives in my town, stopped, looked and listened, then grinned. ""Now that's a guitar,"" he pronounced, and he asked me a few questions about it. From market to backyard barbecues to playing softly for myself when everyone else has gone to sleep, the Dude does, indeed, abide."""

Want to submit your acoustic guitar for consideration in a future gallery? Just send photos and a short description to rebecca@premierguitar.com!

Introducing the Jimmy Page 1964 SJ-200 and 1964 SJ-200 Collector’s Edition from Gibson.

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When Peter found this vintage 12-string, it was a busted-up mess—making it an easy $75 streetside bargain.

When our columnist stumbled upon this 12-string hanging streetside in NYC, he knew he’d struck gold.

In the pre-internet age, guitar hunting was a “shoe leather” pursuit, requiring continuously scouring music stores, pawnshops, junk stores, small ads, and flea markets. Late one Sunday back in the mid 1990s, I had scorelessly scoped the fleas and antique dealers around 26th St. and 6th Ave. in Manhattan before idly heading west to the usually barren “junk” fields that cropped up on 7th Ave.

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Our columnist’s beloved Fender Super Reverb head goes under the knife.

Vintage Fenders are some of the best-sounding amplifiers around, but from time to time, they need a bit of love to give up the goods. Here are the top issues you’ll encounter with your black- and silver-panel Fender amps, and how to fix them.

Trouble and worrying are part of a vintage tube amp owner’s life. In this article, I will try to teach some basic troubleshooting for vintage Fender amps. It will only require a little practice, patience, and, most importantly, curiosity, which to me is the single most important skill in life—we can accomplish great things by reading, seeking advice, trying, failing, and not giving up. So, let’s start!

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Dakota Dave Hull plays a cozy set in Japan with Takasi Hamada on his right, and Xavier Ohmura on his left.

Photo by Kosuke Nagai 

A chance glance at a Stefan Grossman LP led our columnist to discover the acoustic connections between the U.S. and Japan.

When acoustic guitarists like myself hear an album that just sounds so good, we might fuss less about gear and home in more on performance and atmosphere. Indeed, those were the things that blew me away on country-blues guru Stefan Grossman’s album from the late ’70s, Acoustic Guitar. Dynamic playing with a healthy big-room sound, the production was a far cry from a lot of Grossman’s late-’60s output, some of which was recorded in closets on budget reel-to-reel decks.

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