The gear Adrian Smith, Dave Murray, and Janick Gers are using onstage
Smithуs early-у70s goldtop Les Paul has a DiMarzio Super Distortion bridge pickup and a mini-humbucker from a Gibson Firebird.
With its powerful speaker and long-lasting lithium battery, the Nomad is the ideal solution for portable premium tone.
The guitar amp everyone can't stop talking about is back and better than ever!
Templo Device's iconic NOMAD rechargeable lithium-battery powered guitar amp is making a return with new and improved features that will take your playing to new heights.
With its compact design and lightweight neodymium speaker, this amp is decked out to allow you to play wherever you want.
Featuring a new 3-way tone switch and a real spring reverb, the NOMAD 2.0 is designed to please even the pickiest of tone hounds.
The microphone tone is better than ever, with a handy XLR microphone input and retains the indispensable 9 volt output to power your pedals. The presale is now open with limited quantities and you won't find anything else like this on the market. Make sure you get your hands on this unit before it sells out again!
For more information, please visit templodevices.com.
A line of stompboxes designed by PRS.
PRS Guitars enters into the pedal world with three all-new stompboxes. Designed by PRS Guitars in Stevensville, Maryland and made in the USA, the lineup consists of a Transparent Overdrive, Optical Compressor, and Dual Flanger.
“This whole concept started in my home studio. When recording, I was looking for tones and textures I couldn’t get straight from the guitar. When I couldn’t find what I was looking for, I would build a device with the help of some friends. That’s how the first pedal prototypes were born,” said Paul Reed Smith. “Over time, we all got so excited by them, that we decided to offer them to more players. I think these first three designs are the start of something very cool."
The PRS Horsemeat transparent overdrive is a from-scratch circuit designed to enhance guitar tone without coloring it. Using germanium diodes, Horsemeat will give throatiness without sounding nasal or too high-pitched and harmonic richness by boosting both low- and high-end frequencies, all while providing more available headroom. Depending on the setting, the PRS Horsemeat can be used as a clean boost, straight overdrive, or even enhance an amplifier’s distortion by slightly pushing the front end of the amp’s preamp section. In essence, “Horsemeat sounds a lot like a good amp.” – Paul Reed Smith
The PRS Mary Cries optical compressor is based on the storied LA-2A and helps to harness players’ dynamic audio range. When engaged, Mary Cries can boost clean tone, add sustain to leads, help control signal peaks, and push guitar tone without losing definition or clarity. By using the output/gain control and leaving the compression control low, players can also use Mary Cries as a boost pedal.
The PRS Wind Through the Trees dual flanger is best described as two flangers fighting each other, resulting in a sound that is reminis- cent of the wind whipping through the trees. Use the PRS Wind Through the Trees to create airy harmonics, moody frequency swirls, jet-engine swooshes, and fluctuating warbles.
All PRS pedals feature through-hole soldering, which broadened the component selection and allowed for the best-sounding parts to be used. PRS pedals are also true bypass, so they are out of the signal chain when turned off, allowing players to have uncolored tone at the tip of their toes. More info at prsguitars.com.
Taylor's redesigned 500 Series, featuring Urban Ironbark, a brand-new tonewood that debuts as the back and sides of its 514ce and 512ce models.
The tonewood joins Urban Ash as the second tonewood in Taylor’s product line to come from Taylor’s urban sourcing initiative in collaboration with WestCoast Arborists, Inc. (WCA). The reimagined 500 Series models feature Taylor’s revolutionary, award-winning V-Class bracing system as well as a torrefied spruce top, yielding a sound that’s robust, muscular, and sweet.
Urban Ironbark, otherwise known as red ironbark eucalyptus (Eucalyptus sideroxylon), is one of more than 700 eucalyptus species found around the world. Taylor’s partnership with West Coast Arborists allows access to select urban trees from Southern California — part of a municipality’s managed public tree population — that are designated for removal after reaching the end of their life cycle or posing a safety risk to the community. Typically, these end-of-life trees are converted into firewood or mulch. However, Taylor’s innovative partnership with WCA allows the trees to live on as beautiful acoustic guitars.
The new urban tonewood has a physical density comparable to ebony while also delivering the sonic depth and richness of Indian rosewood, but pushed to another level. The voicing recipe for the new guitars include a torrefied (roasted) Sitka spruce top paired with Taylor's V-Class bracing. The result can be described as a fresh variation on the classic spruce/rosewood sound with the help of Taylor’s modern acoustic engineering, and with the guitar’s enhanced volume and projection immediately evident, even with a lighter playing touch.
The appointments on the new 500 Series offer a nod to the classic heritage of Taylor’s 500 Series, which were previously mahogany guitars. The back and sides feature a stain that deepens ironbark’s natural reddish and golden-brown hues, along with a lightly shaded edge burst on the body and neck. Other details include new Aerialinlays in Italian acrylic, faux tortoise shell binding and pickguard, and a single-ring abalone rosette with maple and black purfling. Both models include onboard ES2 electronics and a mahogany neck with Taylor nickel tuners.
The 514ce and 512ce include a Taylor Deluxe Hardshell Case and can be found for $3299 at authorized Taylor dealers worldwide. For more information about the new models and the entire Taylor lineup, please visit taylorguitars.com.