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GALLERY: Vintage Epiphones of the 1930s

In the early 20th century, Epiphone was known as one of New York''s premier archtop builders. See 14 exquisite examples of early works and learn how the company changed in the first three decades of the 20th Century.

"As Gibson and Epiphone competed throughout the 1930s, each produced increasingly large and extravagant archtops. This DeLuxe, as well as the top-of-the-line Emperor, were a reaction to Gibson's Super 400. The DeLuxe featured a 17 3/8"" body (an inch larger than its debut specs), cloud inlay, tree-of-life headstock inlay, a 5-piece neck constructed from highly figured maple, figured-maple body, and a Frequensator tailpiece. "

Handcrafted in the Seymour Duncan Custom Shop, each set includes gray bottom flatwork and a pad-printed signature from Joe. The first 500 sets will be aged, packaged in limited edition boxes, and include a certificate of authenticity.

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In honor of Paul Reed Smith's birthday today, PRS launches a limited-edition model of Paul's personal instrument.

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The Spirit Fall trio: drummer Brian Blade (right) and saxophonist Chris Potter (center) joined Patitucci (left) for a single day at The Bunker. ā€œThose guys are scary. It almost puts pressure on me, how good they are, because they get it really fast,ā€ says Patitucci.

Photo by Sachi Sato

Legendary bassist John Patitucci continues to explore the sound of a chord-less trio that balances melodicism with boundless harmonic freedom—and shares lessons he learned from his mentors Chick Corea and Wayne Shorter.

In 1959, Miles Davis’ Kind of Blue and John Coltrane’s Giant Steps—two of the most influential albums in jazz history—were recorded. It’s somewhat poetic that four-time Grammy-winning jazz bass icon John Patitucci was born that same year. In addition to a storied career as a bandleader, Patitucci cemented his legacy through his lengthy association with two giants of jazz: keyboardist Chick Corea, with whom Patitucci enjoyed a 10-year tenure as an original member of his Elektric and Akoustic bands, and saxophonist Wayne Shorter’s quartet, of which he was a core member for 20 years. Patitucci has also worked with a who’s who of jazz elites like Herbie Hancock, McCoy Tyner, Dizzy Gillespie, and Michael Brecker.

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Whitman Audio introduces the Decoherence Drive and Wave Collapse Fuzz, two innovative guitar pedals designed to push the boundaries of sound exploration. With unique features like cascading gain stages and vintage silicon transistor fuzz, these pedals offer musicians a new path to sonic creativity.

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