Enhanced Scrambler-type circuit dishes deliciously dangerous and glitchy fuzz.


It would be hard to find a fuzz more polarizing than the original glitchy, grotesque and glorious Ampeg Scrambler. Those who love it use it with perverse abandon. Others wouldn’t touch it with a 10-foot pole. So hats off to Maxon for not only taking on this divisive circuit, but adding a level feature that can make it much more useful and tempting for fence sitters.

Even with the level control, the Void is not exactly user-friendly or fantastically varied. A very strong octave-up component makes the fuzz a spitty, chaotic, one-eyed, flame-drooling beast of a fuzz at all but the tamest overtone settings. In general, it’s harder to tame than an Octavia. And it’s near impossible to coax any of a Big Muff’s mellifluousness or a Tone Bender’s lyrical grind from this unit. But it’s amazing for fractured, hectic Stooges riffs and ecstatic “screw it, let’s blow the roof off this place” psychedelic leads. Not for the faint of the heart, but fantastically expressive and rewarding when you dial it in right.

Test Gear: Fender Jaguar, Fender Stratocaster, Music Man Sixty Five

Ratings

Pros:
Awesomely splintered and heavy octave-fuzz tones.

Cons:
Unforgiving for players with less adventurous mindsets.

Street:
$159

Maxon FV-10 Fuzz Elements Void
maxonfx.com

Tones:

Ease of Use:

Build/Design:

Value:

MG-400 houses 2 powerful DSP chips for high-definition White-Box Amp Modeling algorithm (TS/AC-HD) and Core-Image post-effects.

Read MoreShow less

Music Nomad introduces a patent pending Grip One, alongside the Humitar One, an all-in-one humidifier and hygrometer.

Read MoreShow less

Using high-speed signal processing with a dedicated DSP and analog & digital audio circuits we perfected over time, this compact unit attains high sound quality.

Read MoreShow less