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Summer NAMM '12 - Tausch Electric Guitars 665

PG's Shawn Hammond is On Location in Nashville, TN, for the 2012 Summer NAMM Show where he visits the Jamie Gale Music booth. In this video we get to see and hear a demo of Tausch's 665.



PG's Shawn Hammond is On Location in Nashville, TN, for the 2012 Summer NAMM Show where he visits the Jamie Gale Music booth. In this video we get to see and hear a demo of Tausch's 665.

While Annie Clark was named the 26th greatest guitarist of all time by Rolling Stone in 2023, she couldn’t care less about impressing an athletic stamp on either her sound or her image.


Photo by Alex Da Corte

On her eighth studio release, the electroacoustic art-rock guitarist and producer animates an extension of the strange and singular voice she’s been honing since her debut in 2007.

“Did you grow up Unitarian?” Annie Clark asks me. We’re sitting in a control room at Electric Lady Studios in New York’s West Village, and I’ve just explained my personal belief system to her, to see if Clark, aka St. Vincent, might relate and return the favor. After all, does she not possess a kind of sainthood worth inquiring about?

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Available in 4-string and 5-string versions with unique finish options. Each purchase includes a certificate of authenticity signed by Wimbish.

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Tools For the Task: 7 Acoustic Preamp Options
Tools For the Task: Acoustic Preamp Options

PG contributor Tom Butwin highlights 7 preamp options for your acoustic guitar. Wherever you’re looking to plug in your acoustic, these stomps have you covered with a wide range of functionality, sounds, and applications.

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A stripped-down small-bodied acoustic that punches well above its price class.

Midrange-focused voice. Smaller body and scale delivers easy playability. Excellent craftsmanship.

If you love big, boomy jumbos and dreads, you might want to look at a different body style.

$2,450

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As much as I love fawning over expensive vintage and boutique gear—which is a lot—when it comes to spending my money, I look for the highest-end tone at the kind of prices my modest gigs can pay for. With vintage gear, I want to find “player-grade” stuff: the amp that has some long-broken-up band’s logo spray-painted on it, totally devaluing it to collectors, or the guitar with a refin that was done by the last owner’s buddy who paints motorcycles. Sometimes, though, new gear is the only path to what you need. And once you enter the world of boutique, handmade instruments player-grade prices aren’t usually an option.

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