PG's Gayla Drake Paul's latest Video Review is the Mattrixx-N SanGreal Acoustic Instrument Amplifier. Read the written review. The Mattrixx-N SanGreal Acoustic Instrument Amplifier is 400 watts (bi-amped 200 watts per low-frequency and high-frequency driver) with two input channels that can be customized for your specific applications. It comes with an instrument channel with line and instrument inputs-and the XLR in has phantom power. Both channels have input Gain, three-band EQ and multi-mode Reverb. Channel one includes a narrow-band notch filter, and our review unit had the option vacuum tube, which Gayla has said added some additional warmth. Other controls on the SanGreal are Master and Monitor volume controls and an FX loop. It comes loaded with neodymium-powered ribbon driver and an advanced low-frequency driver. The cabinet is monitor-shaped, made of birch multi-ply with a handle at one end and a speaker pole mount on the other.



PG's Gayla Drake Paul's latest Video Review is the Mattrixx-N SanGreal Acoustic Instrument Amplifier. Read the written review.

The Mattrixx-N SanGreal Acoustic Instrument Amplifier is 400 watts (bi-amped 200 watts per low-frequency and high-frequency driver) with two input channels that can be customized for your specific applications. It comes with an instrument channel with line and instrument inputs-and the XLR in has phantom power. Both channels have input Gain, three-band EQ and multi-mode Reverb. Channel one includes a narrow-band notch filter, and our review unit had the option vacuum tube, which Gayla has said added some additional warmth. Other controls on the SanGreal are Master and Monitor volume controls and an FX loop.

It comes loaded with neodymium-powered ribbon driver and an advanced low-frequency driver. The cabinet is monitor-shaped, made of birch multi-ply with a handle at one end and a speaker pole mount on the other.

Plus, the Fontaines D.C. axeman explains why he’s reticent to fix the microphonic pickup in his ’66 Fender Coronado.

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The emotional wallop of the acoustic guitar sometimes flies under the radar. Even if you mostly play electric, here are some things to consider about unplugging.

I have a love-hate relationship with acoustic guitars. My infatuation with the 6-string really blasted off with the Ventures. That’s the sound I wanted, and the way to get it was powered by electricity. Before I’d even held a guitar, I knew I wanted a Mosrite, which I was sure was made of fiberglass like the surfboards the Beach Boys, Surfaris, and the Challengers rode in their off time. Bristling with space-age switchgear and chrome-plated hardware, those solidbody hotrod guitars were the fighter jets of my musical dreams. I didn’t even know what those old-timey round-hole guitars were called. As the singing cowboys Roy Rogers and Gene Autrey strummed off into the sunset, the pace of technology pushed the look and sound of the electric guitar (and bass) into the limelight and into my heart. Imagine my disappointment when I had to begin my guitar tutelage on a rented Gibson “student” acoustic. At least it sort of looked like the ones the Beatles occasionally played. Even so, I couldn’t wait to trade it in.

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Need an affordable distortion pedal? Look no further.

We live in the golden age of boutique pedals that are loaded with advanced features—many of which were nearly unthinkable a decade or so ago. But there’s something that will always be valuable about a rock-solid dirt box that won’t break your wallet. Here’s a collection of old classics and newly designed stomps that cost less than an average concert ticket.

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