PG's Jordan Wagner walks us through his latest review--Way Huge Green Rhino Mk II. The Mk II has all the gorgeous classic overdrive that you crave but it has evolved to include cool new features that make it even more rhinoceriffic. In addition to the Volume, Tone, and Drive controls, you get a 100Hz EQ knob to cut or boost your low end by 12dB. Your low notes can either shake the ground like a stampede across the savannah or cut through the mix like a charging rhino's horn. This pachyderm of a pedal also sports a Curve control to fine-tune the corner frequencies of your tone. All this amazing tone shaping makes other overdrives seem boring and one-dimensional by comparison. In front of a clean amp, with the Volume and Drive set at noon, you can go from pristine purity to a punchy, dynamic rhythm tone. Set the Drive low and crank the Volume and add tons of boost to wallop the input of any amp. Turn up the Drive control with the Rhino in front of a distorted channel and hear more gain and sustain than you ever thought your amp was capable of. And no matter how you use it, the Green Rhino Mk II will deliver clean operation, quiet relay-based true-bypass switching, and the rock-solid construction that Way Huge is known for.



PG's Jordan Wagner walks us through his latest review--Way Huge Green Rhino Mk II. The Mk II has all the gorgeous classic overdrive that you crave but it has evolved to include cool new features that make it even more rhinoceriffic. In addition to the Volume, Tone, and Drive controls, you get a 100Hz EQ knob to cut or boost your low end by 12dB. Your low notes can either shake the ground like a stampede across the savannah or cut through the mix like a charging rhino's horn. This pachyderm of a pedal also sports a Curve control to fine-tune the corner frequencies of your tone. All this amazing tone shaping makes other overdrives seem boring and one-dimensional by comparison. In front of a clean amp, with the Volume and Drive set at noon, you can go from pristine purity to a punchy, dynamic rhythm tone. Set the Drive low and crank the Volume and add tons of boost to wallop the input of any amp. Turn up the Drive control with the Rhino in front of a distorted channel and hear more gain and sustain than you ever thought your amp was capable of. And no matter how you use it, the Green Rhino Mk II will deliver clean operation, quiet relay-based true-bypass switching, and the rock-solid construction that Way Huge is known for.

Switching between contrasting reverb voices doubles the fun.

Smart, versatile, interactive and rangeful controls. Intuitive. Capable of great contrasts between A/B presets. Sturdy enclosure. Effective damping controls tame twee high-octave overtones.

Can’t switch reverb voices as you switch presets. Enclosure is big relative to depth of functionality. No-fun styling.

$229

Fender Dual Marine Layer
fender.com

4
4
4.5
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Fender and reverb go together like gumbo and rice. Historically, the spring tanks in the company’s amplifiers and tube-driven outboard units have defined the Fender reverb sound. But in 2018, when Fender released the Marine Layer digital reverb, it did not include a spring reverb emulation. The new Dual Marine Layer doesn’t have a spring emulation either. Instead, it’s brimming with sounds and functions well-suited for less retro-reverb expressions, including thick chorus textures and shimmer reverb, and has a soft-relay sustain switch that enables momentary creation of ambient beds. It’s also capable of some very classy, subdued reverb colors, plus a few that can effectively stand in for spring and plate sounds in a pinch.

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PRS Guitars and John Mayer officially announce the PRS SE Silver Sky, an affordable version of the original with PRS trademark bird inlays and three single-coil pickups.

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