Visual Sound is among the fastest-rising manufacturers in the effects business. Touring pros who use the Nashville pedal company’s wares in their rigs include Robben Ford, Arctic Monkeys, Kings of Leon, and Gym Class Heroes.
The Dual Tap Delay is the first pedal from the company’s V3 series, and the first new delay offering from Visual Sound since the GarageTone Grease delay. With the Dual Tap Delay, Visual Sound successfully integrates digital and analog technology. But it also brings two delays together in one unit with a master tap tempo, so players can tackle the challenge of needing, say, slapback and long delays in a single tune.
Striking Gold
Powered by a 9V DC power supply, the
Dual Tap Delay is enclosed in a sleek gold
casing that is slightly smaller and thinner
than a Line 6 DL4—which is to say, it’s
big, but still more compact than a lot of
dual-pedal devices. This casing is home to a
very streamlined, clean layout that basically
features two delays side-by-side with the
signal path going from delay 1 into delay
2. There are two sets of independent knobs
for each channel: time division, which gives
you four rhythmic repeats to choose from
(eighth-note triplet, dotted-eighth, eighthnote,
and quarter-note), manual delay time
(with a corresponding switch below that
chooses between manual or tap modes),
repeats, and effects level. With a modulation
knob for adding a chorus-like sound
to the repeats, delay 2 can also approximate
mild tape warble for a touch of cranky
Echoplex.
Under the knobs are two very tiny tone pots for each channel, which act as high-cut controls for the repeats, as well as footswitches for turning each channel on or off. The unit’s tap-tempo switch requires only two taps to set the speed. The pedal’s rear panel features jacks for input, external tap or click input, output 1, and output 2.
Kickin’ the Bucket
Armed with a Gibson Les Paul Standard,
I plugged the Dual Tap Delay into the
effects loop of my Fender Super-Sonic 1x12
combo. The first thing I noticed was that
the Dual Tap Delay is extremely quiet and
well behaved, which is a big deal when
you’re talking about delay. There have
been many occasions where I’ve run things
into my effects loop and was greeted with
squealing or crackling noises. It’s worth
mentioning that the potential for a delay to
exacerbate noise issues is considerable.
The Dual Tap Delay uses a custom programmed DSP chip for the basic delay and time functions. The controls and tone shaping sections are all analog however. And if you just listen with your ears, rather than fixate on the digital side of the pedal’s construction, you’ll find the Dual Tap Delay to be among the warmest delays on the market.
My explorations began with the chorus/ verb setting suggested by the included instruction sheet. The setting subtly thickened my tone, especially when I goosed the modulation knob a bit. With a little overdrive, it can sound massive—giving my guitar an authoritative voice that could cut through a dense mix, even though the delayed tone itself is pretty girthy. When I cascaded a longer delay from delay 1 into the modulated delay 2, the blend became positively arena-sized.
The tone controls also make a huge difference in contributing an analog or digital flavor to the sound. Fully counter-clockwise gives you a darker tone. As you rotate the knob, the repeats become crisper and more defined, but not harsh or cold.
Good Time for All
With the clearly labeled time division knob,
which visually displays the different possible
rhythmic subdivisions, I was quickly able to
get delays in time with specific rhythms with
the flick of a switch. Although it may seem
like a no-brainer to have the different rhythms
visually laid out on a knob, many delay units
that offer exact rhythmic subdivisions do not
clearly or conveniently label the beat division
options and many leading delays only illustrate
subdivisions in the manual, which isn’t much
use when you leave it behind at some bar gig.
The Dual Tap Delay offers four of the most common rhythmic subdivisions, although since Visual Sound went this far, it would be nice to see some longer or shorter patterns like half-notes, quarter-note triplets, and 16th-notes. But the Dual Tap Delay offers the subdivision most delay users will reach for—the dotted-eighth delay, which spawned many of the Edge’s famous guitar parts, as well as Eddie Van Halen’s jaw-dropping “Cathedral.” And with the ability to cascade delays and employ dual outputs, U2 fans might finally find the delay pedal they’re looking for.
The Verdict
For all its capabilities, the Dual Tap Delay
provides a refreshing simplicity—and this
simplicity doesn’t come at the expense of
happening tones. The Dual Tap Delay
is incredibly lush and full sounding, and
enables dramatic delay effects that can
transform a bland passage in a big way.
Most impressively, the Dual Tap Delay
inspires playing rather than tweaking. In
the end, that’s what it’s all about. And the
elegance of Visual Sound’s engineering
should be praised on that count, along with
the sounds this fine delay will add to your
bag of tricks.
Buy if...
you want a gorgeous sounding, complex delay that doesn’t require a manual to get up and running.Skip if...
you absolutely need a bpm or delay time display.Rating...
