february 2012

Editor’s top picks from Anaheim—the cream of the crop in cutting-edge gear.

By the last day of the four-day Winter NAMM show in Anaheim, California, you see a lot of exhibitors, journalists, and gearheads walking around with rather glazed looks in their eyes. Believe it or not, this is a good thing. See, Winter NAMM 2012 was busy ... hoppin' ... cookin' ... happening. And that means business is good -- so good, in fact, that it's just plain hard to take it all in.

But blasted and dazed as we are when we emerge from the buzzing confines of the Anaheim Convention Center, there's a lot you don't easily forget. So here are some of the guitars, amps, pedals, and basses that blew us away, in full color for you to see for yourself.

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Guitar store staff have better things to do than clean your instrument, so a well-loved but unsoiled 6-string like this is going to command a higher trade-in value than one that comes in covered in years of residue.

Believe it or not, you can boost the value of your instrument by making everyone's life a little easier … and cleaner!

There's an overwhelming amount of activity in the guitar market these days, and the sheer amount of demand has left some manufacturers struggling to keep up. But rather than wait around for stores to re-stock, more and more customers are shopping for used and vintage guitars. You might wonder, where do all those used guitars come from?

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How jangle, glam, punk, shoegaze, and more blended to create a worldwide phenomenon. Just don’t forget your tambourine.

Intermediate

Beginner

  • Learn genre-defining elements of Britpop guitar.
  • Use the various elements to create your own Britpop songs.
  • Discover how “borrowing” from the best can enrich your own playing.
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When considering the many bands that fall under the term “Britpop”–Oasis, Blur, Suede, Elastica, Radiohead’s early work, and more–it’s clear that the genre is more an attitude than a specific musical style. Still, there are a few guitar techniques and approaches that abound in the genre, many of which have been “borrowed” (the British music press’ friendly way of saying “appropriated”) from earlier British bands of the 1960s, ’70s, and ’80s.

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