PG's Joe Coffey is On Location at the LA Amp show where he visits with Phil Hurley who represented Goodsell. Phil introduced us into a new, high-gain Goodsell amp; the Black Dog 50. While this baby has grit and crunch, it still cleans up with that classic Goodsell tone. Also, we got to see a Goodsell classic, the Super 17.



PG's Joe Coffey is On Location at the LA Amp show where he visits with Phil Hurley who represented Goodsell. Phil introduced us into a new, high-gain Goodsell amp; the Black Dog 50. While this baby has grit and crunch, it still cleans up with that classic Goodsell tone. Also, we got to see a Goodsell classic, the Super 17.

It’s ok for a guitar to not sound like a guitar.

As much as we all love juicy, organic guitar tones, it can be just as inspiring to go the opposite way. Combining various modulation effects, envelope filters, oscillators, and more can result in sounds that owe more to Kraftwerk than Led Zeppelin.

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While Monolord has no shortage of the dark and heavy, guitarist and vocalist Thomas V Jäger comes at it from a perspective more common to pop songsmiths.

Photo by Chad Kelco

Melodies, hooks, clean tones, and no guitar solos. Are we sure this Elliott Smith fan fronts a doom-metal band? (We’re sure!)

Legend has it the name Monolord refers to a friend of the band with the same moniker who lost hearing in his left ear, and later said it didn’t matter if the band recorded anything in stereo, because he could not hear it anyway. It’s a funny, though slightly tragic, bit of backstory, but that handle is befitting in yet another, perhaps even more profound, way. Doom and stoner metal are arguably the torch-bearing subgenres for hard rock guitar players, and if any band seems to hold the keys to the castle at this moment, it’s Monolord.

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