Grammy-nominated duo Black Pumas unveil new single, “More Than A Love Song” – LISTEN HERE and watch the new music video HERE. “More Than A Love Song” is the first track to be unveiled from the Austin duo’s highly anticipated sophomore effort, Chronicles of a Diamond, set for release on October 27th on ATO Records. Pre-order the album HERE.
Co-written by Burton and Quesada, “More Than A Love Song,” was produced by Quesada and co-produced by Burton, with additional production by Grammy-winning John Congleton. Explaining the lyrical content, Burton comments, “’More Than a Love Song’ is a message I borrowed from my Uncle Steve. As a songwriter and caregiver, he’d listen to me write songs from afar and if I were lucky he’d have a pointer or two for me. ‘Life is more than a love song.’”
Black Pumas - More Than A Love Song (Official Video)
Shot on location in Los Angeles, the music video for “More Than A Love Song” was directed by Juliana and Nicola Giraffe. The clip elicits feelings of joy, hope, and community – themes also evident in the song -- zooming in closely on the beauty and abundance that surrounds us in our everyday life. As the video progresses, we see Black Pumas performing, intercut with a series of stylized photographic vignettes that present each character’s role in the larger portrait of the community, culminating in a jubilant celebration.
Chronicles of a Diamond brings the band’s singular vision to life with more power, passion, and daring originality than ever before. Produced by Quesada and primarily mixed by six-time Grammy Award winner Shawn Everett (Alabama Shakes, The War on Drugs), the ten-song LP finds Burton taking the role of co-producer and infusing his free-spirited musicality into every track. See below for the complete tracklisting.
Tracklisting
CHRONICLES OF A DIAMOND TRACKLISTING
MORE THAN A LOVE SONG
ICE CREAM (PAY PHONE)
MRS. POSTMAN
CHRONICLES OF A DIAMOND
ANGEL
HELLO
SAUVIGNON
TOMORROW
GEMINI SUN
ROCK AND ROLL
Photo by Jody Domingue
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Maxon OD-9 Overdrive Pedal
The Maxon OD-9 Overdrive Effects Pedal may look like your old favorite but that's where the similarity ends. Improved circuitry with a new chip yields the ultra-smooth dynamic overdrive guitarists crave. Drive and Level controls tweak the intensity and volume while the Hi-Boost/Hi-Cut tone controls adjust brightness. Features true bypass switching, a die-cast zinc case, and 3-year warranty. From subtle cries to shattering screams, the Maxon OD-9 delivers a huge range of tones.
Features
Improved circuitry with a new chip yields ultra-smooth dynamic overdrive
Drive and Level controls tweak the intensity and volume
Hi Boost/Hi Cut tone controls adjust brightness
True bypass switching
Die-cast zinc case
AC/DC operation (order optional Maxon AC210N adapter)
Product Specs
Input: 1/4" mono jack
Output: 1/4" mono jack
Power: 9V DC, 6 mA, center pin minus (not included)
Dimensions: (WxDxH) 74 mm x 124 mm x 54 mm
Weight: 580g
Key Features of the ZOMA
● Intuitive Control Layout: Three large knobs give you full control over Reverb Level, Tremolo Rate,and Depth
● Easy Access to Alternate Controls: Adjust Reverb Decay, Reverb Tone, and Tremolo Volume withsimple alt-controls.
● Instant Effect Order Switching: Customize your signal path. Position tremolos after reverb for avintage, black-panel tone or place harmonic tremolo before reverb for a dirty, swampy sound.
● True Bypass or Buffered Trails: Choose the setting that best suits your rig.
Three Reverb and Tremolo Modes:
● SS – Spring Reverb & Sine Tremolo: Classic spring reverb paired with a sine wave tremolo for that timelessblack-panel amp tone.
● PH – Plate Reverb & Harmonic Tremolo: Smooth, bright plate reverb combined with swampy harmonictremolo.
● PV – Plate Reverb & Pitch Vibrato: Achieve a vocal-like vibrato with ethereal plate reverb.
Reverb: Sounds & Controls
● Spring Reverb: Authentic tube amp spring reverb that captures every detail of vintage sound.
● Plate Reverb: Bright and smooth, recreating the lush tones of vibrating metal plates.
● Reverb Decay: Adjust the decay time using the REVERB/ALT SWITCH while turning the Level knob.
● Reverb Tone: Modify the tone of your reverb using the REVERB/ALT SWITCH while turning the Rate knob.
Tremolo: Sounds & Controls
● Sine Wave/Volume Tremolo: Adjusts the volume of the signal up and down with smooth sine wavemodulation.
● Harmonic Tremolo: Replicates classic tube-amp harmonic tremolo, creating a phaser-like effect withphase-split filtering.
● Pitch Vibrato: Delivers pitch bending effects that let you control how far and how fast notes shift.
● Alt-Control Tremolo Boost Volume: Adjust the boost volume by holding the REVERB/ALT footswitch whileturning the Depth knob.
The ZOMA is built with artfully designed circuitry and housed in a proprietary angled aluminum enclosure, ensuring both simplicity and durability. Like all Keeley pedals, it’s proudly designed and manufactured in the USA.
ZOMA Stereo Reverb and Tremolo
The first sound effects built into amplifiers were tremolo and reverb. Keeley’s legendary reverbs are paired with their sultry, vocal-like tremolos to give you an unreal sonic experience.
Stevie Ray Vaughan was a force of nature. With his “Number One” Strat, he drove a veritable trove of amps—including vintage Fenders, a rotating Vibratone cab, and a Dumble—to create one of the most compelling tones of all, capable of buttery warmth, percussive pick articulation, and cathartic, screaming excess. As he drew upon an endless well of deeply informed blues guitar vocabulary, his creativity on the instrument seemingly knew no bounds.
Your 100 Guitarists hosts are too young to have experienced SRV live. We’ve spent decades with the records, live bootlegs, and videos, but we’ll never know quite how it felt to be in the room with SRV’s guitar sound. So, we’d like to spend some time imagining: How did it feel when it hit you? How did he command his band, Double Trouble? The audience?
SRV was mythical. His heavy-gauge strings tore up his fingers and made a generation of blues guitarists work a lot harder. And his wall of amps seems finely curated to push as much air in all directions as possible. How far did he take it? Was he fine-tuning his amps to extreme degrees? Or could he get his sound out of anything he plugged into?
