Dunlop Introduces the Pivot Capo

Dunlop has introduced the Pivot Capo, an innovative new addition to the company's long line of professional capos.

The new Pivot Capo provides even tension and precise intonation up and down the neck, offering bright clarity and beautiful, long-lasting sustain for a rich and satisfying playing experience.

The key to the Pivot Capo's performance? Its patented self-centering neck pivot adapts to a variety of neck shapes for even tension and tuning stability. It features a low-resistance gear that allows you to quickly and easily dial in precise pressure, without overtightening or throwing your guitar out of tune.

The Pivot Capo includes an optimized fret pad that accommodates your guitar's fretboard radius to reduce string buzzing. The Pivot Capo is designed to adapt to just about any fretboard radius or neck shape, so a single capo is all you need -- it'll work with all of your guitars.

The result? Notes ring out longer and more clearly thanks to tone-enhancing mass and dense rubber padding.

The Pivot Capo is available in three different finishes: Black, Gun Metal and Satin Chrome. Street price is $29.99 and more information is available at

For at least a decade, the classic Ampeg SVT was the dominant bass amp for power and tone.

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From the giant, hefty beasts of yore to their modern, ultra-portable equivalents, bass amps have come a long way. So, what's next?

Bassists are often quite well-informed about the details of their instruments, down to the finest technical specs. Many of us have had our share of intense discussions about the most minute differences between one instrument and another. (And sometimes those are interrupted by someone saying, "It's all in the fingers.") But right behind our backs, at the end of our output cables, there is a world of tone-shaping that we either simply ignore or just don't want to dive into too deeply. Turning a gear discussion from bass to amp is a perfect way to bring it to an abrupt end.

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  • Develop a better sense of subdivisions.
  • Understand how to play "over the bar line."
  • Learn to target chord tones in a 12-bar blues.
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Playing in the pocket is the most important thing in music. Just think about how we talk about great music: It's "grooving" or "swinging" or "rocking." Nobody ever says, "I really enjoyed their use of inverted suspended triads," or "their application of large-interval pentatonic sequences was fascinating." So, whether you're playing live or recording, time is everyone's responsibility, and you must develop your ability to play in the pocket.

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