Gibson and Adam Jones are pleased to announce their next collaboration in the collection with the Adam Jones 1979V2 Les Paul Custom from Gibson Custom Shop. Multi-platinum-selling and 4X GRAMMY Award-winning guitarist Adam Jones from the band Tool, is one of rock's most talented and sonically innovative guitarists. The new Adam Jones 1979V2 Les Paul Custom is a new take on Adam's #1 guitar, his prized original Silverburst 1979 Gibson Les Paul.
The Adam Jones 1979V2 Les Paul Custom is a limited-edition guitar offering from Gibson Custom Shop Murphy Lab that pays tribute to what Adam calls "one of my top favorite guitars of all time" seen everywhere during the world tour for Tool's blockbuster Fear Inoculum album, which became one of the highest selling albums of 2019. Featuring a Gibson Custom Shop Murphy Lab lightly-aged Antiqued Silverburst finish, the guitar offers a new take Adam's original with custom artwork--designed by artist Korin Faught--on the rear of the headstock. Included in the guitar package is a removeable headstock mirror, just like Adam's. A limited offering of 79 Adam Jones 1979V2 Les Paul Custom guitars have been signed and numbered by Adam himself. In 2022, Adam will be seen on tour with Tool playing his own 1979V2 guitar.
One of rock's most talented artists, Adam Jones is renowned as the guitarist for the band Tool, as well as his work as a visual artist, sculptor, videographer, producer, and special effects designer (Jurassic Park, Terminator 2, Edward Scissorhands, Ghostbusters 2, Batman 2, A Nightmare On Elm Street). Adam was heavily involved in re-creating the new guitar, working with Gibson's luthiers in Nashville, TN. Utilizing his extensive experience in visual art, special effects and design, Adam Jones is both the director of the majority of Tool's music videos and creates the visual experience on stage for the band. For the world premiere of the new Gibson Custom Shop Adam Jones Les Paul Custom, a special animated short film, The Witness, was created and scored by Adam and mixed by Joe Barresi.
The Witness by Adam Jones Introduces The Gibson 1979 Les Paul Custom
For more information:
Gibson
- How to Riff Like Tool's Adam Jones - Premier Guitar ›
- This Silverburst Is Pure Gold - Premier Guitar ›
- Gibson Adam Jones Les Pauls Stolen En Route to Sweetwater ... ›
- Gibson and Tool's Adam Jones Collaborate on Signature 1979 Les ... ›
- Adam Jones & Epiphone Launch "The Berserker" Custom Art - Premier Guitar ›
- Gibson's Murphy Lab Collection Unveils Five Light Aged Acoustics - Premier Guitar ›
Stompboxtober is rolling on! Enter below for your chance to WIN today's featured pedal from Peterson Tuners! Come back each day during the month of October for more chances to win!
Peterson StroboStomp Mini Pedal Tuner
The StroboStomp Mini delivers the unmatched 0.1 cent tuning accuracy of all authentic Peterson Strobe Tuners in a mini pedal tuner format. We designed StroboStomp Mini around the most requested features from our customers: a mini form factor, and top mounted jacks. |
A silicon Fuzz Face-inspired scorcher.
Hot silicon Fuzz Face tones with dimension and character. Sturdy build. Better clean tones than many silicon Fuzz Face clones.
Like all silicon Fuzz Faces, lacks dynamic potential relative to germanium versions.
$229
JAM Fuzz Phrase Si
jampedals.com
Everyone has records and artists they indelibly associate with a specific stompbox. But if the subject is the silicon Fuzz Face, my first thought is always of David Gilmour and the Pink Floyd: Live at Pompeii film. What you hear in Live at Pompeii is probably shaped by a little studio sweetening. Even still, the fuzz you hear in “Echoes” and “Careful With That Axe, Eugene”—well, that is how a fuzz blaring through a wall of WEM cabinets in an ancient amphitheater should sound, like the sky shredded by the wail of banshees. I don’t go for sounds of such epic scale much lately, but the sound of Gilmour shaking those Roman columns remains my gold standard for hugeness.
JAM’s Fuzz Phrase Fuzz Face homage is well-known to collectors in its now very expensive and discontinued germanium version, but this silicon variation is a ripper. If you love Gilmour’s sustaining, wailing buzzsaw tone in Pompeii, you’ll dig this big time. But its ’66 acid-punk tones are killer, too, especially if you get resourceful with guitar volume and tone. And while it can’t match its germanium-transistor-equipped equivalent for dynamic response to guitar volume and tone settings or picking intensity, it does not have to operate full-tilt to sound cool. There are plenty of overdriven and near-clean tones you can get without ever touching the pedal itself.
Great Grape! It’s Purple JAM, Man!
Like any Fuzz Face-style stomp worth its fizz, the Fuzz Phrase Si is silly simple. The gain knob generally sounds best at maximum, though mellower settings make clean sounds easier to source. The output volume control ranges to speaker-busting zones. But there’s also a cool internal bias trimmer that can summon thicker or thin and raspy variations on the basic voice, which opens up the possibility of exploring more perverse fuzz textures. The Fuzz Phrase Si’s pedal-to-the-metal tones—with guitar volume and pedal gain wide open—bridge the gap between mid-’60s buzz and more contemporary-sounding silicon fuzzes like the Big Muff. And guitar volume attenuation summons many different personalities from the Fuzz Phrase Si—from vintage garage-psych tones with more note articulation and less sustain (great for sharp, punctuated riffs) as well as thick overdrive sounds.
If you’re curious about Fuzz Face-style circuits because of the dynamic response in germanium versions, the Fuzz Phrase Si performs better in this respect than many other silicon variations, though it won’t match the responsiveness of a good germanium incarnation. For starters, the travel you have to cover with a guitar volume knob to get tones approaching “clean” (a very relative term here) is significantly greater than that required by a good germanium Fuzz Face clone, which will clean up with very slight guitar volume adjustments. This makes precise gain management with guitar controls harder. And in situations where you have to move fast, you may be inclined to just switch the pedal off rather than attempt a dirty-to-clean shift with the guitar volume.
“The best clean-ish tones come via humbuckers and a high-headroom amp with not too much midrange, which makes a PAF-and-black-panel-Fender combination a great fit.”
The best clean-ish tones come via humbuckers and a high-headroom amp with not too much midrange, which makes a PAF-and-black-panel-Fender combination a great fit if you’re out to extract maximum dirty-to-clean range. You don’t need to attenuate your guitar volume as much with the PAF/black-panel tandem, and you can get pretty close to bypassed tone if you reduce picking intensity and/or switch from flatpick to fingers and nails. Single-coil pickups make such maneuvers more difficult. They tend to get thin in a less-than-ideal way before they shake the dirt, and they’re less responsive to the touch dynamics that yield so much range with PAFs. If you’re less interested in thick, clean tones, though, single-coils are a killer match for the Fuzz Phrase Si, yielding Yardbirds-y rasp, quirky lo-fi fuzz, and dirty overdrive that illuminates chord detail without sacrificing attitude. Pompeii tones are readily attainable via a Stratocaster and a high-headroom Fender amp, too, when you maximize guitar volume and pedal gain. And with British-style amps those same sounds turn feral and screaming, evoking Jimi’s nastiest.
The Verdict
Like every JAM pedal I’ve ever touched, the JAM Fuzz Phrase Si is built with care that makes the $229 price palatable. Cheaper silicon Fuzz Face clones may be easy to come by, but I’m hard-pressed to think they’ll last as long or as well as the Greece-made Fuzz Phrase Si. Like any silicon Fuzz Face-inspired design, what you gain in heat, you trade in dynamics. But the Si makes the best of this trade, opening a path to near-clean tones and many in-between gain textures, particularly if you put PAFs and a scooped black-panel Fender amp in the mix. And if streamlining is on your agenda, this fuzz’s combination of simplicity, swagger, and style means paring down pedals and controls doesn’t mean less fun.
Constructed with solid flamed Hawaiian koa back and sides, paired with a solid spruce top, this guitar is designed to offer rich, balanced tone with articulate highs and warm lows.
The HG-28 introduces a new approachable body size to the Martin line, best described as a smaller 14-fret sloped-shoulder Dreadnought with the depth of a 000. Anyone who picks up this guitar will instantly notice how comfortable it is. Like a new, old friend. It's ideal for players who cherish the robust Dreadnought sound in a more comfortable size.
At the heart of the HG-28 is its construction from solid flamed Hawaiian koa back and sides paired with a solid spruce top. This choice of tonewoods not only delivers a stunning aesthetic but also ensures a rich, balanced tone with articulate highs and warm lows.
Whether you're strumming chords or picking intricate island melodies, its shorter 24.9” scale length offers a more relaxed string feel and excellent response. The HG-28 plays easily with low action and feels right at home in standard tuning or any one of several slack key open tunings such as open G, which is widely used in Hawaiian-style guitar music.
Adding to its vintage appeal, the HG-28 boasts bold herringbone trim and antique white binding, reminiscent of Martin’s early Hawaiian-style guitars. This guitar is not just a tribute to the past but a testament to Martin's ongoing commitment to musical innovation.
For more information, please visit martinguitar.com.
Blackstar Amplification introduces the JJN 50 and JJN 212 VOC, the lightest 50-watt valve amp in the world, designed in collaboration with blues rock powerhouse Jared James Nichols. Featuring CabRig IR-based speaker simulator technology, Celestion speakers, and a hand-signed certificate of authenticity, this amp delivers Nichols' signature sound with power and versatility.
Blackstar Amplification introduces the next iteration of the Jared James Nichols Signature Amp, the JJN 50 and JJN 212 VOC. Building on the decades-long relationship with Jared James Nichols, the much-revered blues rock powerhouse, the JJN 50 amplifier and JJN 212 VOC speaker enclosure are designed to capture and deliver all of Nichols blues-powered tones. Road-tested across stages in the U.K. and Europe, this amplifier packs a wallop, all in a lightweight package. In fact, this is the lightest 50-watt valve amp in the world.
The JJN 50 amplifier is based on Blackstar’s St. James 50 EL34 and takes it one giant step further by opening the top end and allowing a wide array of frequencies in to suit Nichols’ renowned playing style. It starts with our proprietary CabRig IR-based speaker simulator technology. The JJN 50 comes pre-loaded with 3 custom CabRig patches specifically developed with Nichols to create his most used tones: the ‘JJN Classic Muscle’, the ‘JJN Modern Grit’, and the ‘JJN Nashville Basement’. CabRig is better than earlier IR-based technology as it simulates a speaker cabinet and room with no latency reproducing the sound of a mic’d up guitar cab with incredible detail. Over 250 mic and cab combinations can be saved into one of three onboard slots. Each cab has a choice of room type, mic type and axis, and master EQ. For deeper options, connect to the free Architect software. The JJN 50 also includes a low-to-mid gain pedal platform with a Blues Power boost circuit kicking the amp into overdrive to release Nichols’ signature sound. The amp features built-in reactive load, and a power reduction switch with 50-Watt, SAG and 2-Watt options. Connectivity options include low latency USB for recording and an XLR D.I. for live settings.
The JJN 212 VOC enclosure features Nichols’ speakers of choice, the Celestion G12T-75 in the top position, and the exclusive Celestion Zephyr lightweight speaker on the bottom. Blackstar worked closely with Celestion to create a speaker based on the Vintage 30 that packs a sonic punch at a fraction of a traditional speaker weight. Speaking of lightweight, the JJN 50 & JJN 212 VOC is constructed out of Candlenut plywood. Known for its strength, lightness, and sound, it perfectly suits this signature amp. The amp is then wrapped in Nichols iconic British Racing Green livery and is adorned with our classic St. James illuminated Blackstar logo. Each Jared James Nichols Signature Amp comes with a hand-signed certificate of authenticity and a collectible postcard.
As Nichols himself says, “…Packing all the power, tone, versatility, and inspiration I could ever ask for, this one can truly do it all. I proudly worked closely with the engineers on every single facet of this amp; we put our heart and soul into it. I am absolutely blown away by the final product and I think you will be, too.” High praise coming from one of the modern-day greats. Blackstar continues to work tirelessly with artists to create amplifiers worthy of gracing the world stages night after night.
STJ50ELHJJN (head) $1,399.99
STJ212VOCJJN (Cabinet) $899.99
For more information, please visit blackstaramps.com.