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Jeff Beck Tribute EP Unveiled

Jeff Beck Tribute EP Unveiled

The three-song EP includes unreleased live versions of "Going Down" and "Elegy For Dunkirk."

The music world is still reeling from Jeff Beck’s death earlier this year. The legendary guitarist, renowned by both fans and many of his peers as the greatest of all-time, passed away on January 10 at the age of 78.

ATCO/Rhino honors the two-time Rock and Roll Hall of Famer’s immeasurable legacy with a three-song EP of unreleased music. Two of the songs were played at Beck’s memorial service, which was held on February 3 at St. Mary’s Church in Beddington, England. Jeff Beck Tribute is available today digitally.

Listen HERE.

The EP opens with “Midnight Walker Lament,” which combines the instrumental “Midnight Walker” from 18 (Beck’s 2022 album with Johnny Depp) with a spoken word poem by Imelda May written at Jeff’s suggestion and approval, which sadly was first performed live to track at his funeral. An Irish singer and poet, May first appeared with Beck on Rock ’n’ Roll Party (Honoring Les Paul), a live album he released in 2011 as a tribute to pioneering guitarist Les Paul.

Opera singer Olivia Safe, another Beck collaborator, appears on the EP’s live version of “Elegy For Dunkirk.” Beck released a studio version featuring Safe in 2010 on his Grammy-winning album, Emotion & Commotion. At Beck’s memorial in February, Safe sang composer Gabriel Fauré’s “Requiem: In Paradisum.”

Jeff Beck Tributeends with a blistering live version of “Going Down” recorded in Paris. Beck performed this Freddie King rocker live throughout most of his career. On this version, he’s backed by bassist Rhonda Smith, drummer Jonathan Joseph, vocalist Jimmy Hall, and guitarist Carmen Vandenberg.

“Imelda’s poem on ‘Midnight Walker Lament’ on top of Jeff’s beautiful guitar work brings tears to my eyes. ‘Elegy for Dunkirk’ featuring Olivia Safe is a reminder of how Jeff’s playing, and Opera interact. ‘Going down,’ an up-tempo tune, was played live at Jeff’s funeral with a powerful vocal from Jimmy Hall.” - Sandra Beck

Jeff Beck Tribute

EP Track Listing:

  1. “Midnight Walker Lament” – Jeff Beck featuring Imelda May *
  2. “Elegy For Dunkirk” (Live) – Jeff Beck featuring Olivia Safe *
  3. “Goings Down” (Live) – The Jeff Beck Band *
* previously unreleased

Beck’s widow, Sandra, and his friend and fellow guitarist Eric Clapton will honor the late guitarist’s memory and artistry with all-star concerts at the Royal Albert Hall on May 22 and 23. “A Tribute to Jeff Beck” will feature Doyle Bramhall, Eric Clapton, Gary Clark Jr., Johnny Depp, Billy Gibbons, Kirk Hammett, Imelda May, John McLaughlin, Robert Randolph, Olivia Safe, Rod Stewart, Joss Stone, Susan Tedeschi, Derek Trucks, and Ronnie Wood. The shows also include Rhonda Smith, Anika Nilles, and Robert Stevenson from the Jeff Beck Band.

Profits from the concerts will be donated to the Southern Wildlife Care and Advisory Service (aka Folly Wildlife Rescue Trust), a charity dedicated to rescuing and rehabilitating injured, orphaned, and distressed wild animals and birds throughout West Kent, East Sussex, and the surrounding region. The Becks have been patrons of the charity for years. ATCO/Rhino will also make a donation to the charity in honor of Beck.

For more information, please visit jeffbeck.com.

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This column is a fun and educational thought experiment: What if I took inspiration from the well-known Fender amps out there, combined the best from them, and applied a few of my own twists? After all, this is how amps developed. I read somewhere that “Fender made the first Marshall, and Marshall made the first reissue Fender.” It's funny, because it's true: The Marshall JTM45 was based on the narrow-panel tweed Fender Bassman 5F6-A.

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Reader: Federico Novelli
Hometown: Genoa, Italy
Guitar: The Italian Hybrid

Reader Federico Novelli constructed this hybrid guitar from three layers of pine, courtesy of some old shelves he had laying around.

Through a momentary flash, an amateur Italian luthier envisioned a hybrid design that borrowed elements from his favorite models.

A few years ago, at the beginning of Covid, an idea for a new guitar flashed through my mind. It was a semi-acoustic model with both magnetic and piezo pickups that were mounted on a soundboard that could resonate. It was a nice idea, but I also had to think about how to make it in my tiny cellar without many power tools and using old solid-wood shelves I had available.

I have been playing guitar for 50 years, and I also dabble in luthiery for fun. I have owned a classical guitar, an acoustic guitar, and a Stratocaster, but a jazz guitar was missing from the list. I wanted something that would have more versatility, so the idea of a hybrid semi-acoustic guitar was born.

I started to sketch something on computer-aided design (CAD) software, thinking of a hollowbody design without a center block or sides that needed to be hot-worked with a bending machine. I thought of a construction made of three layers of solid pine wood, individually worked and then glued together in layers, with a single-cutaway body and a glued-in neck.

For the soundboard and back, I used a piece of ash and hand-cut it with a Japanese saw to the proper thickness, so I had two sheets to fit together. Next, I sanded the soundboard and bottom using two striker profiles as sleds and an aluminum box covered in sandpaper to achieve a uniform 3 mm thickness. A huge amount of work, but it didn't cost anything.

“It was a nice idea, but I also had to think about how to make it in my tiny cellar without many electric tools and out of old solid-wood shelves I had available.”

The soundboard has simplified X-bracing, a soundhole with a rosewood edge profile, and an acoustic-style rosewood bridge. For the neck, I used a piece of old furniture with straight grain, shaped it to a Les Paul profile, and added a single-action truss rod. The only new purchase: a cheap Chinese rosewood fretboard.

Then, there was lots of sanding. I worked up to 400-grit, added filler, primer, and transparent nitro varnish, worked the sandpaper up to 1,500-grit, and finally polished.

Our reader and his “Italian job.”

For electronics, I used a Tonerider alnico 2 humbucker pickup and a piezo undersaddle pickup, combined with a modified Shadow preamp that also includes a magnetic pickup input, so you can mix the two sources on a single output. I also installed a bypass switch for power on/off and a direct passive output.

I have to say that I am proud and moderately satisfied both aesthetically and with the sounds it produces, which range from jazz to acoustic and even gypsy jazz. However, I think I will replace the electronics and piezo with Fishman hardware in the future.

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