To honor Jeff Beck’s life and legacy, countless guitarists and friends have shared tributes to one of the most influential guitarists of our time.
Yesterday, it was announced that Jeff Beck had passed away at 78. Guitarists Jimmy Page, Joe Bonamassa, Zakk Wylde, Buddy Guy, Brian May, Carmen Vandenberg, and more offered loving tributes. Brian May states: "He was inimitable, irreplacebable - the absolute pinnacle of guitar playing." See the tributes below.
Read our full tribute here.
Jimmy Page
His technique unique. His imaginations apparently limitless. Jeff I will miss you along with your millions of fans. Jeff Beck Rest in Peace.https://t.co/4h1DfXXmWI
— Jimmy Page (@JimmyPage) January 11, 2023
Joe Bonamassa
To say we are all devastated by this news is an understatement. I simply cannot get my head around it. Rest in Peace Jeff. The greatest that ever touched a guitar. pic.twitter.com/hoeHTCJ4nh
— Joe Bonamassa (Official) (@JBONAMASSA) January 12, 2023
Buddy Guy
The loss of our friend Jeff Beck is crushing. All our love and prayers go out to his family, his friends, and his fans around the world. Until we meet again, Jeff. - Team BG pic.twitter.com/579qviqPSc
— Buddy Guy (@TheRealBuddyGuy) January 12, 2023
Queen's Brian May & Roger Taylor
RIP Jeff Beck 🙏
— Queen (@QueenWillRock) January 12, 2023
"He was inimitable, irreplaceable - the absolute pinnacle of guitar playing." - Brian May
"A totally unique and magical talent." - Roger Taylor pic.twitter.com/PxBNgBiu1Q
Billy Gibbons
I met Jeff Beck when I was 17 and I was glad to know a guy like that, a guy who was able to show me how this guitar playing thing should be approached and that’s still very much the case. Jeff was a wondrous soul and we already miss him tremendously.
— Billy F Gibbons (@BillyFGibbons) January 12, 2023
@jeffbeckmusic #JeffBeck pic.twitter.com/qW8R0b7pCz
Zakk Wylde
GOD BLESS JEFF BECK • tBLSt SDMF @jeffbeckmusic #jeffbeck pic.twitter.com/F9IowyPNX4
— Zakk Wylde (@ZakkWyldeBLS) January 12, 2023
Carmen Vandenberg
Alice Cooper
"When I was 16 years old, The Spiders, who became the original Alice Cooper band, opened for the Yardbirds. That night I experienced the greatest guitar player I had ever heard. Half a century later Jeff Beck is still the greatest guitarist, PERIOD…. pic.twitter.com/awwMOXOJDm
— Alice Cooper (@alicecooper) January 12, 2023
Tony Iommi
I was totally shocked to hear the very sad news of Jeff Beck’s passing. Jeff was such a nice person and an outstanding iconic, genius guitar player - there will never be another Jeff Beck. His playing was very special & distinctively brilliant! He will be missed. RIP Jeff -Tony pic.twitter.com/i6BGdqTUKU
— Tony Iommi (@tonyiommi) January 11, 2023
Mick Jagger
With the death of Jeff Beck we have lost a wonderful man and one of the greatest guitar players in the world. We will all miss him so much. pic.twitter.com/u8DYQrLNB7
— Mick Jagger (@MickJagger) January 11, 2023
Brian Wilson
I’m so sad to hear about Jeff Beck passing. Jeff was a genius guitar player, and me and my band got to see it close up when we toured with him in 2013. One of the highlights we did was “Danny Boy” – we both loved that song. Love & Mercy to Jeff’s family. pic.twitter.com/eZFHpHgiKt
— Brian Wilson (@BrianWilsonLive) January 11, 2023
- Carmen Vandenberg: From BONES to Jeff Beck ›
- The Tao of Jeff Beck ›
- Jeff Beck Has Died at 78 ›
- In Memoriam: Jeff Beck (1944–2023) - Premier Guitar ›
- Jeff Beck’s Top Guitars—and Their Deep-Dive Details - Premier Guitar ›
- Jeff Beck Tribute EP Unveiled - Premier Guitar ›
- Introducing the Gibson Jeff Beck YardBurst 1959 Les Paul - Premier Guitar ›
- Guitar Studies: How Do You Learn Songs? - Premier Guitar ›
Empress Effects is proud to announce the release of the Bass ParaEq, a bass-specific parametric EQ pedal.
Building on the success of their acclaimed ParaEq MKII series, which has already gained popularity with bassists, the Bass ParaEq offers the same studio-grade precision but with features tailored for bass instruments.
Basses of all types – including electric and upright basses with active and passive electronics – can benefit from the Bass ParaEq’s tone-sculpting capabilities.
The new pedal follows the success of the Empress Bass Compressor and ParaEq MKII Deluxe, which have become some of the company’s best-reviewed and top-selling products. The Bass Compressor’s popularity confirmed what Empress had long suspected: bassists are eager for tools built with their needs in mind, not just adaptations of guitar gear.
The Bass ParaEq retains the line’s powerful 3-band parametric EQ and studio-style features while introducing a bass-optimized frequency layout, a selectable 10MΩ Hi-Z input for piezo-equipped instruments, a dynamically-adjusted low shelf, and automatic balanced output detection—perfect for live and studio use alike.
The Bass ParaEq also offers an output boost, adjustable by a dedicated top-mounted knob and activated by its own footswitch, capable of delivering up to 30dB of boost. It’s perfect for helping your bass punch through during key moments in live performance.
Whether dialing in clarity for a dense mix or compensating for an unfamiliar venue, the Bass ParaEq offers precise tonal control in a compact, road-ready form. With 27V of internal headroom to prevent clipping from even the hottest active pickups, the Bass ParaEq is the ultimate studio-style EQ designed to travel.
Key features of the Bass ParaEq include:
- Adjustable frequency bands tailored for bass instruments
- Selectable 10MΩ Hi-Z input for upright basses and piezo pickups
- Auto-detecting balanced output for long cable runs and direct recording
- Three sweepable parametric bands with variable Q
- High-pass, low-pass, low shelf, and high shelf filters
- Transparent analog signal path with 27V of internal headroom
- Buffered bypass switching
- Powered by standard 9V external supply, 300mA (no battery compartment)
The Bass ParaEq is now shipping worldwide. It can be purchased from the Empress Effects website for $374 USD and through authorized Empress dealers globally.
PG contributor Tom Butwin reveals his favorite songwriting secret weapon: the partial capo. Watch how the Shubb C7 and C8 can simulate alternate tunings without retuning your guitar—and spark fresh creative ideas instantly.
Shubb C8b Partial Capo for Drop-D Tuning - Brass
The C8 covers five of the six strings, leaving either the low E or high E string open, depending on how it's positioned.
- Standard setup: Placed on the 2nd fret while leaving the low E string open, it simulates Drop D-style sounds—except you're still in standard tuning (key of E). You get that big, droning bass feel without retuning.
- Reverse setup: Flipping the capo allows the high E string to ring, giving you shimmering drones and new melodic options across familiar chord shapes.
- A flexible tool that lets you simulate alternate tunings and create rich sonic textures—all while keeping your guitar in standard tuning.
Shubb C7b Partial Capo for DADGAD Tuning - Brass
The C7 covers three of the six strings—either D, G, and B or A, D, and G—depending on how it's flipped.
- Typical setup (D, G, B): Creates an open A chord shape at the 2nd fret without needing your fingers. This frees you up for new voicings and droning notes in the key of A.
- Reversed setup (A, D, G): Gets you close to a DADGAD-style tuning vibe, but still keeps you in standard tuning—great for modal, spacious textures often found in folk or cinematic guitar parts.
Use it alone or stack it with the C8 for wild, layered effects and truly out-of-the-box inspiration.
PRS Guitars celebrates 40 years with the limited edition McCarty SC56. Featuring vintage-inspired design and modern innovations, this single-cutaway guitar pays tribute to Ted McCarty and his impact on the industry. With only 400 pieces available, this instrument is a must-have for collectors and performers alike.
PRS Guitars today announced the 40th Anniversary McCarty SC56 Limited Edition. With a classic PRS single-cutaway body shape and carefully chosen specifications, the McCarty SC56 is both a tribute to tradition and a reliable tool for the modern performer. Only 400 pieces will be made.
“The SC56, signifying Singlecut and 1956, model is our most recent tribute to my late mentor Ted McCarty and his impact on the guitar industry. We started with our take on a classic late ‘50s singlecut body. 1956 marks the year that Ted first had guitars made with his newly coined 'humbucker' pickups. It also happens to be the year I was born. Bringing vintage design into the modern era, we loaded this model with our McCarty III pickups, meticulously designed to deliver warm, clear, vintage tone with exceptional note separation and dynamics,” said PRS Guitars Founder & Managing General Partner, Paul Reed Smith.
Anchored by a maple top and mahogany back, the 24.594” scale length and 22-fret Pattern Vintage neck work with Phase III non-locking tuners and PRS two-piece bridge to promote its musical sustain. The PRS McCarty III pickups are controlled by a simple layout — two volume controls, two tone controls, and a three-way toggle on the upper bout.
Single-cutaway guitars are known to be heavier than their double-cutaway counterparts. The McCarty SC56 Limited Edition design incorporates weight-relief, decreasing the weight of the guitar by about 2/3 of a pound, while maintaining several points of attachment between the guitar top and back to eliminate the “hollow” sound of the cavities and promote tone transfer.
With appointments like binding on the fretboard, classic bird inlays, and a vintage-inspired nitrocellulose finish, the 40th Anniversary McCarty SC56 Limited Edition blends heritage and innovation into a timeless instrument.
PRS Guitars continues its schedule of launching new products each month in 2025.
For more information, please visit prsguitars.com.
40th Anniversary McCarty SC56 Limited Edition | Demo | PRS Guitars - YouTube
The Future Impact V4 is an incredibly versatile pedal with an exceptional range of sounds. In addition to producing synthesizer sounds such as basses, leads and pads, it can function as an octaver, chorus, flanger, phaser, distortion, envelope filter, traditional wah-wah, tremolo, reverb, etc., and even has a built-in tuner. It can potentially replace an entire pedalboard of dedicated single-effect pedals.
The very powerful signal processor of the Future Impact V4 is able to replicate the various oscillator, filter, amplifier and envelope generator blocks found in classic synthesizers. In addition, it contains signal processing blocks more traditionally used for processing the sound of an instrument such as a harmonizer block and audio effects such as chorus, distortion and EQ. These architectures complement each other in a very flexible way.
Setting the standard for the bass guitar synth pedals since 2015, together with an enthusiastic community and long line of great artists, the Future Impact V4 is the guitar synth platform for the next decade.
