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Supro Unveils New Flanger

Supro Unveils New Flanger

Supro announces the arrival of their latest analog modulation effect and the first ever flanger to feature a Dimension switch that results in a double flanger effect.


Sibling to the Supro Chorus, the Supro Flanger is an all-analog, full-stereo modulation effect pedal that uses a quartet of genuine MN3009 Bucket Brigade IC chips to deliver the absolute richest Flanger effect possible while maintaining exceptional headroom. In addition to Speed and Width knobs, the Supro Flanger features a bi-directional Feedback control and a Sweep control that increases the delay time on one side of the stereo field while shortening the delay time on the other side.

Supro Flanger Demo with Zach Comtois | Supro

Featured for the first time in a flanger pedal, the Dimension switch crossfeeds the two channels into one another, creating the entrancing double-flanger effect of two delay lines being modulated in opposite directions, even when used in mono. Runs on standard 9VDC.

Available for preorder at select dealers worldwide. In stores this November. $289 US MAP

Stevie Van Zandt with ā€œNumber One,ā€ the ’80s reissue Stratocaster—with custom paisley pickguard from luthier Dave Petillo—that he’s been playing for the last quarter century or so.

Photo by Pamela Springsteen

With the E Street Band, he’s served as musical consigliere to Bruce Springsteen for most of his musical life. And although he stands next to the Boss onstage, guitar in hand, he’s remained mostly quiet about his work as a player—until now.

I’m stuck in Stevie Van Zandt’s elevator, and the New York City Fire Department has been summoned. It’s early March, and I am trapped on the top floor of a six-story office building in Greenwich Village. On the other side of this intransigent door is Van Zandt’s recording studio, his guitars, amps, and other instruments, his Wicked Cool Records offices, and his man cave. The latter is filled with so much day-glo baby boomer memorabilia that it’s like being dropped into a Milton Glaser-themed fantasy land—a bright, candy-colored chandelier swings into the room from the skylight.


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ā€œSometimes, I’d like very much for my guitar to sound exactly like a supa cobra.ā€

Luthier Creston Lea tells us about his favorite dirt pedal—an Athens, Georgia-made stomp that lets his guitar be a hero.

Let’s face it: Nobody can tell what overdrive pedal you’re using. Whether you’re in a carpeted suburban basement accompanying the hired clown at your nephew’s fifth birthday party or standing on the spot-lit monitor at Wembley, not one person knows whether the pedal at your feet cost $17 or $700, has true bypass, or has an internal DIP switch. Nobody leaning against the barn-dance corncrib or staunching a nosebleed up in the stadium’s cheap seats is thinking, ā€œHeavens yes!! THAT is the sound of a silicone diode!ā€

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A dual-channel tube preamp and overdrive pedal inspired by the Top Boost channel of vintage VOX amps.

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The compact offspring of the Roland SDE-3000 rack unit is simple, flexible, and capable of a few cool new tricks of its own.

Tonalities bridge analog and digital characteristics. Cool polyrhythmic textures and easy-to-access, more-common echo subdivisions. Useful panning and stereo-routing options.

Interactivity among controls can yield some chaos and difficult-to-duplicate sounds.

$219

Boss SDE-3 Dual Digital Delay
boss.info

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Though my affection for analog echo dwarfs my sentiments for digital delay, I don’t get doctrinaire about it. If the sound works, I’ll use it. Boss digital delays have been instructive in this way to me before: I used a Boss DD-5 in a A/B amp rig with an Echoplex for a long time, blending the slur and stretch of the reverse echo with the hazy, wobbly tape delay. It was delicious, deep, and complex. And the DD-5 still lives here just in case I get the urge to revisit that place.

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