Premier Guitar features affiliate links to help support our content. We may earn a commission on any affiliated purchases.

Alt-Tuning Curious with Ariel Posen

Canadian guitarist Ariel Posen joins the pod to talk about his slide guitar influences, how he broke into open tunings, and how to get the most out of your fuzz pedals.

Zach and Rhett kick things off with a catch-up on recent projects. Rhett celebrates his new 100-watt Two-Rock Classic Reverb Signature, which recently terrorized a couple sitting in the front row of one of his gigs. Then guitarist Ariel Posen logs on to, first and foremost, clear up how to pronounce his name.


Alt-Tuning Curious with Ariel Posen

Posen and Rhett swap horror stories from working on film sets, where they were expected to do way more than their job descriptions covered. Both agree that the film life is infinitely worse than touring. “I don’t know shit!” protests Posen. “I’m just a guitar player, dude!”

Thanks to Sweetwater for sponsoring this episode! Head to sweetwater.com for your musical gear needs.

Posen discusses how he got into playing slide in standard tuning by learning George Harrison leads (blues slide guitar was never his thing), but Canadian guitarist Kevin Breit inspired him to try open tunings, a process with “a lot of trial by fire, lots of, ‘oops, sorry!’” Blake Mills’ 2014 record Heigh Ho prompted Posen to chase lower tunings, although Korn, Limp Bizkit, and Big Wreck lit that same candle years earlier. For the open tuning-curious, Posen suggests starting in open E.

Posen talks about how he wrote his new record, and the honesty and simplicity behind his favorite lyricists like Jason Isbell. Finally, the trio dig into how to stack and squeeze the best sounds from your fuzz pedals. (Is a mini version of the Mythos Argo fuzz pedal coming? Zach doesn’t say yes—but he doesn’t say no, either.) Finally, the crew dips a slick Americana rig that draws near perfect scores.

On her new record with her trio, Molly Miller executes a live-feeling work of structural harmony that mirrors her busy life.

Photo by Anna Azarov

The accomplished guitarist and teacher’s new record, like her lifestyle, is taut and exciting—no more, and certainly no less, than is needed.

Molly Miller, a self-described “high-energy person,” is fully charged by the crack of dawn. When Ischeduled our interview, she opted for the very first slot available—8:30 a.m.—just before her 10 a.m. tennis match!

Read MoreShow less

George Benson’s Dreams Do Come True: When George Benson Meets Robert Farnonwas recorded in 1989. The collaboration came about after Quincy Jones told the guitarist that Farnon was “the greatest arranger in all the world.”

Photo by Matt Furman

The jazz-guitar master and pop superstar opens up the archive to release 1989’s Dreams Do Come True: When George Benson Meets Robert Farnon, and he promises more fresh collab tracks are on the way.

“Like everything in life, there’s always more to be discovered,”George Benson writes in the liner notes to his new archival release, Dreams Do Come True: When George Benson Meets Robert Farnon. He’s talking about meeting Farnon—the arranger, conductor, and composer with credits alongside Frank Sinatra, Tony Bennett, and Vera Lynn, among many others, plus a host of soundtracks—after Quincy Jones told the guitarist he was “the greatest arranger in all the world.”

Read MoreShow less

The new Jimi Hendrix documentary chronicles the conceptualization and construction of the legendary musician’s recording studio in Manhattan that opened less than a month before his untimely death in 1970. Watch the trailer now.

Read MoreShow less
Rivolta Guitars' Sferata | PG Plays
Rivolta Guitars' Sferata | PG Plays

PG contributor Tom Butwin dives into the Rivolta Sferata, part of the exciting new Forma series. Designed by Dennis Fano and crafted in Korea, the Sferata stands out with its lightweight simaruba wood construction and set-neck design for incredible playability.

Read MoreShow less