Dipped In Tone begins its partnership with Premier Guitar with Rhett Shull and Zack Broyles visiting Joe Bonamassa in Nerdville East, his Nashville home and museum. They talk vintage gear, guitar obsession, innovation versus tradition, and Dumbles. Many Dumbles … including a rare—even among these ultra-rare custom-built amps—example with a DI port for acoustic guitar made for the late songwriter Hoyt Axton. Bonamassa also explains his philosophy about taking guitars worth hundreds of thousands of dollars on the road and to local gigs, and what the future holds in store for his collection of 500 instruments—every one with a story. Also, our hosts “dip” Chris Shiflett’s rig, offering the Foo Fighters guitarist a few “pointers” on rebuilding his massive pedalboard while ogling his refinished 1957 Les Paul and his custom-built Telecaster called “the Cleaver.” But before they dive deep, Schull shows off his recently acquired 1989 R9 Les Paul from Norm’s Rare Guitars, and Broyles shows off the new super-Muff-style Positron Cascading Amplifier Distortion.
Dipped in Nerdville with Joe Bonamassa
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The day before they played the coveted Blue Room at Third Man Records in Nashville, the Washington, D.C.-based garage-punk duo Teen Mortgage released their debut record, Devil Ultrasonic Dream. Not a bad couple of days for a young band.
PG’s Chris Kies caught up with guitarist and vocalist James Guile at the Blue Room to find out how he builds the band’s bombastic guitar attack.
Brought to you by D’Addario.
Devilish Dunable
Guile has been known to use Telecasters and Gretsches in the past, but this time out he’s sticking with this Dunable Cyclops DE, courtesy of Gwarsenio Hall—aka Jordan Olds of metal-themed comedy talk show Two Minutes to Late Night. Guile digs the Dunable’s lightness on his shoulders, and its balance of high and low frequencies.
Storm Warning
What does Guile like about this Squier Cyclone? Simple: its color. This one is also nice and easy on the back, and Guile picked it up from Atomic Music in Beltsville, Maryland.
Crushing It
Guile also scooped this Music Man 410-HD from Atomic, which he got just for this tour for a pretty sweet deal. It runs alongside an Orange Crush Bass 100 to rumble out the low end.
James Guile’s Pedalboard
The Electro-Harmonix Micro POG and Hiwatt Filter Fuzz MkII run to the Orange, while everything else—a DigiTech Whammy, Pro Co Lil’ RAT, and Death by Audio Echo Dream 2—runs to the Music Man. A TC Helicon Mic Mechanic is on board for vocal assistance, and a TC Electronic PolyTune 3, Morley ABY, and Voodoo Labs Pedal Power 3 Plus keep the ship afloat.
