Premier Guitar features affiliate links to help support our content. We may earn a commission on any affiliated purchases.

Brad Paisley's G-Bender Magic on “Mud on the Tires”

"It's maybe the most important thing to me that the solos [I record] are things that I haven't done a million times," country guitarist and singer/songwriter Brad Paisley shares on this episode of Shred With Shifty. "That's getting harder and harder to do." But as Paisley walks host Chris Shiflett through his solo on "Mud on the Tires," the centerpiece of the interview, it's clear that Paisley can improvise melodies that don't necessarily need to clear that bar in order to hook and make a lasting impression on his listeners.


Brad was learning Chet Atkins-style thumbpicking in lessons from the age of 12, and while he later absorbed a rock vocabulary, Shifty comments that Brad always seems to play with a country feel. Throughout the episode, Brad frequently illustrates his points by playing riffs, in a way that shows that his connection with the instrument is a fluid one and a key part of how he expresses himself.

"Mud on the Tires" was originally recorded 20 years ago, in 2003. Brad's setup was either his '68 Paisley Tele or '52 Tele, recorded through a '63 Vox AC30 and a Dr. Z Z 28, the latter of which was run through a 15" JBL speaker. As he puts it, the AC30 fills the frequency gaps left by the Fender, making the combination a perfect sonic marriage. He says that live, he normally plays the solo on a guitar he's nicknamed "Splash," and they've had to replace the nut on it three times, due to how Paisley bends the 4th string on the space behind it at a certain point in the solo.

While rockin' his G bender, Brad has some trouble executing the solo's most elaborate middle riff during the solo breakdown, but his incredible chops pull through towards the end of the ep as he whips out the impressive lick. Shifty encourages followers to see if they can match it! That might be a tall order, but it is all part of the fun.

Connect with Chris!

Website / Instagram / Facebook / TikTok / Twitter / YouTube / Spotify

Credits

Producer: Jason Shadrick

Executive Producers: Brady Sadler and Jake Brennan for Double Elvis

Engineering Support by Matt Tahaney and Matt Beaudion

Video Editors: Dan Destefano and Addison Sauvan

Special thanks to Chris Peterson, Greg Nacron, and the entire Volume.com crew.

Featuring the SansAmp section, Reverb/Delay/Roto effects, and OMG overdrive, with new additions like a switchable Pre/Post Boost and Effect Loop. Pre-configured for the RK Killer Wail wah, this pedal offers versatile tones and unmatched flexibility.

Read MoreShow less

Featuring vintage tremolos, modern slicer effects, and stereo auto-panners, the update includes clever Rate and Tempo controls for seamless syncing and morphing.

Read MoreShow less
Bohlinger Tests EMG's SL20 Steve Lukather Pickguard on a '90s Strat
- YouTube

PG's demo master quickly (and easily) drops in an H-S-S setup into his 1994 40th Anniversary Stratocaster that needed help. Find out what happens when gets his first taste of active pickups.

Read MoreShow less

Barry Little’s onstage rig.

How you want to sound and what makes you happy are both highly subjective. When it comes to packing and playing gear for shows, let those considerations be your guide.

I was recently corresponding with Barry Little, aPG reader from Indiana, Pennsylvania, about “the One”—that special guitar that lets us play, and even feel, better when it’s in our hands. We got talking about the gear we bring to gigs, and Barry sent me the photo that appears with this column.

Read MoreShow less